La Relazione D Incanto

Autore: Ruggero Eugeni
Editore: Vita e Pensiero
ISBN: 9788834307601
Grandezza: 53,24 MB
Formato: PDF, Mobi
Vista: 7496
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Nuova Raccolta Generale Delle Leggi Dei Decreti E Delle Convenzioni Dal 1803 A Tutto Il 1864 In Vigore Nel Cantone Ticino E Dei Pi Importanti Atti Del Diritto Pubblico Federale

Autore: Ticino
Editore:
ISBN:
Grandezza: 32,65 MB
Formato: PDF, ePub, Mobi
Vista: 9851
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Eye Of The Century

Autore: Francesco Casetti
Editore: Columbia University Press
ISBN: 0231139942
Grandezza: 75,62 MB
Formato: PDF, ePub, Docs
Vista: 7073
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In this brilliant book, acclaimed film scholar Francesco Casetti examines film's nature and role in the twentieth century, an age obsessed with immediacy, worried about newness, eager for nearness and transparency, and torn apart by conflict. In its time, cinema negotiated the different needs of modernity, compared and united conflicting stimuli, and provided answers for everydayness. Film cultivated a personal gaze, intimately tied to the emergence of point of view, but also able to restore the immediacy of the real; a complex gaze, in which reality and imagination were combined; a piercing gaze, achieved by machine, and yet deeply anthropomorphic; an excited gaze, rich in perceptive stimuli, but also attentive to the spectator's orientation; and an immersive gaze, which gave the impression of being inside the seen world while also maintaining a sense of distance. Each of these gazes combined two different qualities and balanced them, resulting in a synthesis that strived to bring about true compromises without ever sacrificing the complexity of contradiction. As Casetti demonstrates, film proposed a vision that, in making opposites permeable, modeled itself on an oxymoronic principle, and is therefore the key to understanding the modern experience.

Film In The Post Media Age

Autore: Ágnes Pethő
Editore: Cambridge Scholars Publishing
ISBN: 1443838721
Grandezza: 78,84 MB
Formato: PDF, Docs
Vista: 374
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Ever since the centenary of cinema there have been intense discussions in the field of film studies about the imminent demise of the cinematic medium, endless articles championing the spirit of genuine cinephilia have proclaimed the death of classical cinema and mourned the end of an era, while new currents in media studies introduced such buzzwords into the discussions as “remediation” (Bolter and Grusin), “media convergence” (Jenkins), “post-media aesthetics” (Manovich) or “the virtual life of film” (Rodowick). By the turn of the millennium, the whole “ecosystem” of media had been radically altered through processes of hybridization and media convergence. Some theorists even claim that now that the term “medium” has triumphed in the discussions around contemporary art and culture, the actual media have already deceased, as digitized imagery absorbs all media. Moving images have entered the art galleries and new forms of inter-art relationships have been forged. They have also moved into the streets and our everyday life as a domesticated medium at everybody’s reach, into new private and public environments (and into a fusion of both via the Internet). Consequently, should we speak of an all pervasive “cinematic experience” instead of a cinematic medium? What really happens to film once its traditional medium has shape shifted into various digital forms and once its traditional locations, institutions and usages have been uprooted? What do these re-locations and re-configurations really entail? What are the most important new genres in post-media moving pictures? Is it the web video, is it 3D cinema, is it the computer game that operates with moving image narratives, is it the new “vernacular” database, the DVD, or the good old television adjusted to all these new forms? How does theatrical cinema itself adapt to or reflect on these new image forms and technologies? How can we interpret the convergence of older cinematic forms with an emerging digital aesthetics traceable in typical post-media “hosts” of moving images? These are only some of the major questions that the theoretical investigation and in-depth analyses in this volume try to answer in an attempt at exploring not the disappearance of cinema but the blooming post-media life of film.

Corso Di Diritto Civile Secondo Il Codice Francese Con Sommarii O Sunti Analitici In Fronte Di Ciascun Capitolo E Sezione Di Materia Una Tavola Generale In Fine Di Ciascun Volume E Delle Note Indicative Delle Leggi Romane Ed Antiche Ordinanze Ove Sono State Attinte Le Nuove Leggi E Contenente Le Osservazioni Che Non Potevano Frammettersi Al Testo Senza Interromperne Il Nesso Di M Duranton

Autore: Alexandre Duranton
Editore:
ISBN:
Grandezza: 77,79 MB
Formato: PDF, Mobi
Vista: 1476
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Relazione Di Quanto Si Oper A Festeggiare La Venuta Del Sommo Pontefice Pio Nono Nella Citt Di Ascoli Del Piceno

Autore: Gaetano Frascarelli
Editore:
ISBN:
Grandezza: 20,47 MB
Formato: PDF
Vista: 8475
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D Incanto Si Cresce Favole Poesie

Autore: Gerardo Canini
Editore: Lulu.com
ISBN: 1291629718
Grandezza: 10,65 MB
Formato: PDF, ePub
Vista: 6061
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In questa sua nuova pubblicazione l'autore amalgama favole e poesie per la piacevole lettura dei bambini e degli adulti.

Gazzetta Piemontese

Autore:
Editore:
ISBN:
Grandezza: 17,72 MB
Formato: PDF, ePub, Mobi
Vista: 3925
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Manuale Teorico Pratico Dei Giudici Conciliatori E Dei Loro Cancellieri Ed Uscieri Seguito Dal Formolario Degli Atti Che Li Riguardano Per L Avvocato L Scamuzzi

Autore:
Editore:
ISBN:
Grandezza: 22,98 MB
Formato: PDF, Docs
Vista: 2754
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