Giordano Bruno Philosopher Of The Renaissance

Author: Hilary Gatti
Editor: Routledge
ISBN: 1351933647
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Giordano Bruno was burnt at the stake in Rome in 1600, accused of heresy by the Inquisition. His life took him from Italy to Northern Europe and England, and finally to Venice, where he was arrested. His six dialogues in Italian, which today are considered a turning point towards the philosophy and science of the modern world, were written during his visit to Elizabethan London, as a gentleman attendant to the French Ambassador, Michel de Castelnau. He died refusing to recant views which he defined as philosophical rather than theological, and for which he claimed liberty of expression. The papers in this volume derive from a conference held in London to commemorate the 400th anniversary of Bruno's death. A number focus specifically on his experience in England, while others look at the Italian context of his thought and his impact upon others. Together they constitute a major new survey of the range of Bruno's philosophical activity, as well as evaluating his use of earlier cultural traditions and his influence on both contemporary and more modern themes and trends.

Giordano Bruno And Renaissance Science

Author: Hilary Gatti
Editor: Cornell University Press
ISBN: 9780801487859
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The Renaissance philosopher Giordano Bruno was a notable supporter of the new science that arose during his lifetime; his role in its development has been debated ever since the early seventeenth century. Hilary Gatti here reevaluates Bruno's contribution to the scientific revolution, in the process challenging the view that now dominates Bruno criticism among English-language scholars. This argument, associated with the work of Frances Yates, holds that early modern science was impregnated with and shaped by Hermetic and occult traditions, and has led scholars to view Bruno primarily as a magus. Gatti reinstates Bruno as a scientific thinker and occasional investigator of considerable significance and power whose work participates in the excitement aroused by the new science and its methods at the end of the sixteenth century. Her original research emphasizes the importance of Bruno's links to the magnetic philosophers, from Ficino to Gilbert; Bruno's reading and extension of Copernicus's work on the motions of the earth; the importance of Bruno's mathematics; and his work on the art of memory seen as a picture logic, which she examines in the light of the crises of visualization in present-day science. She concludes by emphasizing Bruno's ethics of scientific discovery.

The Renaissance Drama Of Knowledge

Author: Hilary Gatti
Editor: Routledge
ISBN: 1136182993
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Giordano Bruno’s visit to Elizabethan England in the 1580s left its imprint on many fields of contemporary culture, ranging from the newly-developing science, the philosophy of knowledge and language, to the extraordinary flowering of Elizabethan poetry and drama. This book explores Bruno's influence on English figures as different as the ninth Earl of Northumberland, Thomas Harriot, Christopher Marlowe and William Shakespeare. Originally published in 1989, it is of interest to students and teachers of history of ideas, cultural history, European drama and renaissance England. Bruno's work had particular power and emphasis in the modern world due to his response to the cultural crisis which had developed - his impulse towards a new ‘faculty of knowing’ had a disruptive effect on existing orthodoxies – religious, scientific, philosophical, and political.

Essays On Giordano Bruno

Author: Hilary Gatti
Editor: Princeton University Press
ISBN: 140083693X
Size: 19,39 MB
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This book gathers wide-ranging essays on the Italian Renaissance philosopher and cosmologist Giordano Bruno by one of the world's leading authorities on his work and life. Many of these essays were originally written in Italian and appear here in English for the first time. Bruno (1548-1600) is principally famous as a proponent of heliocentrism, the infinity of the universe, and the plurality of worlds. But his work spanned the sciences and humanities, sometimes touching the borders of the occult, and Hilary Gatti's essays richly reflect this diversity. The book is divided into sections that address three broad subjects: the relationship between Bruno and the new science, the history of his reception in English culture, and the principal characteristics of his natural philosophy. A final essay examines why this advocate of a "tranquil universal philosophy" ended up being burned at the stake as a heretic by the Roman Inquisition. While the essays take many different approaches, they are united by a number of assumptions: that, although well versed in magic, Bruno cannot be defined primarily as a Renaissance Magus; that his aim was to articulate a new philosophy of nature; and that his thought, while based on ancient and medieval sources, represented a radical rupture with the philosophical schools of the past, helping forge a path toward a new modernity.

Giordano Bruno And The Philosophy Of The Ass

Author: Nuccio Ordine
Editor: Yale University Press
ISBN: 9780300058529
Size: 10,93 MB
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In this highly original study, Nuccio Ordine uses the figure of the ass as a lens through which to focus on the thought and writings of the great Renaissance humanist philosopher Giordano Bruno. The donkey played a prominent role as a symbol in sixteenth-century literature, and the ass and human asininity became a recurring motif in Bruno's writings. Ordine offers the first analysis of Bruno's use of this complex symbol, which encompasses contradictory characteristics ranging from humble and hardworking to ignorant and idle. The result is a deeper understanding of Bruno the philosopher, along with a stronger appreciation of Bruno the literary artist. Ordine looks especially closely at Bruno's use of the figure of the donkey in his attacks on the theologies of both the Reformation and the Counter-Reformation, and in issues that have become modernist concerns. Ordine's analysis sheds light on each of the major themes of Bruno's philosophy: science and knowledge, myth and religion, language and literature.

Giordano Bruno Und Die Philosophie Des Esels

Author: Nuccio Ordine
Editor:
ISBN: 9783770533411
Size: 19,22 MB
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The Renaissance Philosophy Of Giordano Bruno

Author: Irving Louis Horowitz
Editor:
ISBN:
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The Concept Of Contraction In Giordano Bruno S Philosophy

Author: Leo Catana
Editor: Gower Publishing, Ltd.
ISBN: 9780754652618
Size: 10,14 MB
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Through the concept of contraction, Giordano Bruno (1548-1600) endeavoured to explain the relationship of God to his Creation in a way that conformed with his pantheistic view of nature as well as his heterodox view of man's relationship to God. Bruno denied the efficacy of the several psychical, psychological and medical states traditionally thought to aid contemplation and noetic ascent towards God. In his view the only means was philosophical contemplation, the use of memory being one important form. Philosophical contemplation elevated the mind from the fragmented multiplicity of sense impressions to an understanding of the principles governing the sensible world. This publication is the first book-length study dedicated to concept of contraction in Bruno's philosophy. Moreover, it explores his sources for this concept.

Von Der Ursache Dem Princip Und Dem Einen

Author: Giordano Bruno
Editor: e-artnow
ISBN: 802681598X
Size: 12,42 MB
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Giordano Bruno And The Geometry Of Language

Author: Arielle Saiber
Editor: Routledge
ISBN: 1351933671
Size: 11,20 MB
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Giordano Bruno and the Geometry of Language brings to the fore a sixteenth-century philosopher's role in early modern Europe as a bridge between science and literature, or more specifically, between the spatial paradigm of geometry and that of language. Arielle Saiber examines how, to invite what Bruno believed to be an infinite universe-its qualities and vicissitudes-into the world of language, Bruno forged a system of 'figurative' vocabularies: number, form, space, and word. This verbal and symbolic system in which geometric figures are seen to underlie rhetorical figures, is what Saiber calls 'geometric rhetoric.' Through analysis of Bruno's writings, Saiber shows how Bruno's writing necessitates a crafting of space, and is, in essence, a lexicon of spatial concepts. This study constitutes an original contribution both to scholarship on Bruno and to the fields of early modern scientific and literary studies. It also addresses the broader question of what role geometry has in the formation of any language and literature of any place and time.