Giordano Bruno And The Embassy Affair

Author: John Bossy
Editor: Yale University Press
ISBN: 9780300094510
Size: 10,28 MB
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Delving into a netherworld of treachery and intrigue in Elizabethan London, John Bossy attempts to solve a centuries-old mystery: who was Fagot, the spy working within the French embassy in London to subvert Catholic attempts to overthrow Queen Elizabeth and her government? Bossy speculates on the spy's identity in this work, making a contribution to the political and intellectual history of the wars of religion in Europe and to the domestic history of Elizabethan England.

The Reign Of Elizabeth I

Author: John Alexander Guy
Editor: Cambridge University Press
ISBN: 9780521443418
Size: 11,99 MB
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A study of politics and political culture of the 'last decade' of the reign of Elizabeth I, in effect the years 1585 to 1603.

Christianity And Community In The West

Author: John Bossy
Editor: Ashgate Pub Limited
ISBN: 9780754602408
Size: 16,70 MB
Format: PDF
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Pivoting on the work of 20th-century British historian John Bossy, historians consider such topics as Cathar peacemaking, contrasting the cults of St. Cuthbert of Durham and St. Thomas of Canterbury in the 15th century, the Yorkshire religious house Monk Betton priory and its hinterlands in the 16th century, some pictorial migrations in the Reformation, an early Christian school of sanctity in Tridentine Rome, Richard Mead's communities of belief in 18th-century London, and St. Francis and modern English sentiment. Annotation copyrighted by Book News, Inc., Portland, OR.

Art And Magic In The Court Of The Stuarts

Author: Vaughan Hart
Editor: Routledge
ISBN: 1134876785
Size: 14,41 MB
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Spanning from the inauguration of James I in 1603 to the execution of Charles I in 1649, the Stuart court saw the emergence of a full expression of Renaissance culture in Britain. Hart examines the influence of magic on Renaissance art and how in its role as an element of royal propaganda, art was used to represent the power of the monarch and reflect his apparent command over the hidden forces of nature. Court artists sought to represent magic as an expression of the Stuart Kings' divine right, and later of their policy of Absolutism, through masques, sermons, heraldry, gardens, architecture and processions. As such, magic of the kind enshrined in Neoplatonic philosophy and the court art which expressed its cosmology, played their part in the complex causes of the Civil War and the destruction of the Stuart image which followed in its wake.

The Genius Of Shakespeare

Author: Jonathan Bate
Editor: Pan Macmillan
ISBN: 0330538349
Size: 18,93 MB
Format: PDF, Kindle
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With an introduction by Simon Callow Judgements about the quality of works of art begin in opinion. But for the last two hundred years only the wilfully perverse (and Tolstoy) have denied the validity of the opinion that Shakespeare was a genius. Who was Shakespeare? Why has his writing endured? And what makes it so endlessly adaptable to different times and cultures? Exploring Shakespeare's life, including questions of authorship and autobiography, and charting how his legacy has grown over the centuries, this extraordinary book asks how Shakespeare has come to be such a powerful symbol of genius. Written with lively passion and wit, The Genius of Shakespeare is a fascinating biography of the life - and afterlife - of our greatest poet. Jonathan Bate, one of the world's leading Shakespearean scholars, has shown how the legend of Shakespeare's genius was created and sustained, and how the man himself became a truly global phenomenon. 'The best modern book on Shakespeare' Sir Peter Hall

Shakespeare Among The Courtesans

Author: Dr Duncan Salkeld
Editor: Ashgate Publishing, Ltd.
ISBN: 1409484254
Size: 20,22 MB
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Courtesans-women who achieve wealth, status, or power through sexual transgression-have played both a central and contradictory role in literature: they have been admired, celebrated, feared, and vilified. This study of the courtesan in Renaissance English drama focuses not only on the moral ambivalence of these women, but with special attention to Anglo-Italian relations, illuminates little known aspects of their lives. It traces the courtesan from a wry comedic character in the plays of Terence and Plautus to its literary exhaustion in the seventeenth-century dramatic works of Dekker, Marston, Webster, Middleton, Shirley and Brome. The author focuses especially on the presentation of the courtesan in the sixteenth century - dramas by Shakespeare, Marlowe, and Lyly view the courtesan as a symbol of social disease and decay, transforming classical conventions into English prejudices. Renaissance Anglo-Italian cultural and sexual relations are also investigated through comparisons of travel narratives, original source materials, and analysis of Aretino's representations of celebrated Italian courtesans. Amid these fascinating tales of aspiration, desire and despair lingers the intriguing question of who was the 'dark lady' of Shakespeare's sonnets.

The Highland Bagpipe

Author: Joshua Dickson
Editor: Ashgate Publishing, Ltd.
ISBN: 0754694631
Size: 18,18 MB
Format: PDF
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The Highland bagpipe, widely considered 'Scotland's national instrument', is one of the most recognized icons of traditional music in the world. It is also among the least understood. However, since the bagpipeOCOs unprecedented surge in public visibility and scholarly attention since the 1990s, a greater interest in the emic has led the consideration of both the globalization of Highland piping and piping as rooted in local culture. The contributors of this collection discuss the bagpipe in oral and written history, anthropology, ethnography, musicology, material culture and modal aesthetics. The book will appeal to ethnomusicologists, anthropologists, as well as those interested in international bagpipe studies and traditions."

M

Author: Peter Robb
Editor: Henry Holt and Company
ISBN: 1466887435
Size: 13,63 MB
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A bold, fresh biography of the world's first modern painter As presented with "blood and bone and sinew" (Times Literary Supplement) by Peter Robb, Caravaggio's wild and tempestuous life was a provocation to a culture in a state of siege. The of the sixteenth century was marked by the Inquisition and Counter-Reformation, a background of ideological cold war against which, despite all odds and at great cost to their creators, brilliant feats of art and science were achieved. No artist captured the dark, violent spirit of the time better than Caravaggio, variously known as Marisi, Moriggia, Merigi, and sometimes, simply M. As art critic Robert Hughes has said, "There was art before him and art after him, and they were not the same."Caravaggio threw out Renaissance dogma to paint with dazzling originality and fierce vitality, qualities that are echoed in Robb's prose. As with Caravaggio's art, M arrests and susps time to reveal what the author calls "the theater of the partly seen." Caravaggio's wild persona leaps through these pages like quicksilver; in Robb's skilled hands, he is an immensely attractive character with an astonishing connection to the glories and brutalities of life.

The Elizabethans

Author: A. N. Wilson
Editor: Farrar, Straus and Giroux
ISBN: 1466816198
Size: 13,82 MB
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"In Wilson's hands these familiar stories make for gripping reading."—The New York Times Book Review New York Times Book Review Editors' Choice Author of Dante in Love A sweeping panorama of the Elizabethan age, a time of remarkable, strange personages and great political and social change, by one of our most renowned historians A time of exceptional creativity, wealth creation, larger-than-life royalty and political expansion, the Elizabethan age was also more remarkable than any other for the Technicolor personalities of its royals and subjects. Apart from the complex character of the Virgin Queen herself, A. N. Wilson's The Elizabethans follows the stories of Francis Drake, a privateer who not only defeated the Spanish Armada but also circumnavigated the globe with a drunken, mutinous crew and without reliable navigational instruments; political intriguers like William Cecil and Francis Walsingham; and Renaissance literary geniuses from Sir Philip Sidney to Christopher Marlowe and William Shakespeare. Most crucially, this was the age when modern Britain was born and established independence from mainland Europe—both in its resistance to Spanish and French incursions and in its declaration of religious liberty from the pope—and laid the foundations for the explosion of British imperial power and eventual American domination. An acknowledged master of the all-encompassing single-volume history, Wilson tells the exhilarating story of the Elizabethan era with all the panoramic sweep of his bestselling The Victorians, and with the wit and iconoclasm that are his trademarks.

Dying For Ideas

Author: Costica Bradatan
Editor: Bloomsbury Publishing
ISBN: 1472525825
Size: 10,86 MB
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What do Socrates, Hypatia, Giordano Bruno, Thomas More, and Jan Patocka have in common? First, they were all faced one day with the most difficult of choices: stay faithful to your ideas and die or renounce them and stay alive. Second, they all chose to die. Their spectacular deaths have become not only an integral part of their biographies, but are also inseparable from their work. A "death for ideas" is a piece of philosophical work in its own right; Socrates may have never written a line, but his death is one of the greatest philosophical best-sellers of all time. Dying for Ideas explores the limit-situation in which philosophers find themselves when the only means of persuasion they can use is their own dying bodies and the public spectacle of their death. The book tells the story of the philosopher's encounter with death as seen from several angles: the tradition of philosophy as an art of living; the body as the site of self-transcending; death as a classical philosophical topic; taming death and self-fashioning; finally, the philosophers' scapegoating and their live performance of a martyr's death, followed by apotheosis and disappearance into myth. While rooted in the history of philosophy, Dying for Ideas is an exercise in breaking disciplinary boundaries. This is a book about Socrates and Heidegger, but also about Gandhi's "fasting unto death" and self-immolation; about Girard and Passolini, and self-fashioning and the art of the essay.