Angela Carter And Surrealism

Author: Anna Watz
Editor: Routledge
ISBN: 1134968612
Size: 17,24 MB
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In 1972, Angela Carter translated Xavière Gauthier’s ground-breaking feminist critique of the surrealist movement, Surréalisme et sexualité (1971). Although the translation was never published, the project at once confirmed and consolidated Carter’s previous interest in surrealism, representation, gender and desire and aided her formulation of a new surrealist-feminist aesthetic. Carter’s sustained engagement with surrealist aesthetics and politics as well as surrealist scholarship aptly demonstrates what is at stake for feminism at the intersection of avant-garde aesthetics and the representation of women and female desire. Drawing on previously unexplored archival material, such as typescripts, journals, and letters, Anna Watz’s study is the first to trace the full extent to which Carter’s writing was influenced by the surrealist movement and its critical heritage. Watz’s book is an important contribution to scholarship on Angela Carter as well as to contemporary feminist debates on surrealism, and will appeal to scholars across the fields of contemporary British fiction, feminism, and literary and visual surrealism.

Surrealism And The Gothic

Author: Neil Matheson
Editor: Routledge
ISBN: 1351686453
Size: 19,25 MB
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Surrealism and the Gothic is the first book-length analysis of the role played by the gothic in both the initial emergence of surrealism and at key moments in its subsequent development as an art and literary movement. The book argues the strong and sustained influence, not only of the classic gothic novel itself – Ann Radcliffe, Charles Maturin, Matthew Lewis, etc. – but also the determinative impact of closely related phenomena, as with the influence of mediumism, alchemy and magic. The book also traces the later development of the gothic novel, as with Bram Stoker’s Dracula, and its mutation into such works of popular fiction as the Fantômas series of Marcel Allain and Pierre Souvestre, enthusiastically taken up by writers such as Apollinaire and subsequently feeding into the development of surrealism. More broadly, the book considers a range of motifs strongly associated with gothic writing, as with insanity, incarceration and the ‘accursed outsider’, explored in relation to the personal experience and electroshock treatment of Antonin Artaud. A recurring motif of the analysis is that of the gothic castle, developed in the writings of André Breton, Artaud, Sade, Julien Gracq and other writers, as well as in the work of visual artists such as Magritte.

Remaking The Readymade

Author: Adina Kamien-Kazhdan
Editor: Routledge
ISBN: 0429843569
Size: 20,94 MB
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Replication and originality are central concepts in the artistic oeuvres of Marcel Duchamp and Man Ray. Remaking the Readymade reveals the underlying and previously unexplored processes and rationales for the collaboration between Duchamp, Man Ray, and Arturo Schwarz on the replication of readymades and objects. The 1964 editioned replicas of the readymades sent shock waves through the art world. Even though the replicas undermined ideas of authorship and problematized the notion of identity and the artist, they paradoxically shared in the aura of the originals, becoming stand-ins for the readymades. Scholar-poet-dealer Arturo Schwarz played a crucial role, opening the door to joint or alternate authorship—an outstanding relationship between artist and dealer. By unearthing previously unpublished correspondence and documentary materials and combining this material with newly conducted exclusive interviews with key participants, Remaking the Readymade details heretofore unrevealed aspects of the technical processes involved in the (re)creation of iconic, long-lost Dada objects. Launched on the heels of the centenary of Duchamp’s Fountain, this new analysis intensifies and complicates our understanding of Duchamp and Man Ray’ initial conceptions, and raises questions about replication and authorship that will stimulate significant debate about the legacy of the artists, the continuing significance of their works, and the meaning of terms such as creativity, originality, and value in the formation of art.

Andr Breton In Exile

Author: Victoria Clouston
Editor: Routledge
ISBN: 1317181239
Size: 13,17 MB
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Following the journey of André Breton, the leader of the Surrealist movement, into exile during the Second World War, the author of this book traces the trajectory of his thought and poetic output from 1941–1948. Through a close examination of the major – and as yet little studied – works written during these years, she demonstrates how Breton’s quest for "a new myth" for the postwar world led him to widen his enquiry into hermeticism, myth, and the occult. This ground-breaking study establishes Breton’s profound intellectual debt to 19th-century Romanticism, its literature and thought, revealing how it defined his understanding of hermeticism and the occult, and examining the differences between the two. It shows how, having abandoned political action on leaving the Communist Party in 1935, Breton nonetheless held firmly to political thought, moving in his quest for a better world via Hermes Trismegistus across the utopian ideas of Charles Fourier and the "magical" practices of the Hopi Indians. The author finally reveals Breton’s misreading of the situation in postwar Paris on his return in 1946, and his failure to communicate the span of his ideas for creating a better society while at the same time maintaining a close connection between art and life.

Women Gays And The Constitution

Author: David A. J. Richards
Editor: University of Chicago Press
ISBN: 9780226712079
Size: 14,32 MB
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In this remarkable study, David A. J. Richards combines an interpretive history of culture and law, political philosophy, and constitutional analysis to explain the background, development, and growing impact of two of the most important and challenging human rights movements of our time, feminism and gay rights. Richards argues that both movements are extensions of rights-based dissent, rooted in antebellum abolitionist feminism that condemned both American racism and sexism. He sees the progressive role of such radical dissent as an emancipated moral voice in the American constitutional tradition. He examines the role of dissident African Americans, Jews, women, and homosexuals in forging alternative visions of rights-based democracy. He also draws special attention to Walt Whitman's visionary poetry, showing how it made space for the silenced and subjugated voices of homosexuals in public and private culture. According to Richards, contemporary feminism rediscovers and elaborates this earlier tradition. And, similarly, the movement for gay rights builds upon an interpretation of abolitionist feminism developed by Whitman in his defense, both in poetry and prose, of love between men. Richards explores Whitman's impact on pro-gay advocates, including John Addington Symonds, Havelock Ellis, Edward Carpenter, Oscar Wilde, and André Gide. He also discusses other diverse writers and reformers such as Margaret Sanger, Franz Boas, Elizabeth Stanton, W. E. B. DuBois, and Adrienne Rich. Richards addresses current controversies such as the exclusion of homosexuals from the military and from the right to marriage and concludes with a powerful defense of the struggle for such constitutional rights in terms of the principles of rights-based feminism.

The Possibility Of Culture

Author: Bradley Murray
Editor: John Wiley & Sons
ISBN: 1118950674
Size: 16,80 MB
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The Possibility of Culture: Pleasure and Moral Development in Kant’s Aesthetics presents an in-depth exploration and deconstruction of Kant’s depiction of the ways in which aesthetic pursuits can promote personal moral development. Presents an in-depth exploration of the connection between Kant’s aesthetics and his views on moral development Reveals the links between Kant’s aesthetics and his anthropology and moral psychology Explores Kant’s notion of genius and his views on the connections between the social aspects of taste and moral development Addresses aspects of Kant’s ethical theory that will interest scholars working in ethics and moral psychology

A S Byatt

Author: Alexa Alfer
Editor: Oxford University Press
ISBN: 1847792596
Size: 15,71 MB
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This comprehensive study of A. S. Byatt's work spans virtually her entire career and offers insightful readings of all of Byatt's works of fiction up to and including her Man-Booker-shortlisted novel The Children's Book (2009). The authors combine an accessible overview of Byatt's uvre to date with close critical analysis of all her major works. Uniquely, the book also considers Byatt's critical writings and journalism, situating her beyond the immediate context of her fiction. The authors argue that Byatt is not only important as a storyteller, but also as an eminent critic and public intellectual. Advancing the concept of 'critical storytelling' as a hallmark of Byatt's project as a writer, the authors retrace Byatt's wide-ranging engagement with both literary and critical traditions. This results in positioning Byatt in the wider literary landscape. This book has broad appeal, including fellow researchers, undergraduate and postgraduate students, plus general enthusiasts of Byatt's work.

Rereading Heterosexuality Feminism Queer Theory And Contemporary Fiction

Author: Rachel Carroll
Editor: Edinburgh University Press
ISBN: 0748649085
Size: 18,14 MB
Format: PDF
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Heterosexuality in contemporary novels, re-examined using the frameworks of feminism and queer theory. Drawing on feminist and queer theories of sex, gender and sexuality, this study focuses on female identities at odds with heterosexual norms. In particular, it explores narratives in which the conventional equation between heterosexuality, reproductive sexuality and female identity is questioned.

Nights At The Circus

Author: Angela Carter
Editor: Random House
ISBN: 1409015335
Size: 13,13 MB
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WITH AN INTRODUCTION BY SARAH WATERS Is Sophie Fevvers, toast of Europe's capitals, part swan...or all fake? Courted by the Prince of Wales and painted by Toulouse-Lautrec, she is an aerialiste extraordinaire and star of Colonel Kearney's circus. She is also part woman, part swan. Jack Walser, an American journalist, is on a quest to discover the truth behind her identity. Dazzled by his love for her, and desperate for the scoop of a lifetime, Walser has no choice but to join the circus on its magical tour through turn-of-the-nineteenth-century London, St Petersburg and Siberia.