Stephen Shore

Autore: Stephen Shore
Editore: Phaidon Press
ISBN: 9780714848631
Grandezza: 56,14 MB
Formato: PDF, Docs
Vista: 1603
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A photo-diary of Stephen Shore's experience crossing America in the 1970s. In 1972, Stephen Shore left New York City and set out with a friend to Amarillo, Texas. He didn't drive, so his first view of America was framed by the passenger's window frame. He was taken aback by the fact that his experience of life as a New Yorker had very little in common with the character and aspirations of Middle America. Later that year he set out again, this time on his own, with just a driver's licence and a Rollei 35 - a point-and-shoot camera - to explore the country through the eyes of an everyday tourist. The project was entitled American Surfaces, in reference to the superficial nature of his brief encounters with places and people, and the underlying character of the images that he hoped to capture. Shore photographed relentlessly and returned to New York triumphant, with hundreds of rolls of film spilling from his bags. In order to remain faithful to the conceptual foundations of the project, he followed the lead of most tourists of the time and sent his film to be developed and printed in Kodak's labs in New Jersey. The result was hundreds and hundreds of exquisitely composed colour pictures, that became the benchmark for documenting our fast-living, consumer-orientated world. The corpus of his work - following on from Walker Evans' and Robert Frank's epic experiences of crossing America - influenced photographers such as Martin Parr and Bernd & Hilla Becher, who in turn introduced a new generation of students to Shore's work.

American Surfaces 1972

Autore: Stephen Shore
Editore: Schirmer Trade Books
ISBN: 9783888144233
Grandezza: 35,81 MB
Formato: PDF, Docs
Vista: 7258
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Stephen Shore

Autore: Stephen Shore
Editore: Phaidon Press
ISBN: 9780714848631
Grandezza: 51,53 MB
Formato: PDF
Vista: 2306
Scaricare Leggi Online

A photo-diary of Stephen Shore's experience crossing America in the 1970s. In 1972, Stephen Shore left New York City and set out with a friend to Amarillo, Texas. He didn't drive, so his first view of America was framed by the passenger's window frame. He was taken aback by the fact that his experience of life as a New Yorker had very little in common with the character and aspirations of Middle America. Later that year he set out again, this time on his own, with just a driver's licence and a Rollei 35 - a point-and-shoot camera - to explore the country through the eyes of an everyday tourist. The project was entitled American Surfaces, in reference to the superficial nature of his brief encounters with places and people, and the underlying character of the images that he hoped to capture. Shore photographed relentlessly and returned to New York triumphant, with hundreds of rolls of film spilling from his bags. In order to remain faithful to the conceptual foundations of the project, he followed the lead of most tourists of the time and sent his film to be developed and printed in Kodak's labs in New Jersey. The result was hundreds and hundreds of exquisitely composed colour pictures, that became the benchmark for documenting our fast-living, consumer-orientated world. The corpus of his work - following on from Walker Evans' and Robert Frank's epic experiences of crossing America - influenced photographers such as Martin Parr and Bernd & Hilla Becher, who in turn introduced a new generation of students to Shore's work.

Atrazine In North American Surface Waters

Autore: Jeffrey M. Giddings
Editore: SETAC
ISBN: 1880611783
Grandezza: 54,42 MB
Formato: PDF, Kindle
Vista: 8028
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Culture And Criticism In Henry James

Autore: Dietmar Schloss
Editore: Gunter Narr Verlag
ISBN: 9783823350224
Grandezza: 45,45 MB
Formato: PDF
Vista: 5858
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Hicks Tribes And Dirty Realists

Autore: Robert Rebein
Editore: University Press of Kentucky
ISBN: 0813149975
Grandezza: 26,51 MB
Formato: PDF, ePub, Docs
Vista: 3218
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Robert Rebein argues that much literary fiction of the 1980s and 90s represents a triumphant, if tortured, return to questions about place and the individual that inspired the works of Hawthorne, Melville, Twain, Faulkner, and other giants of American literature. Concentrating on the realist bent and regional orientation in contemporary fiction, he discusses in detail the various names by which this fiction has been described, including literary postmodernism, minimalism, Hick Chic, Dirty Realism, ecofeminism, and more. Rebein's clearly written, nuanced interpretations of works by Raymond Carver, Cormac McCarthy, Don DeLillo, Louise Erdrich, Dorothy Allison, Barbara Kingsolver, E. Annie Proulx, Chris Offut, and others, will appeal to a wide range of readers.

Synthetic

Autore: Sophia Roosth
Editore: University of Chicago Press
ISBN: 022644046X
Grandezza: 59,99 MB
Formato: PDF, Mobi
Vista: 9332
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In the final years of the twentieth century, emigres from mechanical and electrical engineering and computer science resolved that if the aim of biology was to understand life, then making life would yield better theories than experimentation. Sophia Roosth, a cultural anthropologist, takes us into the world of these self-named synthetic biologists who, she shows, advocate not experiment but manufacture, not reduction but construction, not analysis but synthesis. Roosth reveals how synthetic biologists make new living things in order to understand better how life works. What we see through her careful questioning is that the biological features, theories, and limits they fasten upon are determined circularly by their own experimental tactics. This is a story of broad interest, because the active, interested making of the synthetic biologists is endemic to the sciences of our time."

College Bound

Autore: Dan Shiffman
Editore: SUNY Press
ISBN: 1438467249
Grandezza: 25,75 MB
Formato: PDF, Docs
Vista: 8490
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Argues that first- and second-generation Jewish American writers had an ambivalent relationship with educational success. Jewish American immigrants and their children have been stereotyped as exceptional educational achievers, with attendance at prestigious universities leading directly to professional success. In College Bound, Dan Shiffman uses literary accounts to show that American Jews’ relationship with education was in fact far more complex. Jews expected book learning to bring personal fulfillment and self-transformation, but the reality of public schools and universities often fell short. Shiffman examines a wide range of novels and autobiographies by first- and second-generation writers, including Abraham Cahan, Mary Antin, Anzia Yezierska, Elizabeth Gertrude Stern, Ludwig Lewisohn, Marcus Eli Ravage, Lionel Trilling, and Leo Rosten. Their visions of learning as a process of critical questioning—enlivening the mind, interrogating cultural standards, and confronting social injustices—present a valuable challenge to today’s emphasis on narrowly measurable outcomes of student achievement. “This is a rich, well-researched, and compelling study that displays a mastery of its authors and texts, as well as the relevant scholarly studies. It presents its findings in fluent, readable prose.” — Eric Sundquist, Johns Hopkins University “Shiffman makes an important and timely contribution to the field of American Jewish studies, especially involving the place of education at the turn of the twentieth century and into the war years.” — Victoria Aarons, Trinity University

Conversations With Paul Bowles

Autore: Paul Bowles
Editore: Univ. Press of Mississippi
ISBN: 9780878056507
Grandezza: 22,95 MB
Formato: PDF, ePub, Docs
Vista: 9128
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For the past forty years, Paul Bowles has answered questions about the autobiographical references in his novels (The Sheltering Sky, Let It Come Down, The Spider's House, and Up Above the World) and about his work as a composer in New York, all the time insisting, "I don't want anyone to know about me." In these more than twenty interviews dating from 1952 to the present, Bowles gives a variety of answers that reveal as much as they conceal. Too gracious to refuse interviews, he regards inquiries with the same clear-eyed detachment that marks his prose, wondering, "Why is it that Americans expect an artist's work to be a reflection of his life? They never seem to want to believe that the two can be independent of each other and go their separate ways." Despite his reticence, Bowles frankly discusses his "unconscious" writing practice, his views on the "illiterate imagination," existentialism, his various experiments with altered states of consciousness, and nearly fifty years of expatriate life in Morocco. Included are three interviews never before published, several interviews that originally appeared in now obscure journals, plus interviews by Jay Mclnerny for Vanity Fair, Jeffrey Bailey for The Paris Review, and Michael Rogers for Rolling Stone.

Expo 67

Autore: Rhona Richman Kenneally
Editore: University of Toronto Press
ISBN: 0802097081
Grandezza: 39,44 MB
Formato: PDF
Vista: 3219
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Expo 67, the world's fair held in Montreal during the summer of 1967, brought architecture, art, design, and technology together into a glittering modern package. Heralding the ideal city of the future to its visitors, the Expo site was perceived by critics as a laboratory for urban and architectural design as well as for cultural exchange, intended to enhance global understanding and international cooperation. This collection of essays brings new critical perspectives to Expo 67, an event that left behind a significant material and imaginative legacy. The contributors to this volume reflect a variety of interdisciplinary approaches and address Expo 67 across a broad spectrum ranging from architecture and film to more ephemeral markers such as postcards, menus, pavilion displays, or the uniforms of the hostesses employed on the site. Collectively, the essays explore issues of nationalism, the interplay of tradition and modernity, twentieth-century discourse about urban experience, and the enduring impact of Expo 67's technological experimentation. Expo 67: Not Just a Souvenir is a compelling examination of a world's fair that had a profound impact locally, nationally, and internationally.