Klimt

Autore: Patrick Bade
Editore: Parkstone International
ISBN: 1780424450
Grandezza: 31,84 MB
Formato: PDF, Mobi
Vista: 4086
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“I am not interested in myself as a subject for painting, but in others, particularly women...”Beautiful, sensuous and above all erotic, Gustav Klimt’s paintings speak of a world of opulence and leisure, which seems aeons away from the harsh, post-modern environment we live in now. The subjects he treats – allegories, portraits, landscapes and erotic figures – contain virtually no reference to external events, but strive rather to create a world where beauty, above everything else, is dominant. His use of colour and pattern was profoundly influenced by the art of Japan, ancient Egypt, and Byzantium. Ravenne, the flat, two-dimensional perspective of his paintings, and the frequently stylised quality of his images form an oeuvre imbued with a profound sensuality and one where the figure of woman, above all, reigns supreme. Klimt’s very first works brought him success at an unusually young age. Gustav, born in 1862, obtained a state grant to study at Kunstgewerbeschule (the Vienna School of Arts and Crafts) at the age of fourteen. His talents as a draughtsman and painter were quickly noticed, and in 1879 he formed the Künstlercompagnie (Artists’ Company) with his brother Ernst and another student, Franz Matsch. The latter part of the nineteenth century was a period of great architectural activity in Vienna. In 1857, the Emperor Franz Joseph had ordered the destruction of the fortifications that had surrounded the medieval city centre. The Ringstrasse was the result, a budding new district with magnificent buildings and beautiful parks, all paid for by public expenses. Therefore the young Klimt and his partners had ample opportunities to show off their talents, and they received early commissions to contribute to the decorations for the pageant organised to celebrate the silver wedding anniversary of the Emperor Franz Joseph and the Empress Elisabeth. In 1894, Matsch moved out of their communal studio, and in 1897 Klimt, together with his closest friends, resigned from the Künstlerhausgenossenschaft (the Cooperative Society of Austrian Artists) to form a new movement known as the Secession, of which he was immediately elected president. The Secession was a great success, holding both a first and second exhibition in 1898. The movement made enough money to commission its very own building, designed for it by the architect Joseph Maria Olbrich. Above the entrance was its motto: “To each age its art, to art its freedom.” From around 1897 onward, Klimt spent almost every summer on the Attersee with the Flöge family. These were periods of peace and tranquillity in which he produced the landscape paintings constituting almost a quarter of his entire oeuvre. Klimt made sketches for virtually everything he did. Sometimes there were over a hundred drawings for one painting, each showing a different detail – a piece of clothing or jewellery, or a simple gesture. Just how exceptional Gustav Klimt was is perhaps reflected in the fact that he had no predecessors and no real followers. He admired Rodin and Whistler without slavishly copying them, and was admired in turn by the younger Viennese painters Egon Schiele and Oskar Kokoschka, both of whom were greatly influenced by Klimt.

Gustav Klimt

Autore: Eva Di Stefano
Editore: Sterling Publishing Company
ISBN: 1402759207
Grandezza: 73,52 MB
Formato: PDF
Vista: 3161
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A well-illustrated collection of Gustav Klimt's work, including text on the artist's life.

Gustav Klimt

Autore: Jane Rogoyska
Editore: Parkstone International
ISBN: 1780427298
Grandezza: 68,78 MB
Formato: PDF, Docs
Vista: 685
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“I am not interested in myself as a subject for painting, but in others, particularly women...”Beautiful, sensuous and above all erotic, Gustav Klimt’s paintings speak of a world of opulence and leisure, which seems aeons away from the harsh, post-modern environment we live in now. The subjects he treats – allegories, portraits, landscapes and erotic figures – contain virtually no reference to external events, but strive rather to create a world where beauty, above everything else, is dominant. His use of colour and pattern was profoundly influenced by the art of Japan, ancient Egypt, and Byzantium. Ravenne, the flat, two-dimensional perspective of his paintings, and the frequently stylised quality of his images form an oeuvre imbued with a profound sensuality and one where the figure of woman, above all, reigns supreme. Klimt’s very first works brought him success at an unusually young age. Gustav, born in 1862, obtained a state grant to study at Kunstgewerbeschule (the Vienna School of Arts and Crafts) at the age of fourteen. His talents as a draughtsman and painter were quickly noticed, and in 1879 he formed the Künstlercompagnie (Artists’ Company) with his brother Ernst and another student, Franz Matsch. The latter part of the nineteenth century was a period of great architectural activity in Vienna. In 1857, the Emperor Franz Joseph had ordered the destruction of the fortifications that had surrounded the medieval city centre. The Ringstrasse was the result, a budding new district with magnificent buildings and beautiful parks, all paid for by public expenses. Therefore the young Klimt and his partners had ample opportunities to show off their talents, and they received early commissions to contribute to the decorations for the pageant organised to celebrate the silver wedding anniversary of the Emperor Franz Joseph and the Empress Elisabeth. In 1894, Matsch moved out of their communal studio, and in 1897 Klimt, together with his closest friends, resigned from the Künstlerhausgenossenschaft (the Cooperative Society of Austrian Artists) to form a new movement known as the Secession, of which he was immediately elected president. The Secession was a great success, holding both a first and second exhibition in 1898. The movement made enough money to commission its very own building, designed for it by the architect Joseph Maria Olbrich. Above the entrance was its motto: “To each age its art, to art its freedom.” From around 1897 onward, Klimt spent almost every summer on the Attersee with the Flöge family. These were periods of peace and tranquillity in which he produced the landscape paintings constituting almost a quarter of his entire oeuvre. Klimt made sketches for virtually everything he did. Sometimes there were over a hundred drawings for one painting, each showing a different detail – a piece of clothing or jewellery, or a simple gesture. Just how exceptional Gustav Klimt was is perhaps reflected in the fact that he had no predecessors and no real followers. He admired Rodin and Whistler without slavishly copying them, and was admired in turn by the younger Viennese painters Egon Schiele and Oskar Kokoschka, both of whom were greatly influenced by Klimt.

The Lady In Gold

Autore: Anne Marie O'Connor
Editore: Alfred a Knopf Incorporated
ISBN: 0307265641
Grandezza: 45,16 MB
Formato: PDF, Docs
Vista: 4579
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Shares the events that shaped the creation of the painter's most famous portrait, covering such topics as the story of the salon hostess who was his model, contributing factors in turn-of-the-century Vienna, and the painting's fate.

Gustav Klimt

Autore: Frank Whitford
Editore: Gramercy
ISBN:
Grandezza: 26,72 MB
Formato: PDF, Docs
Vista: 8938
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A critical study of the life and artistry of the celebrated turn-of-the-century Viennese painter captures, in more than 150 illustrations, the provocative, exciting, and decadent world of pre-World War II Europe.

Gustav Klimt

Autore: Alessandra Comini
Editore:
ISBN: 9781632931689
Grandezza: 79,11 MB
Formato: PDF, Mobi
Vista: 3920
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The author examines the decorative symbolism of Viennese painter Gustav Klimt (1862-1918) in his portraits, allegories, and landscapes and their relationship to the sexual imperative addressed by Sigmund Freud.

Gustav Klimt

Autore: Gilles Néret
Editore: Taschen
ISBN: 9783822859803
Grandezza: 74,53 MB
Formato: PDF
Vista: 6281
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Cult of pleasure: Feminine sensuality by the Vienna Secession's greatest proponent Gustav Klimt's ornate, sensual, and decadent style made him not only the most prominent of the Vienna Secessionists but one of the best loved artists of all time. In his own time, Kilmt (1862-1918) was a highly successful painter, draftsman, muralist, and graphic artist; in the intervening years, iconic works such as The Kiss have been elevated to nothing less than cult status. Klimt's unfading popularity attests to the appeal of not only his aesthetic sensibilities but also that of the recurrent universal themes in his work: love, feminine beauty, aging, and death. He once wrote, "I am a painter who paints day after day from morning to night... Who ever wants to know something about me... ought to look carefully at my pictures." With this overview of Klimt's work, readers will delight in taking up that challenge. About the Series: Each book in TASCHEN's Basic Art series features: a detailed chronological summary of the life and oeuvre of the artist, covering his or her cultural and historical importance a concise biography approximately 100 illustrations with explanatory captions

Gustav Klimt

Autore: Tobias Günter Natter
Editore: Taschen America Llc
ISBN: 9783836527958
Grandezza: 35,88 MB
Formato: PDF, Kindle
Vista: 613
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The clich that Gustav Klimt was a man of few words who rarely put pen to paper is vehemently dispelled: no fewer than 231 letters, cards, writings, and other documents are included in this monograph that serves as a catalog of the artist's complete paintings.

One Hundred Drawings

Autore: Gustav Klimt
Editore: Courier Corporation
ISBN: 0486224465
Grandezza: 16,70 MB
Formato: PDF
Vista: 9523
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Selected drawings of the female form by the foremost representative of the turn-of-the-century Austrian Secessionsstil group

Gustav Klimt

Autore: Stephan Koja
Editore: Prestel Pub
ISBN:
Grandezza: 10,33 MB
Formato: PDF
Vista: 459
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Now in flexi-cover, this visually stunning collection of Klimt's landscape paintings brings to light a lesser-known aspect of the Viennese painter's uvre. While Klimt is largely revered for his opulent, symbol-laden portraits of the Viennese bourgeoisie, these works were just one aspect of his artistic expression. His landscapes represent an important facet of his career and are a valuable contribution to the school of European nature painting. For many years the artist travelled to the Austrian and Italian countryside during the summer, where he took advantage of the extraordinary light and spectacular hues to paint and sketch landscapes. Among the most exquisite of Klimt's landscapes are those in which he experimented with composition and style. Accompanied by scholarly essays, the images reproduced in this book comprise all extant landscapes from this brilliant artist, proving that his mastery extends beyond portraiture and revealing themes that appeared throughout his life's work.