First Person Fictions

Autore: Mary R. Lefkowitz
Editore: Oxford University Press
ISBN: 9780198146865
Grandezza: 40,73 MB
Formato: PDF
Vista: 6700
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This collection of essays, although written over a period of almost 30 years, deals with one problem: who is the I in the odes of the most celebrated ancient Greek poet, Pindar?. since antiquity, the complex and allusive language of the first-person statements has provoked many different answers, Professor Lefkowitz describes the function and nature of Pindar's I statements and proposes a controversial solution that would cause some histories of Greek literature to be rewritten. Rather than accept the view that the identity of the speaker could be subject to instant and unannounced change, she proposes that the voice of the victory odes is the poet himself, in his most professional persona. Professor Lefkowitz also refutes the traditional belief that the odes were sung by a chorus. She shows that in most, if not all cases, they were sung as solos and that Pindar was continuing the tradition established by the Homeric bards.

The Romance Of Failure

Autore: Jonathan Auerbach
Editore: Oxford University Press
ISBN: 9780195345254
Grandezza: 41,30 MB
Formato: PDF, Docs
Vista: 8883
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This book focuses on the intense intimacy between author and first-person narrator in the fictions of Poe, Hawthorne, and James in order to defend the beleaguered "I" in these works against the depersonalizing tendencies of postructuralism. In reaffirming the importance of the human subject for the study of narrative, Auerbach shows how the first person form, in particular, underscores fundamental problems of literary representation: how fictions come to be made, and the relation between these plots and the people who make them.

First Person Fiction Behind The Mountains

Autore: Edwidge Danticat
Editore: Scholastic Inc.
ISBN: 0545843235
Grandezza: 37,28 MB
Formato: PDF, Mobi
Vista: 5690
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First Person Fiction is dedicated to the immigrant experience in modern America. In "Behind the Mountains" Edwidge Danticat tells the story of Celiane and her family's struggles in Haiti and New York. It is election time in Haiti, and bombs are going off in the capital city of Port-au-Prince. During a visit from her home in rural Haiti, Celiane Espérance and her mother are nearly killed. Looking at her country with new eyes, Celiane gains a fresh resolve to be reunited with her father in Brooklyn, New York. The harsh winter and concrete landscape of her new home are a shock to Celiane, who witnesses her parents' struggle to earn a living, her brother's uneasy adjustment to American society, and her own encounters with learning difficulties and school violence.

First Person Fiction Call Me Maria

Autore: Judith Ortiz Cofer
Editore: Scholastic Inc.
ISBN: 0545913071
Grandezza: 15,84 MB
Formato: PDF, ePub, Docs
Vista: 4558
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A new novel from the award-winning author of AN ISLAND LIKE YOU, winner of the Pura Belpre Award. Maria is a girl caught between two worlds: Puerto Rico, where she was born, and New York, where she now lives in a basement apartment in the barrio. While her mother remains on the island, Maria lives with her father, the super of their building. As she struggles to lose her island accent, Maria does her best to find her place within the unfamiliar culture of the barrio. Finally, with the Spanglish of the barrio people ringing in her ears, she finds the poet within herself. In lush prose and spare, evocative poetry, Cofer weaves a powerful novel, bursting with life and hope.

The First Person Fiction Of Henry James

Autore: William R. Macnaughton
Editore:
ISBN:
Grandezza: 48,17 MB
Formato: PDF, ePub, Mobi
Vista: 1443
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First Person Fiction Flight To Freedom

Autore: Ana Veciana-Suarez
Editore: Scholastic Inc.
ISBN: 0545231213
Grandezza: 63,34 MB
Formato: PDF, ePub, Mobi
Vista: 5582
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First Person Fiction is dedicated to the immigrant experience in modern America. "Flight to Freedom" is closely based on Suarez's own story of leaving Cuba during the Freedom Flights of the 1960s. Yara Garcia and her family live a middle-class life in Havana, Cuba. But in 1967, as Communist ruler Fidel Castro tightens his hold on Cuba, the Garcias, who do not share the political beliefs of the Communist Party, are forced to flee to Miami, Florida. There, Yara encounters a strange land with foreign customs. She knows very little English, and she finds that the other students in her new school have much more freedom than she and her sisters. Tension develops between her parents, as Mami grows more independent and Papi joins a militant anti-Castro organization.

The Split Subject Of Narration In Elizabeth Gaskell S First Person Fiction

Autore: Anna Koustinoudi
Editore: Lexington Books
ISBN: 0739171631
Grandezza: 70,66 MB
Formato: PDF, Docs
Vista: 9273
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The Split Subject of Narration in Elizabeth Gaskell’s First-Person Fiction analyzes a number of Elizabeth Gaskell's first-person works through a post-modern perspective employing such theoretical frameworks as psychoanalytic theory, narratology, and gender theory. It attempts to explore the problematics of Victorian subjectivity, bringing into focus the ways in which both her realistic and Gothic texts undercut and interrogate post-Romantic assumptions about an autonomous and coherent speaking and/or narrating subject. The essential argument of the book is that the mid-nineteenth-century narrating “I”, in its communal, voyeuristic, and Gothic manifestations emerges as painfully divided, lacking, unstable, ailing, and hence unreliable, pre-figuring, at the same time, later forms of self-conscious narration in fiction. Furthermore, it is also exposed as performative, one that can be seen as a simulacrum without an original, and, consequently, at odds with post-Romantic, empiricist assumptions about the factuality, centrality, and rationality of the human subject, while at the same time, clinging to illusions of autonomy. Plagued by its own self-awareness, the narrating “I” is alienated both from itself as well as from those it attempts to represent, including its own narrated counterpart. To this effect, it argues that throughout a trajectory of configurations, psychic investments and imaginary identifications, embedded in and conditioned by the workings of desire and ideology, both of which underpin discursive and representational practices, narrative subjectivity in Gaskell’s first-person fiction manifests itself as the product of a misrecognized encounter between the subject who narrates and that which is being narrated. Both are essentially unable to see their split character and the alienating chasm opened up between them, for the former, on the level of narration, and, for the latter, on a thematic level.

Discussion Guide

Autore: Katy Stangland
Editore:
ISBN:
Grandezza: 64,62 MB
Formato: PDF, Mobi
Vista: 5975
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Fictions Of Identity In Dickens

Autore: Cynthia Northcutt Malone
Editore:
ISBN:
Grandezza: 13,10 MB
Formato: PDF, ePub
Vista: 4579
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Fiction

Autore: Laurie G. Kirszner
Editore: Paulinas
ISBN: 9780155010147
Grandezza: 41,30 MB
Formato: PDF, ePub
Vista: 6250
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Includes the fiction section from Literature: Reading, Reacting, Writing 2/e with three student papers and works by women, minority, non-Western and contemporary authors.