Klimt

Autore: Patrick Bade
Editore: Parkstone International
ISBN: 1780424450
Grandezza: 62,77 MB
Formato: PDF, ePub
Vista: 1247
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“I am not interested in myself as a subject for painting, but in others, particularly women...”Beautiful, sensuous and above all erotic, Gustav Klimt’s paintings speak of a world of opulence and leisure, which seems aeons away from the harsh, post-modern environment we live in now. The subjects he treats – allegories, portraits, landscapes and erotic figures – contain virtually no reference to external events, but strive rather to create a world where beauty, above everything else, is dominant. His use of colour and pattern was profoundly influenced by the art of Japan, ancient Egypt, and Byzantium. Ravenne, the flat, two-dimensional perspective of his paintings, and the frequently stylised quality of his images form an oeuvre imbued with a profound sensuality and one where the figure of woman, above all, reigns supreme. Klimt’s very first works brought him success at an unusually young age. Gustav, born in 1862, obtained a state grant to study at Kunstgewerbeschule (the Vienna School of Arts and Crafts) at the age of fourteen. His talents as a draughtsman and painter were quickly noticed, and in 1879 he formed the Künstlercompagnie (Artists’ Company) with his brother Ernst and another student, Franz Matsch. The latter part of the nineteenth century was a period of great architectural activity in Vienna. In 1857, the Emperor Franz Joseph had ordered the destruction of the fortifications that had surrounded the medieval city centre. The Ringstrasse was the result, a budding new district with magnificent buildings and beautiful parks, all paid for by public expenses. Therefore the young Klimt and his partners had ample opportunities to show off their talents, and they received early commissions to contribute to the decorations for the pageant organised to celebrate the silver wedding anniversary of the Emperor Franz Joseph and the Empress Elisabeth. In 1894, Matsch moved out of their communal studio, and in 1897 Klimt, together with his closest friends, resigned from the Künstlerhausgenossenschaft (the Cooperative Society of Austrian Artists) to form a new movement known as the Secession, of which he was immediately elected president. The Secession was a great success, holding both a first and second exhibition in 1898. The movement made enough money to commission its very own building, designed for it by the architect Joseph Maria Olbrich. Above the entrance was its motto: “To each age its art, to art its freedom.” From around 1897 onward, Klimt spent almost every summer on the Attersee with the Flöge family. These were periods of peace and tranquillity in which he produced the landscape paintings constituting almost a quarter of his entire oeuvre. Klimt made sketches for virtually everything he did. Sometimes there were over a hundred drawings for one painting, each showing a different detail – a piece of clothing or jewellery, or a simple gesture. Just how exceptional Gustav Klimt was is perhaps reflected in the fact that he had no predecessors and no real followers. He admired Rodin and Whistler without slavishly copying them, and was admired in turn by the younger Viennese painters Egon Schiele and Oskar Kokoschka, both of whom were greatly influenced by Klimt.

Gustav Klimt

Autore: Eva Di Stefano
Editore: Sterling Publishing Company
ISBN: 1402759207
Grandezza: 30,82 MB
Formato: PDF, ePub
Vista: 1538
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A well-illustrated collection of Gustav Klimt's work, including text on the artist's life.

Klimt

Autore: Patrick Bade
Editore: Parkstone International
ISBN: 1781609896
Grandezza: 11,48 MB
Formato: PDF
Vista: 5567
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“I am not interested in myself as a subject for painting, but in others, particularly women...”Beautiful, sensuous and above all erotic, Gustav Klimt’s paintings speak of a world of opulence and leisure, which seems aeons away from the harsh, post-modern environment we live in now. The subjects he treats – allegories, portraits, landscapes and erotic figures – contain virtually no reference to external events, but strive rather to create a world where beauty, above everything else, is dominant. His use of colour and pattern was profoundly influenced by the art of Japan, ancient Egypt, and Byzantium. Ravenne, the flat, two-dimensional perspective of his paintings, and the frequently stylised quality of his images form an oeuvre imbued with a profound sensuality and one where the figure of woman, above all, reigns supreme. Klimt’s very first works brought him success at an unusually young age. Gustav, born in 1862, obtained a state grant to study at Kunstgewerbeschule (the Vienna School of Arts and Crafts) at the age of fourteen. His talents as a draughtsman and painter were quickly noticed, and in 1879 he formed the Künstlercompagnie (Artists’ Company) with his brother Ernst and another student, Franz Matsch. The latter part of the nineteenth century was a period of great architectural activity in Vienna. In 1857, the Emperor Franz Joseph had ordered the destruction of the fortifications that had surrounded the medieval city centre. The Ringstrasse was the result, a budding new district with magnificent buildings and beautiful parks, all paid for by public expenses. Therefore the young Klimt and his partners had ample opportunities to show off their talents, and they received early commissions to contribute to the decorations for the pageant organised to celebrate the silver wedding anniversary of the Emperor Franz Joseph and the Empress Elisabeth. In 1894, Matsch moved out of their communal studio, and in 1897 Klimt, together with his closest friends, resigned from the Künstlerhausgenossenschaft (the Cooperative Society of Austrian Artists) to form a new movement known as the Secession, of which he was immediately elected president. The Secession was a great success, holding both a first and second exhibition in 1898. The movement made enough money to commission its very own building, designed for it by the architect Joseph Maria Olbrich. Above the entrance was its motto: “To each age its art, to art its freedom.” From around 1897 onward, Klimt spent almost every summer on the Attersee with the Flöge family. These were periods of peace and tranquillity in which he produced the landscape paintings constituting almost a quarter of his entire oeuvre. Klimt made sketches for virtually everything he did. Sometimes there were over a hundred drawings for one painting, each showing a different detail – a piece of clothing or jewellery, or a simple gesture. Just how exceptional Gustav Klimt was is perhaps reflected in the fact that he had no predecessors and no real followers. He admired Rodin and Whistler without slavishly copying them, and was admired in turn by the younger Viennese painters Egon Schiele and Oskar Kokoschka, both of whom were greatly influenced by Klimt.

Gustav Klimt

Autore: Jane Rogoyska
Editore: Parkstone International
ISBN: 1780427298
Grandezza: 61,94 MB
Formato: PDF
Vista: 2592
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“I am not interested in myself as a subject for painting, but in others, particularly women...”Beautiful, sensuous and above all erotic, Gustav Klimt’s paintings speak of a world of opulence and leisure, which seems aeons away from the harsh, post-modern environment we live in now. The subjects he treats – allegories, portraits, landscapes and erotic figures – contain virtually no reference to external events, but strive rather to create a world where beauty, above everything else, is dominant. His use of colour and pattern was profoundly influenced by the art of Japan, ancient Egypt, and Byzantium. Ravenne, the flat, two-dimensional perspective of his paintings, and the frequently stylised quality of his images form an oeuvre imbued with a profound sensuality and one where the figure of woman, above all, reigns supreme. Klimt’s very first works brought him success at an unusually young age. Gustav, born in 1862, obtained a state grant to study at Kunstgewerbeschule (the Vienna School of Arts and Crafts) at the age of fourteen. His talents as a draughtsman and painter were quickly noticed, and in 1879 he formed the Künstlercompagnie (Artists’ Company) with his brother Ernst and another student, Franz Matsch. The latter part of the nineteenth century was a period of great architectural activity in Vienna. In 1857, the Emperor Franz Joseph had ordered the destruction of the fortifications that had surrounded the medieval city centre. The Ringstrasse was the result, a budding new district with magnificent buildings and beautiful parks, all paid for by public expenses. Therefore the young Klimt and his partners had ample opportunities to show off their talents, and they received early commissions to contribute to the decorations for the pageant organised to celebrate the silver wedding anniversary of the Emperor Franz Joseph and the Empress Elisabeth. In 1894, Matsch moved out of their communal studio, and in 1897 Klimt, together with his closest friends, resigned from the Künstlerhausgenossenschaft (the Cooperative Society of Austrian Artists) to form a new movement known as the Secession, of which he was immediately elected president. The Secession was a great success, holding both a first and second exhibition in 1898. The movement made enough money to commission its very own building, designed for it by the architect Joseph Maria Olbrich. Above the entrance was its motto: “To each age its art, to art its freedom.” From around 1897 onward, Klimt spent almost every summer on the Attersee with the Flöge family. These were periods of peace and tranquillity in which he produced the landscape paintings constituting almost a quarter of his entire oeuvre. Klimt made sketches for virtually everything he did. Sometimes there were over a hundred drawings for one painting, each showing a different detail – a piece of clothing or jewellery, or a simple gesture. Just how exceptional Gustav Klimt was is perhaps reflected in the fact that he had no predecessors and no real followers. He admired Rodin and Whistler without slavishly copying them, and was admired in turn by the younger Viennese painters Egon Schiele and Oskar Kokoschka, both of whom were greatly influenced by Klimt.

Gustav Klimt

Autore: Gilles Néret
Editore: Taschen
ISBN: 9783822859803
Grandezza: 43,48 MB
Formato: PDF, Docs
Vista: 1722
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Cult of pleasure: Feminine sensuality by the Vienna Secession's greatest proponent Gustav Klimt's ornate, sensual, and decadent style made him not only the most prominent of the Vienna Secessionists but one of the best loved artists of all time. In his own time, Kilmt (1862-1918) was a highly successful painter, draftsman, muralist, and graphic artist; in the intervening years, iconic works such as The Kiss have been elevated to nothing less than cult status. Klimt's unfading popularity attests to the appeal of not only his aesthetic sensibilities but also that of the recurrent universal themes in his work: love, feminine beauty, aging, and death. He once wrote, "I am a painter who paints day after day from morning to night... Who ever wants to know something about me... ought to look carefully at my pictures." With this overview of Klimt's work, readers will delight in taking up that challenge. About the Series: Each book in TASCHEN's Basic Art series features: a detailed chronological summary of the life and oeuvre of the artist, covering his or her cultural and historical importance a concise biography approximately 100 illustrations with explanatory captions

One Hundred Drawings

Autore: Gustav Klimt
Editore: Courier Corporation
ISBN: 0486224465
Grandezza: 32,36 MB
Formato: PDF, ePub
Vista: 4936
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Selected drawings of the female form by the foremost representative of the turn-of-the-century Austrian Secessionsstil group

Gustav Klimt

Autore: Max Eisler
Editore:
ISBN:
Grandezza: 50,34 MB
Formato: PDF, ePub
Vista: 2207
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Gustav Klimt

Autore: Stephan Koja
Editore: Prestel Pub
ISBN:
Grandezza: 74,64 MB
Formato: PDF, Kindle
Vista: 3027
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Now in flexi-cover, this visually stunning collection of Klimt's landscape paintings brings to light a lesser-known aspect of the Viennese painter's uvre. While Klimt is largely revered for his opulent, symbol-laden portraits of the Viennese bourgeoisie, these works were just one aspect of his artistic expression. His landscapes represent an important facet of his career and are a valuable contribution to the school of European nature painting. For many years the artist travelled to the Austrian and Italian countryside during the summer, where he took advantage of the extraordinary light and spectacular hues to paint and sketch landscapes. Among the most exquisite of Klimt's landscapes are those in which he experimented with composition and style. Accompanied by scholarly essays, the images reproduced in this book comprise all extant landscapes from this brilliant artist, proving that his mastery extends beyond portraiture and revealing themes that appeared throughout his life's work.

Gustav Klimt 215 Plates

Autore: Maria Peitcheva
Editore: Maria Peitcheva
ISBN: 8892523961
Grandezza: 34,90 MB
Formato: PDF, Docs
Vista: 7375
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Gustav Klimt was an Austrian symbolist painter, whose primary subject was the female body. His paintings, murals, and sketches are marked by a sensual eroticism, which is especially apparent in his pencil drawings. He was Vienna's most famous advocator of Art Nouveau, or, as the style was identified in Germany, "youth style". He is remembered as one of the famous decorative artists of the 20 century, and he also created one of the century's most important examples of erotic art. Primarily flourishing as a conservative academic painter, his run into with more modern trends in European art encouraged him to build up his own free and frequently out of this world style. His place as the co-founder and first president of the Vienna Secession also ensured that this style would become broadly prominent - though Klimt's direct authority on other artists was partial. While some critics and historians contend that Klimt's work should not be incorporated in the canon of modern art, his work - particularly his paintings after 1900 - remains striking for its visual combinations of the old and the modern, the real and the abstract. Klimt shaped his greatest work during a time of change and radical ideas, and these traits are clearly marked in his paintings.

Gustav Klimt 135 Paintings And Drawings

Autore: Maria Tsaneva
Editore: Lulu Press, Inc
ISBN: 1304773140
Grandezza: 75,96 MB
Formato: PDF, ePub
Vista: 1282
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Klimt was one of the most leading representatives of Art Nouveau, the movement which extend all over Europe in the end of 19th century. His advance was stimulated by some aspects of Impressionist technique; it was also determinedly eclectic, borrowing aspirations and motifs from Egyptian, Greek and Byzantine art. Although his art is now far and wide admired, it was ignored for to a large extent of the 20th century, and provoked resistance in his own day, facing charges of obscenity and objections to his calmly allusive come near to symbolism. His handling of erotic themes was as a rule delicate and veiled in his paintings, but his drawings gave full appearance to his great sexual hunger.