Giornale Storico Della Letteratura Italiana

Autore: Francesco Novati
Editore:
ISBN:
Grandezza: 46,24 MB
Formato: PDF
Vista: 9594
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Giornale Storico Della Letteratura Italiana

Autore:
Editore:
ISBN:
Grandezza: 71,43 MB
Formato: PDF
Vista: 4751
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Giornale Storico Della Letteratura Italiana

Autore: Anonymous
Editore: BiblioBazaar, LLC
ISBN: 9781115744140
Grandezza: 56,38 MB
Formato: PDF, Docs
Vista: 560
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This is a pre-1923 historical reproduction that was curated for quality. Quality assurance was conducted on each of these books in an attempt to remove books with imperfections introduced by the digitization process. Though we have made best efforts - the books may have occasional errors that do not impede the reading experience. We believe this work is culturally important and have elected to bring the book back into print as part of our continuing commitment to the preservation of printed works worldwide.

Giornale Storico Della Letteratura Italiana

Autore: Vittorio Cian
Editore:
ISBN:
Grandezza: 61,44 MB
Formato: PDF, Mobi
Vista: 6837
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Giornale Storico Della Letteratura Italiana Supplemento

Autore: Giulio Bertoni
Editore: BiblioBazaar, LLC
ISBN: 9781116411324
Grandezza: 28,55 MB
Formato: PDF, Kindle
Vista: 4198
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This is a pre-1923 historical reproduction that was curated for quality. Quality assurance was conducted on each of these books in an attempt to remove books with imperfections introduced by the digitization process. Though we have made best efforts - the books may have occasional errors that do not impede the reading experience. We believe this work is culturally important and have elected to bring the book back into print as part of our continuing commitment to the preservation of printed works worldwide.

Cent Anni Di Giornale Storico Della Letteratura Italiana

Autore: Norberto Bobbio
Editore:
ISBN:
Grandezza: 19,19 MB
Formato: PDF, ePub, Docs
Vista: 2498
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The Cabinet Of Eros

Autore: Stephen John Campbell
Editore: Yale University Press
ISBN: 9780300117530
Grandezza: 21,88 MB
Formato: PDF
Vista: 850
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The Renaissance studiolo was a space devoted in theory to private reading and contemplation, but at the Italian courts of the fifteenth century, it had become a space of luxury, as much devoted to displaying the taste and culture of its occupant as to studious withdrawal. The most famous studiolo of all was that of Isabella d’Este, marchioness of Mantua (1474-1539). A chief component of its decoration was a series of seven paintings by some of the most noteworthy artists of the time, including Andrea Mantegna, Pietro Perugino, Lorenzo Costa, and Correggio. These paintings encapsulated the principles of an emerging Renaissance artistic genre--the mythological image. Using these paintings as an exemplary case, and drawing on other important examples made by Giorgione in Venice and by Titian and Michelangelo for the Duke of Ferrara, Stephen Campbell explores the function of the mythological image within a Renaissance culture of readers and collectors.

Bernardo Giustiniani

Autore: Patricia H. Labalme
Editore: Ed. di Storia e Letteratura
ISBN:
Grandezza: 75,13 MB
Formato: PDF, ePub
Vista: 7190
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Pietro Bembo

Autore: Carol Kidwell
Editore: McGill-Queen's Press - MQUP
ISBN: 9780773527096
Grandezza: 60,56 MB
Formato: PDF, Docs
Vista: 1738
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Bembo, a Venetian patrician and man of letters, had a close association with the printer Aldus. He enjoyed a rich life with illicit love affairs in the courts of Ferrara, Urbino, and finally Rome, where he was appointed Latin secretary to Leo X. Ten years later, ill and bored, Bembo left Rome for Padua with Morosina, the young sister of a Vatican courtesan. To guarantee a living he took vows of chastity, poverty and obedience in the aristocratic order of St John of Jerusalem, and then started a family. Bembo was active in education in Padua; and his great achievement was to have helped create a common language for Italy through the revival of medieval Tuscany in his poetry and prose. Appointed official historian of Venice, after Morosina's death he became a cardinal. An open mind, coupled with staunch support of the established church during the troubled years of the reformation, made him an asset to the papal curia. At the time of his accidental death in Rome in 1547 he was considered a likely successor to Paul III.