Johannes Brahms

Autore: Jan Swafford
Editore: Vintage
ISBN: 0307809897
Grandezza: 70,72 MB
Formato: PDF, Kindle
Vista: 6660
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An illuminating new biography of one of the most beloved of all composers, published on the hundredth anniversary of his death, brilliantly written by a finalist for the 1996 National Book Critics Circle Award. Johannes Brahms has consistently eluded his biographers. Throughout his life, he attempted to erase traces of himself, wanting his music to be his sole legacy. Now, in this masterful book, Jan Swafford, critically acclaimed as both biographer and composer, takes a fresh look at Brahms, giving us for the first time a fully realized portrait of the man who created the magnificent music. Brahms was a man with many friends and no intimates, who experienced triumphs few artists achieve in their lifetime. Yet he lived with a relentless loneliness and a growing fatalism about the future of music and the world. The Brahms that emerges from these pages is not the bearded eminence of previous biographies but rather a fascinating assemblage of contradictions. Brought up in poverty, he was forced to play the piano in the brothels of Hamburg, where he met with both mental and physical abuse. At the same time, he was the golden boy of his teachers, who found themselves in awe of a stupendous talent: a miraculous young composer and pianist, poised between the emotionalism of the Romantics and the rigors of the composers he worshipped--Bach, Mozart, Beethoven. In 1853, Robert Schumann proclaimed the twenty-year-old Brahms the savior of German music. Brahms spent the rest of his days trying to live up to that prophecy, ever fearful of proving unworthy of his musical inheritance. We find here more of Brahms's words, his daily life and joys and sorrows, than in any other biography. With novelistic grace, Swafford shows us a warm-blooded but guarded genius who hid behind jokes and prickliness, rudeness and intractability with his friends as well as his enemies, but who was also a witty drinking companion and a consummate careerist skillfully courting the powerful. This is a book rich in secondary characters as well, including Robert Schumann, declining into madness as he hailed the advent of a new genius; Clara Schumann, the towering pianist, tormented personality, and great love of Brahms's life; Josef Joachim, the brilliant, self-lacerating violinist; the extraordinary musical amateur Elisabet von Herzogenberg, on whose exacting criticism Brahms relied; Brahms's rival and shadow, the malevolent genius Richard Wagner; and Eduard Hanslick, enemy of Wagner and apostle of Brahms, at once the most powerful and most wrongheaded music critic of his time. Among the characters in the book are two great cities: the stolid North German harbor town of Hamburg where Johannes grew up, which later spurned him; and glittering, fickle, music-mad Vienna, where Brahms the self-proclaimed vagabond finally settled, to find his sweetest triumphs and his most bitter failures. Unique to this book is the way in which musical scholarship and biography are combined: in a style refreshingly free of pretentiousness, Jan Swafford takes us deep into the music--from the grandeur of the First Symphony and the intricacies of the chamber work to the sorrow of the German Requiem--allowing us to hear these familiar works in new and often surprising ways. This is a clear-eyed study of a remarkable man and a vivid portrait of an era in transition. Ultimately, Johannes Brahms is the story of a great, backward-looking artist who inspired musical revolutionaries of the following generations, yet who was no less a prophet of the darkness and violence of our century. A biographical masterpiece at once wholly original and definitive. From the Hardcover edition.

Brahms A German Requiem

Autore: Michael Musgrave
Editore: Cambridge University Press
ISBN: 9780521409957
Grandezza: 50,57 MB
Formato: PDF, ePub
Vista: 9238
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A detailed study examining The German Requiem, Brahms's controversial, and his largest, masterpiece.

Johannes Brahms

Autore: Heather Platt
Editore: Routledge
ISBN: 1135847088
Grandezza: 45,86 MB
Formato: PDF, ePub, Docs
Vista: 3268
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First published in 2011. Routledge is an imprint of Taylor & Francis, an informa company.

Brahms

Autore: Hans Adolf Neunzig
Editore: Haus Publishing
ISBN: 9781904341178
Grandezza: 13,80 MB
Formato: PDF, ePub
Vista: 6925
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Accessible and affordable biography illustrated throughout with over 30 full-color plates

Johannes Brahms

Autore: Johannes Brahms
Editore: Oxford University Press on Demand
ISBN: 9780199247738
Grandezza: 74,55 MB
Formato: PDF
Vista: 641
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'Styra Avins's massive selected letters, scrupulously translated in collaboration with Josef Eisinger has rapidly established itself as the classic text, with her linking narrative and annotations virtually doubling as a biography' -BBC Music Magazine'Occasionally a book comes along which changes perceptions of its subject. This is such a book. Her annotations are not only scholarly but often witty and always full of common sense' - Michael Kennedy, Sunday Telegraph'Delightful and absorbing. It is going to become an absolutely central work of reference: I expect to be using it for the rest of my life' -Calum MacDonald, BBC Music MagazinePublished to mark the centenary of Brahms's death in 1897, this is the first comprehensive English language collection of Brahms's letters. It contains over 550 letters, including more than a dozen previously unpublished in any language. The letters are woven together with an extended biographical narrative, and span the entire life of the composer. The book is written for the general music-lover, but is documented with scholarly care. Brahms enthusiasts will enjoy learning from his own words about the man who wrote such great music.

Brahms And His World

Autore: Walter Frisch
Editore: Princeton University Press
ISBN: 1400833620
Grandezza: 61,76 MB
Formato: PDF, ePub, Mobi
Vista: 7807
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Since its first publication in 1990, Brahms and His World has become a key text for listeners, performers, and scholars interested in the life, work, and times of one of the nineteenth century's most celebrated composers. In this substantially revised and enlarged edition, the editors remain close to the vision behind the original book while updating its contents to reflect new perspectives on Brahms that have developed over the past two decades. To this end, the original essays by leading experts are retained and revised, and supplemented by contributions from a new generation of Brahms scholars. Together, they consider such topics as Brahms's relationship with Clara and Robert Schumann, his musical interactions with the "New German School" of Wagner and Liszt, his influence upon Arnold Schoenberg and other young composers, his approach to performing his own music, and his productive interactions with visual artists. The essays are complemented by a new selection of criticism and analyses of Brahms's works published by the composer's contemporaries, documenting the ways in which Brahms's music was understood by nineteenth- and early twentieth-century audiences in Europe and North America. A new selection of memoirs by Brahms's friends, students, and early admirers provides intimate glimpses into the composer's working methods and personality. And a catalog of the music, literature, and visual arts dedicated to Brahms documents the breadth of influence exerted by the composer upon his contemporaries.

Brahms 2

Autore: Michael Musgrave
Editore: Cambridge University Press
ISBN: 9780521326063
Grandezza: 50,19 MB
Formato: PDF, ePub, Docs
Vista: 3375
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This second volume of Brahms studies contains twelve contributions by leading international authorities on various music. Like the preceding volume of the same title (edited by Robert Pascall), Michael Musgrave's volume aims to provide original scholarly material on different facets of a major composer still inadequately discussed in book form and employs more precise methods of analysis and more critical approaches to materials then generally available in writings on Brahms in English. Half of the volume takes the music itself as focus, though from very different vantage points. There are two studies of a single opus (the two String Quartets Op. 51 Nos, 1 and 2), discussions of the Fourth Symphony and the motet 'Warum', and a view of Brahms's harmony. The underlying historical theme emerges more openly in an account of Brahms's interest in German Renaissance music. The remaining essays give details of the state of Brahms's unpublished compositions and arrangements at his death and the problematic disposal of his possessions (including musical ones), explore his own attitude to his historical position, and outline the reception of his music in Germany and, to begin with, in England.

Johannes Brahms And Klaus Groth

Autore: Peter Russell
Editore: Ashgate Publishing, Ltd.
ISBN: 9780754655442
Grandezza: 73,40 MB
Formato: PDF
Vista: 9652
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The relationship between the composer Johannes Brahms and the poet Klaus Groth was a very special one, and one that deserves greater recognition. Peter Russell has made careful selections from the 89 letters between the two that illuminate the personalities, lives and works of both men. Alongside the letters, Russell provides a substantial commentary that includes analyses of Brahms's music and critical assessment of Groth's poems.

The Variations Of Johannes Brahms

Autore: Julian Littlewood
Editore: Plumbago Books and Arts
ISBN: 9780954012342
Grandezza: 17,64 MB
Formato: PDF
Vista: 3737
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Variation is a fundamental musical principle, yet its most naked expression - variation form - resists all but the broadest of descriptions. This book offers listener, performer, analyst and composer an eclectic array of approaches to `Theme and Variations', including: patterns of departure and return; real versus perceived time; strategies of propulsion and closure in an intrinsically cyclic and open-ended form; the interplay of authorial voices deriving from dialogue between the `self' of variations and the `other' of their theme; critique of a theme through a set's generic references; drama and narrative achieved through textural and tonal control; and the intrinsic sound of a variation, so different from that of a freely composed work. These topics are introduced through a general survey of the form, seen through the prisms of the provenance of themes and the ideologies of sets, before being developed through close study of Brahms's variation sets and movements. Brahms was supremely aware of his place in music history and was uncommonly self-conscious in his manipulation of different techniques of composition. His variation sets - some of the most well-crafted and beloved examples - place the interplay of forms and styles at the heart of their identity. Moreover, in their stunning breadth and diversity they offer a microcosm of Brahms's entire output, a succinct revelation of his life-long concerns. Through them we marvel at his technical and poetic mastery, and journey to the heart of his creative character.

Brahms In The Home And The Concert Hall

Autore: Katy Hamilton
Editore: Cambridge University Press
ISBN: 1107042704
Grandezza: 41,96 MB
Formato: PDF, Docs
Vista: 5556
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"Johannes Brahms was a consummate professional musician, a successful pianist, conductor, music director, editor and composer. Yet he also faithfully championed the world of private music-making, creating many works and arrangements for enjoyment in the home by amateurs. This collection explores Brahms's public and private musical identities from various angles: the original works he wrote with amateurs in mind; his approach to creating piano arrangements of not only his own, but also other composers' works; his relationships with his arrangers; the deeper symbolism and lasting legacy of private music-making in his day; and a hitherto unpublished memoir which evokes his Viennese social world. Using Brahms as their focus point, the contributors trace the overlapping worlds of public and private music-making in the nineteenth century, discussing the boundaries between the composer's professional identity and his lifelong engagement with amateur music-making"--