First Person Fictions

Autore: Mary R. Lefkowitz
Editore: Oxford University Press
ISBN: 9780198146865
Grandezza: 43,16 MB
Formato: PDF, Kindle
Vista: 8706
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This collection of essays, although written over a period of almost 30 years, deals with one problem: who is the I in the odes of the most celebrated ancient Greek poet, Pindar?. since antiquity, the complex and allusive language of the first-person statements has provoked many different answers, Professor Lefkowitz describes the function and nature of Pindar's I statements and proposes a controversial solution that would cause some histories of Greek literature to be rewritten. Rather than accept the view that the identity of the speaker could be subject to instant and unannounced change, she proposes that the voice of the victory odes is the poet himself, in his most professional persona. Professor Lefkowitz also refutes the traditional belief that the odes were sung by a chorus. She shows that in most, if not all cases, they were sung as solos and that Pindar was continuing the tradition established by the Homeric bards.

The Romance Of Failure

Autore: Jonathan Auerbach
Editore: Oxford University Press
ISBN: 9780195345254
Grandezza: 14,69 MB
Formato: PDF, ePub, Mobi
Vista: 9416
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This book focuses on the intense intimacy between author and first-person narrator in the fictions of Poe, Hawthorne, and James in order to defend the beleaguered "I" in these works against the depersonalizing tendencies of postructuralism. In reaffirming the importance of the human subject for the study of narrative, Auerbach shows how the first person form, in particular, underscores fundamental problems of literary representation: how fictions come to be made, and the relation between these plots and the people who make them.

First Person Fiction Call Me Maria

Autore: Judith Ortiz Cofer
Editore: Scholastic Inc.
ISBN: 0545913071
Grandezza: 45,42 MB
Formato: PDF, Mobi
Vista: 6278
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A new novel from the award-winning author of AN ISLAND LIKE YOU, winner of the Pura Belpre Award. Maria is a girl caught between two worlds: Puerto Rico, where she was born, and New York, where she now lives in a basement apartment in the barrio. While her mother remains on the island, Maria lives with her father, the super of their building. As she struggles to lose her island accent, Maria does her best to find her place within the unfamiliar culture of the barrio. Finally, with the Spanglish of the barrio people ringing in her ears, she finds the poet within herself. In lush prose and spare, evocative poetry, Cofer weaves a powerful novel, bursting with life and hope.

First Person Fiction Behind The Mountains

Autore: Edwidge Danticat
Editore: Scholastic Inc.
ISBN: 0545843235
Grandezza: 76,62 MB
Formato: PDF, Docs
Vista: 475
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First Person Fiction is dedicated to the immigrant experience in modern America. In "Behind the Mountains" Edwidge Danticat tells the story of Celiane and her family's struggles in Haiti and New York. It is election time in Haiti, and bombs are going off in the capital city of Port-au-Prince. During a visit from her home in rural Haiti, Celiane Espérance and her mother are nearly killed. Looking at her country with new eyes, Celiane gains a fresh resolve to be reunited with her father in Brooklyn, New York. The harsh winter and concrete landscape of her new home are a shock to Celiane, who witnesses her parents' struggle to earn a living, her brother's uneasy adjustment to American society, and her own encounters with learning difficulties and school violence.

Flight To Freedom

Autore: Ana Veciana-Suarez
Editore: Scholastic Inc.
ISBN: 9780439381994
Grandezza: 20,39 MB
Formato: PDF
Vista: 3403
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Writing in the diary which her father gave her, thirteen-year-old Yara describes life with her family in Havana, Cuba, in 1967 as well as her experiences in Miami, Florida, after immigrating there to be reunited with some relatives while leaving others behind.

The Split Subject Of Narration In Elizabeth Gaskell S First Person Fiction

Autore: Anna Koustinoudi
Editore: Lexington Books
ISBN: 0739171631
Grandezza: 64,76 MB
Formato: PDF
Vista: 3541
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The Split Subject of Narration in Elizabeth Gaskell’s First-Person Fiction analyzes a number of Elizabeth Gaskell's first-person works through a post-modern perspective employing such theoretical frameworks as psychoanalytic theory, narratology, and gender theory. It attempts to explore the problematics of Victorian subjectivity, bringing into focus the ways in which both her realistic and Gothic texts undercut and interrogate post-Romantic assumptions about an autonomous and coherent speaking and/or narrating subject. The essential argument of the book is that the mid-nineteenth-century narrating “I”, in its communal, voyeuristic, and Gothic manifestations emerges as painfully divided, lacking, unstable, ailing, and hence unreliable, pre-figuring, at the same time, later forms of self-conscious narration in fiction. Furthermore, it is also exposed as performative, one that can be seen as a simulacrum without an original, and, consequently, at odds with post-Romantic, empiricist assumptions about the factuality, centrality, and rationality of the human subject, while at the same time, clinging to illusions of autonomy. Plagued by its own self-awareness, the narrating “I” is alienated both from itself as well as from those it attempts to represent, including its own narrated counterpart. To this effect, it argues that throughout a trajectory of configurations, psychic investments and imaginary identifications, embedded in and conditioned by the workings of desire and ideology, both of which underpin discursive and representational practices, narrative subjectivity in Gaskell’s first-person fiction manifests itself as the product of a misrecognized encounter between the subject who narrates and that which is being narrated. Both are essentially unable to see their split character and the alienating chasm opened up between them, for the former, on the level of narration, and, for the latter, on a thematic level.

Discussion Guide

Autore: Katy Stangland
Editore:
ISBN:
Grandezza: 59,57 MB
Formato: PDF, Kindle
Vista: 3939
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Finding My Hat

Autore: John Son
Editore: Paw Prints
ISBN: 9781442031043
Grandezza: 61,96 MB
Formato: PDF, ePub, Docs
Vista: 4973
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Jin-Han describes his life growing up with his mother and father, immigrants from Korea, and his little sister as they move to different cities with his parents' business.

Writing Fiction For Dummies

Autore: Randy Ingermanson
Editore: John Wiley & Sons
ISBN: 0470585234
Grandezza: 58,67 MB
Formato: PDF, ePub, Docs
Vista: 5704
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A complete guide to writing and selling your novel So you want to write a novel? Great! That’s a worthy goal, no matter what your reason. But don’t settle for just writing a novel. Aim high. Write a novel that you intend to sell to a publisher. Writing Fiction for Dummies is a complete guide designed to coach you every step along the path from beginning writer to royalty-earning author. Here are some things you’ll learn in Writing Fiction for Dummies: Strategic Planning: Pinpoint where you are on the roadmap to publication; discover what every reader desperately wants from a story; home in on a marketable category; choose from among the four most common creative styles; and learn the self-management methods of professional writers. Writing Powerful Fiction: Construct a story world that rings true; create believable, unpredictable characters; build a strong plot with all six layers of complexity of a modern novel; and infuse it all with a strong theme. Self-Editing Your Novel: Psychoanalyze your characters to bring them fully to life; edit your story structure from the top down; fix broken scenes; and polish your action and dialogue. Finding An Agent and Getting Published: Write a query letter, a synopsis, and a proposal; pitch your work to agents and editors without fear. Writing Fiction For Dummies takes you from being a writer to being an author. It can happen—if you have the talent and persistence to do what you need to do.

Politics Ideology And Literary Discourse In Modern China

Autore: Kang Liu
Editore: Duke University Press
ISBN: 9780822314165
Grandezza: 29,88 MB
Formato: PDF, Kindle
Vista: 8828
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This collection of essays addresses the perception that our understanding of modern China will be enhanced by opening the literature of China to more rigorous theoretical and comparative study. In doing so, the book confronts the problematic and complex subject of China's literary, theoretical, and cultural responses to the experience of the modern. With chapters by writers, scholars, and critics from mainland China, Hong Kong, and the United States, this volume explores the complexity of representing modernity within the Chinese context. Addressing the problem of finding a proper language for articulating fundamental issues in the historical experience of twentieth-century China, the authors critically re-examine notions of realism, the self/subject, and modernity and draw on perspectives from feminist criticism, ideological analysis, and postmodern theory. Among the many topics explored are subjectivity in Chinese cultural theory, Chinese gender relations, the viability of a Lacanian approach to Chinese identity, the politics of subversion in Chinese reportage, and the ambivalent status of the icon of paternity since Mao. At the same time this book offers a probing look into the transformation that Chinese culture as well as the study of that culture is currently undergoing, it also reconfirms private discourse as an ideal site for an investigation into a real and imaginary, private and collective encounter with history. Contributors. Liu Kang, Xiaobing Tang, Liu Zaifu, Stephen Chan, Lydia H. Liu, Wendy Larson, Theodore Huters, David Wang, Tonglin Lu, Yingjin Zhang, Yuejin Wang, Li Tuo, Leo Ou-fan Lee