Audio In Media

Autore: Stanley Alten
Editore: Cengage Learning
ISBN: 113330723X
Grandezza: 48,56 MB
Formato: PDF, Mobi
Vista: 1737
Download Read Online

In AUDIO IN MEDIA, Tenth Edition, Stanley Alten -- internationally recognized as a scholar and expert in the area of audio production -- continues to provide students with an introduction to the basic techniques and principles necessary for audio production in today’s media. The clear, current illustrations and photos and student-friendly writing in Alten’s market-leading text have helped professors effectively teach this technically based course to thousands of introductory audio-production students. Comprehensive, technically accurate, and up-to-date, the text covers informational, perceptual, and aesthetic aspects of sound as they apply to each stage of the production process, from planning to postproduction. Important Notice: Media content referenced within the product description or the product text may not be available in the ebook version.

Audio In Media

Autore: Stanley Alten
Editore: Cengage Learning
ISBN: 049557239X
Grandezza: 42,67 MB
Formato: PDF, ePub
Vista: 4098
Download Read Online

In AUDIO IN MEDIA, Ninth Edition, Stanley Alten--internationally recognized as a scholar and expert in the area of audio production--continues to provide students with an introduction to the basic techniques and principles necessary for audio production in today’s media. The clear and current illustrations and photos and student-friendly writing in Alten’s market-leading text have helped professors effectively teach this operationally-based course to thousands of introductory audio production students. Comprehensive, accurate, and up-to-date, the text covers informational, perceptual, and aesthetic aspects of sound as they apply to each stage of the production process--from planning to post-production. Important Notice: Media content referenced within the product description or the product text may not be available in the ebook version.

Audio In Media

Autore: Stanley R. Alten
Editore: Wadsworth Publishing Company
ISBN: 9781133957621
Grandezza: 63,68 MB
Formato: PDF, ePub
Vista: 1587
Download Read Online

In AUDIO IN MEDIA, 10E, International Edition Stanley Alten -- internationally recognized as a scholar and expert in the area of audio production -- continues to provide students with an introduction to the basic techniques and principles necessary for audio production in today's media. The clear, current illustrations and photos and student-friendly writing in Alten's market-leading text have helped professors effectively teach this technically based course to thousands of introductory audio-production students. Comprehensive, technically accurate, and up-to-date, the text covers informational, perceptual, and aesthetic aspects of sound as they apply to each stage of the production process, from planning to postproduction.

Recording And Producing Audio For Media

Autore: Stanley R. Alten
Editore: Muska/Lipman
ISBN: 9781435460652
Grandezza: 77,96 MB
Formato: PDF, ePub, Mobi
Vista: 4155
Download Read Online

Presents an introduction to the techniques and principles of each stage of the audio production process.

Audio In Media

Autore: CTI Reviews
Editore: Cram101 Textbook Reviews
ISBN: 1467285862
Grandezza: 61,15 MB
Formato: PDF, ePub, Docs
Vista: 4926
Download Read Online

Facts101 is your complete guide to Audio in Media. In this book, you will learn topics such as as those in your book plus much more. With key features such as key terms, people and places, Facts101 gives you all the information you need to prepare for your next exam. Our practice tests are specific to the textbook and we have designed tools to make the most of your limited study time.

From Pac Man To Pop Music

Autore: Karen Collins
Editore: Routledge
ISBN: 1351217720
Grandezza: 30,16 MB
Formato: PDF, Mobi
Vista: 8002
Download Read Online

Digital interactive audio is the future of audio in media - most notably video games, but also web pages, theme parks, museums, art installations and theatrical events. Despite its importance to contemporary multi-media, this is the first book that provides a framework for understanding the history, issues and theories surrounding interactive audio. Karen Collins presents the work of academics, composers and sound programmers to introduce the topic from a variety of angles in order to provide a supplementary text for music and multimedia courses. The contributors cover practical and theoretical approaches, including historical perspectives, emerging theories, socio-cultural approaches to fandom, reception theory and case study analyses. The book offers a fresh perspective on media music, one that will complement film studies, but which will show the necessity of a unique approach when considering games music.

Audio Video And Media In The Ministry

Autore: Clarence Floyd Richmond
Editore: Thomas Nelson
ISBN: 1418560480
Grandezza: 22,28 MB
Formato: PDF, ePub, Mobi
Vista: 5898
Download Read Online

In a worship service, a great measure of responsibility rests on those who volunteer in the audio, video, and media ministries. When everything is going well, no one notices, but when the microphones don’t work or the projected song lyrics aren't in sync, everyone does. A well-functioning audio, video, and media team can help the congregation enter into a deeper and more meaningful worship. Each area of AV ministry is included: sound, projection, lighting, audio, video, broadcast, and web. The book also provides tips and instructions on selecting equipment and the set-up, storage, operation, and maintenance of it. Other leadership topics such as trouble-shooting problems in rehearsal and during services as well as tips for working with ministry leaders, musicians, and fellow congregants are discussed. If you’re a new volunteer to this ministry or just wanting a topical refresher, this handbook is the perfect guide for you.

Media For All

Autore: Pilar Orero
Editore: Rodopi
ISBN: 904202304X
Grandezza: 80,74 MB
Formato: PDF, ePub
Vista: 6762
Download Read Online

This book, a first in its kind, offers a survey of the present state of affairs in media accessibility research and practice. It focuses on professional practices which are relative newcomers within the field of audiovisual translation and media studies, namely, audio description for the blind and visually impaired, sign language, and subtitling for the deaf and the hard-of-hearing for television, DVD, cinema, internet and live performances.Thanks to the work of lobbying groups and the introduction of legislation in some countries, media accessibility is an area that has recently gained marked visibility in our society. It has begun to appear in university curricula across Europe, and is the topic of numerous specialised conferences. The target readership of this book is first and foremost the growing number of academics involved in audiovisual translation at universities ? researchers, teachers and students ? but it is also of interest to the ever-expanding pool of practitioners and translators, who may wish to improve their crafts. The collection also addresses media scholars, members of deaf and blind associations, TV channels, and cinema or theatre managements who have embarked on the task of making their programmes and venues accessible to the visually and hearing impaired.Table of contentsAcknowledgementsJorge DIAZ CINTAS, Pilar ORERO, Aline REMAEL: Media for all: a global challengeSection 1: Subtitling for the deaf and hard-of-hearing (SDH) Aline REMAEL: Sampling subtitling for the deaf and the hard-of-hearing in EuropeClive MILLER: Access symbols for use with video content and information and communications technology devicesChristopher STONE: Deaf access for Deaf people: the translation of the television news from English into British Sign LanguageJoselia NEVES: A world of change in a changing worldVera Lucia SANTIAGO ARAUJO: Subtitling for the deaf and hard-of-hearing in BrazilSection 2: Audio description (AD) Pilar ORERO: Sampling audio description in EuropeJoan GREENING, Deborah ROLPH: Accessibility: raising awareness of audio description in the UKGert VERCAUTEREN: Towards a European guideline for audio descriptionAndrew SALWAY: A corpus-based analysis of audio descriptionJulian BOURNE, Catalina JIMENEZ HURTADO: From the visual to the verbal in two languages: a contrastive analysis of the audio description of The Hours in English and SpanishKarin De COSTER, Volkmar MUHLEIS: Intersensorial translation: visual art made up by wordsAnna MATAMALA, Pilar ORERO: Accessible opera in Catalan: opera for allGreg YORK: Verdi made visible: audio introduction for opera and balletJessica YEUNG: Audio description in the Chinese worldNotes on contributorsIndex

Beginning Html5 Media

Autore: Silvia Pfeiffer
Editore: Apress
ISBN: 1484204603
Grandezza: 54,93 MB
Formato: PDF
Vista: 4339
Download Read Online

Beginning HTML5 Media, Second Edition is a comprehensive introduction to HTML5 video and audio. The HTML5 video standard enables browsers to support audio and video elements natively. This makes it very easy for web developers to publish audio and video, integrating both within the general presentation of web pages. For example, media elements can be styled using CSS (style sheets), viewed on a mobile device, and manipulated in a Canvas or an audio filter graph. The book offers techniques for providing accessibility to media elements, enabling consistent handling of alternative representations of media resources. The update includes all of the changes and revisions since the first HTML5 draft. Beginning HTML5 Media dives deep into the markup that is introduced for media element support in browsers. You’ll explore the default user interface offered through browsers for media elements, as well as the JavaScript API provided to control their behavior. You’ll also learn how to account for H.264, WebM and Ogg Theora codecs as well as explore the emerging Web Audio API standard, which provides an extensive set of hardware-accelerated audio filters to achieve a level of audio signal manipulation in the browser previously only available to audio professionals.

Inner Sound

Autore: Jonathan Weinel
Editore: Oxford University Press
ISBN: 0190671181
Grandezza: 26,56 MB
Formato: PDF, ePub, Docs
Vista: 3944
Download Read Online

Over the last century, developments in electronic music and art have enabled new possibilities for creating audio and audio-visual artworks. With this new potential has come the possibility for representing subjective internal conscious states, such as the experience of hallucinations, using digital technology. Combined with immersive technologies such as virtual reality goggles and high-quality loudspeakers, the potential for accurate simulations of conscious encounters such as Altered States of Consciousness (ASCs) is rapidly advancing. In Inner Sound, author Jonathan Weinel traverses the creative influence of ASCs, from Amazonian chicha festivals to the synaesthetic assaults of neon raves; and from an immersive outdoor electroacoustic performance on an Athenian hilltop to a mushroom trip on a tropical island in virtual reality. Beginning with a discussion of consciousness, the book explores how our subjective realities may change during states of dream, psychedelic experience, meditation, and trance. Taking a broad view across a wide range of genres, Inner Sound draws connections between shamanic art and music, and the modern technoshamanism of psychedelic rock, electronic dance music, and electroacoustic music. Going beyond the sonic into the visual, the book also examines the role of altered states in film, visual music, VJ performances, interactive video games, and virtual reality applications. Through the analysis of these examples, Weinel uncovers common mechanisms, and ultimately proposes a conceptual model for Altered States of Consciousness Simulations (ASCSs). This theoretical model describes how sound can be used to simulate various subjective states of consciousness from a first-person perspective, in an interactive context. Throughout the book, the ethical issues regarding altered states of consciousness in electronic music and audio-visual media are also examined, ultimately allowing the reader not only to consider the design of ASCSs, but also the implications of their use for digital society.