Il Cinema Nella Lingua La Lingua Nel Cinema

Autore: Alberto Menarini
Editore:
ISBN:
Grandezza: 18,31 MB
Formato: PDF
Vista: 2176
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The Multilingual Screen

Autore: Tijana Mamula
Editore: Bloomsbury Publishing USA
ISBN: 150130285X
Grandezza: 14,36 MB
Formato: PDF, Mobi
Vista: 4543
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The Multilingual Screen is the first edited volume to offer a wide-ranging exploration of the place of multilingualism in cinema, investigating the ways in which linguistic difference and exchange have shaped, and continue to shape, the medium's history. Moving across a vast array of geographical, historical, and theoretical contexts-from Japanese colonial filmmaking to the French New Wave to contemporary artists' moving image-the essays collected here address the aesthetic, political, and industrial significance of multilingualism in film production and reception. In grouping these works together, The Multilingual Screen discerns and emphasizes the areas of study most crucial to forging a renewed understanding of the relationship between cinema and language diversity. In particular, it reassesses the methodologies and frameworks that have influenced the study of filmic multilingualism to propose that its force is also, and perhaps counterintuitively, a silent one. While most studies of the subject have explored linguistic difference as a largely audible phenomenon-manifested through polyglot dialogues, or through the translation of monolingual dialogues for international audiences-The Multilingual Screen traces some of its unheard histories, contributing to a new field of inquiry based on an attentiveness to multilingualism's work beyond the soundtrack.

Invito Al Cinema Le Origini Del Manifesto Cinematografico Italiano 1895 1930

Autore: Roberto Della Torre
Editore: EDUCatt - Ente per il diritto allo studio universitario dell'Università Cattolica
ISBN: 8867800604
Grandezza: 34,62 MB
Formato: PDF
Vista: 8950
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Il Cinema Italiano Di Regime

Autore: Gian Piero Brunetta
Editore: Gius.Laterza & Figli Spa
ISBN: 8858113837
Grandezza: 27,16 MB
Formato: PDF, ePub
Vista: 1162
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All’inizio degli anni Trenta molti fattori consentono in Italia la rinascita di una cinematografia giunta a toccare quota zero: una legge che incoraggia la ripresa della produzione senza troppo ostacolare la marcia trionfale in atto delle Majors americane, l’avvento del sonoro e un vero e proprio ricambio generazionale, che vede entrare in scena un gruppo di giovani guidati da Alessandro Blasetti e ispirati dalle teorie e pratiche del cinema sovietico. Dai primi anni Trenta alla caduta del regime la parola d’ordine, comune a tutte le voci – fasciste e antifasciste – del cinema italiano è aprire gli occhi sul Paese, fino a quel momento assente dal grande schermo. La fame di realtà unisce e accomuna una serie di film che, da Gli uomini che mascalzoni! di Camerini, attraversano l’intero periodo fino ad approdare a Ossessione di Visconti, il momento più alto nella realizzazione di un nuovo modo di fare cinema. Con l’entrata in guerra le pellicole non celebrano tanto l’eroismo o lo spirito guerresco, quanto piuttosto tradiscono il senso dell’assedio, la caduta delle speranze, il desiderio di pace e l’attesa della fine del conflitto. I venti mesi di Salò suggellano il periodo con l’afasia e il silenzio di una produzione pressoché inesistente.

A Cinema Of Poetry

Autore: Joseph Luzzi
Editore: JHU Press
ISBN: 142141984X
Grandezza: 58,17 MB
Formato: PDF, Mobi
Vista: 9481
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A Cinema of Poetry brings Italian film studies into dialogue with fields outside its usual purview by showing how films can contribute to our understanding of aesthetic questions that stretch back to Homer. Joseph Luzzi considers the relation between film and literature, especially the cinematic adaptation of literary sources and, more generally, the fields of rhetoric, media studies, and modern Italian culture. The book balances theoretical inquiry with close readings of films by the masters of Italian cinema: Roberto Rossellini, Vittorio De Sica, Luchino Visconti, Michelangelo Antonioni, Federico Fellini, Pier Paolo Pasolini, Bernardo Bertolucci, and others. Luzzi's study is the first to show how Italian filmmakers address such crucial aesthetic issues as the nature of the chorus, the relation between symbol and allegory, the literary prehistory of montage, and the place of poetry in cinematic expression—what Pasolini called the "cinema of poetry." While Luzzi establishes how certain qualities of film—its link with technological processes, capacity for mass distribution, synthetic virtues (and vices) as the so-called total art—have reshaped centuries-long debates, A Cinema of Poetry also explores what is specific to the Italian art film and, more broadly, Italian cinematic history. In other words, what makes this version of the art film recognizably "Italian"? "A thought-provoking and well-written investigation of the role of history and realism in Italian cinema and the role played by the centuries-long tradition of poetry (or more precisely, poesis) in this quest."— H-Italy "Ambitious, inventive, learned... A Cinema of Poetry... brilliantly analyzes the art in the art film by showing how Italian cinema uses a chorus or expresses itself through allegory... This impressively intelligent re-description of the tradition surely takes its place alongside other necessary histories of Italian cinema."— Choice Joseph Luzzi is a professor of comparative literature at Bard College. He is the author of Romantic Europe and the Ghost of Italy, which received the MLA’s Scaglione Prize for Italian Studies; My Two Italies, a New York Times Book Review Editors' Choice; and In a Dark Wood: What Dante Taught Me about Grief, Healing, and the Mysteries of Love.

Il Cinema Nella Lingua Di Pirandello

Autore: Sergio Raffaelli
Editore:
ISBN: 9788871196237
Grandezza: 24,41 MB
Formato: PDF, Docs
Vista: 6632
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L Italiano Nel Cinema Muto

Autore: Sergio Raffaelli
Editore: Cesati
ISBN:
Grandezza: 20,44 MB
Formato: PDF
Vista: 5787
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Fascist Modernities

Autore: Ruth Ben-Ghiat
Editore: Univ of California Press
ISBN: 0520242165
Grandezza: 49,76 MB
Formato: PDF, Kindle
Vista: 4321
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This cultural history of Mussolini's dictatorship discusses the meanings of modernity in interwar Italy. The work argues that fascism appealed to many Italian intellectuals as a new model of modernity that would resolve the European and national crises.