Hitchcock

Autore: Francois Truffaut
Editore: Faber & Faber
ISBN: 0571333702
Grandezza: 12,20 MB
Formato: PDF, Docs
Vista: 2629
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Based on the famous series of dialogues between Francois Truffaut and Alfred Hitchcock from the 1960s, the book moves chronologically through Hitchcock's films to discuss his career, techniques, and effects he achieved. It changed the way Hitchcock was perceived, as a popular director of suspense films - such as Psycho and The Birds - and revealed to moviegoers and critics, the depth of Hitchcock's perception and his mastery of the art form. As a result of the changed perceptions about Hitchcock, his masterpiece, Vertigo, hit the No 1 slot in Sight & Sound's recent poll of film-makers and critics, displacing Citizen Kane as the Best Film of all time.

Hitchcock

Autore: Richard Allen
Editore: Psychology Press
ISBN: 9780415275255
Grandezza: 50,55 MB
Formato: PDF, Docs
Vista: 5116
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This new collection of writings on Alfred Hitchcock considers Hitchcock both in his time and as a continuing influence on filmmakers, films and film theory. The contributions, who include leading scholars such as Slavoj Zizek, Laura Mulvey, Peter Wollen, and James Naremore, discuss canonical films such as Notorious and The Birds alongside lesser-known works including Juno and the Paycock and Frenzy. Articles are grouped into four thematic sections: 'Authorship and Aesthetics' examines Hitchcock as auteur and investigates central topics in Hitchcockian aesthetics. 'French Hitchcock' looks at Hitchcock's influence on filmmakers such as Chabrol, Truffaut and Rohmer, and how film critics such as Bazin and Deleuze have engaged with Hitchcock's work. 'Poetics and Politics of Identity' explores the representation of personal and political in Hitchcock's work. The final section, 'Death and Transfiguration' addresses the manner in which the spectacle and figuration of death haunts the narrative universe of Hitchcock's films, in particular his subversive masterpiece Psycho.

Hitchcock

Autore: Robert E. Kapsis
Editore: University of Chicago Press
ISBN: 9780226424897
Grandezza: 57,61 MB
Formato: PDF, Kindle
Vista: 7478
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From the beginning of his career, Alfred Hitchcock wanted to be considered an artist. Although his thrillers were immensely popular, and Hitchcock himself courted reviewers, he was, for many years, regarded as no more than a master craftsman. By the 1960s, though, critics began calling him an artist of unique vision and gifts. What happened to make Hitchcock's reputation as a true innovator and singular talent? Through a close examination of Hitchcock's personal papers, scripts, production notes, publicity files, correspondence, and hundreds of British and American reviews, Robert Kapsis here traces Hitchcock's changing critical fortunes. Vertigo, for instance, was considered a flawed film when first released; today it is viewed by many as the signal achievement of a great director. According to Kapsis, this dramatic change occurred because the making of the Hitchcock legend was not solely dependent on the quality of his films. Rather, his elevation to artist was caused by a successful blending of self-promotion, sponsorship by prominent members of the film community, and, most important, changes in critical theory which for the first time allowed for the idea of director as auteur. Kapsis also examines the careers of several other filmmakers who, like Hitchcock, have managed to cross the line that separates craftsman from artist, and shows how Hitchcock's legacy and reputation shed light on the way contemporary reputations are made. In a chapter about Brian De Palma, the most reknowned thriller director since Hitchcock, Kapsis explores how Hitchcock's legacy has affected contemporary work in—and criticism of—the thriller genre. Filled with fascinating anecdotes and intriguing excerpts, and augmented by interviews with Hitchcock's associates, this thoroughly documented and engagingly written book will appeal to scholars and film enthusiasts alike. "Required reading for Hitchcock scholars...scrupulously researched, invaluable material for those who continue to ask: what made the master tick?"—Anthony Perkins

Alfred Hitchcock

Autore: Sidney Gottlieb
Editore: Univ. Press of Mississippi
ISBN: 9781578065622
Grandezza: 69,63 MB
Formato: PDF, Kindle
Vista: 8490
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Presents a collection of interviews with the British film director which span his five decade career.

Alfred Hitchcock

Autore: Gene Adair
Editore: Oxford University Press
ISBN: 0195119673
Grandezza: 62,25 MB
Formato: PDF, ePub, Docs
Vista: 2694
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Looks at Hitchcock's early life as well as his legendary career, which spanned five decades and produced some of the most famous and critically acclaimed movies made.

The Wrong House

Autore: Steven Jacobs
Editore: 010 Publishers
ISBN: 906450637X
Grandezza: 75,70 MB
Formato: PDF, Kindle
Vista: 8448
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The Alfred Hitchcock Encyclopedia

Autore: Stephen Whitty
Editore: Rowman & Littlefield
ISBN: 1442251603
Grandezza: 68,42 MB
Formato: PDF, Docs
Vista: 9147
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Several decades after his last motion picture was produced, Alfred Hitchcock is still regarded by critics and fans alike as one of the masters of cinema. From silents of the 1920s to his final feature in 1976, the director’s many films continue to entertain audiences and inspire filmmakers. In The Alfred Hitchcock Encyclopedia, film critic Stephen Whitty provides a detailed overview of the director's work. This reference volume features in-depth critical entries on each of his major films as well as biographical essays on his most frequent collaborators and discussions of significant themes in his work. For this book, Whitty draws on primary-source materials such as interviews he conducted with associates of the director—including screenwriter Jay Presson Allen (Marnie), actresses Eva Marie Saint (North by Northwest) and Kim Novak (Vertigo), actor Farley Granger (Strangers on a Train), actor and producer Norman Lloyd (Saboteur), and Hitchcock’s daughter Patricia (Stage Fright; Psycho)—among others. Encompassing the entire range of the director’s career—from early influences and silent films to his decade-long television show and cameos in nearly every feature—this is a comprehensive overview of cinema’s ultimate showman. A detailed and lively look at the master of suspense, The Alfred Hitchcock Encyclopedia will be of interest to professors, students, and the many fans of the director’s work.

The Suspense Thriller

Autore: Charles Derry
Editore: McFarland
ISBN: 9780786462407
Grandezza: 21,10 MB
Formato: PDF, Mobi
Vista: 6946
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This book is a comprehensive study of one of the most popular genres in the cinema. From a perspective sympathetic to popular culture, this study analyzes a large number of primarily American and European films by a variety of distinguished directors, including Alfred Hitchcock, Claude Chabrol, John Frankenheimer, Michelangelo Antonioni, and Costa-Gavras. Indispensable to anyone interested in understanding how suspense thrillers work and what they mean, this book provides insightful analysis of hundreds of memorable films, while at the same time working as a virtual how-to manual for anyone trying to write a Hitchcock-like thriller. The first section of the book is primarily theoretical. It offers a bibliographical survey and then explains why we so profoundly enjoy these suspenseful films of murder and intrigue. A chapter on "Thrills: or, How Objects and Empty Spaces Compete to Threaten Us" explores the psychological concept of the thrill and relates it to the psyche of the spectator. To what extent does the suspense thriller represent a symbolic and vicarious experience of danger? A chapter on "Suspense That Makes the Spectator Take a Breath" explores the crucial narrative concept of suspense and relates it to the psychological mechanisms of anxiety incited in the spectator. Why do we like to be scared? A final theoretical chapter offers a dynamic definition of the suspense thriller derived in part from Edgar Allan Poe and based primarily on content analysis. The second section of the book is more of an historical survey and devotes one chapter to each of the suspense thriller's primary sub-genres. These chapters provide close readings of over 150 major films and detailed analysis of the suspense thriller's conventions, themes, and recurrent iconography. Sub-genres include The Postman Always Rings Twice, Body Heat, The Manchurian Candidate, The China Syndrome, Missing, The Passenger, Spellbound, Obsession, Marathon Man and Blue Velvet. A final chapter explores areas for further research and offers concluding insights.

A Companion To Alfred Hitchcock

Autore: Thomas Leitch
Editore: John Wiley & Sons
ISBN: 1444397311
Grandezza: 68,78 MB
Formato: PDF, Mobi
Vista: 6695
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The most comprehensive volume ever published on Alfred Hitchcock, covering his career and legacy as well as the broader cultural and intellectual contexts of his work. Contains thirty chapters by the leading Hitchcock scholars Covers his long career, from his earliest contributions to other directors’ silent films to his last uncompleted last film Details the enduring legacy he left to filmmakers and audiences alike

Alfred Hitchcock

Autore: Peter Ackroyd
Editore: Nan A. Talese
ISBN: 0385537425
Grandezza: 46,36 MB
Formato: PDF, Mobi
Vista: 2780
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A gripping short biography of the extraordinary Alfred Hitchock, the master of suspense. Alfred Hitchcock was a strange child. Fat, lonely, burning with fear and ambition, his childhood was an isolated one, scented with fish from his father's shop. Afraid to leave his bedroom, he would plan great voyages, using railway timetables to plot an exact imaginary route across Europe. So how did this fearful figure become the one of the most respected film directors of the twentieth century? As an adult, Hitch rigorously controlled the press's portrait of him, drawing certain carefully selected childhood anecdotes into full focus and blurring all others out. In this quick-witted portrait, Ackroyd reveals something more: a lugubriously jolly man fond of practical jokes, who smashes a once-used tea cup every morning to remind himself of the frailty of life. Iconic film stars make cameo appearances, just as Hitch did in his own films: Grace Kelly, Cary Grant, and James Stewart despair of his detached directing style and, perhaps most famously of all, Tippi Hedren endures cuts and bruises from a real-life fearsome flock of birds. Alfred Hitchcock wrests the director's chair back from the master of control and discovers what lurks just out of sight, in the corner of the shot.