Le Aventure Di Pinocchio

Autore: Carlo Collodi
Editore:
ISBN:
Grandezza: 71,20 MB
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Vista: 9316
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Catalog Of Books And Periodicals Japan Library School Collection Keio Giijuku Library

Autore:
Editore:
ISBN:
Grandezza: 51,84 MB
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Pinocchio

Autore: David Ellis
Editore: I. E. Clark Publications
ISBN: 9780886802455
Grandezza: 22,73 MB
Formato: PDF
Vista: 9294
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Barrie Hook And Peter Pan

Autore: Alfonso Muñoz Corcuera
Editore: Cambridge Scholars Publishing
ISBN: 1443842826
Grandezza: 37,91 MB
Formato: PDF, ePub
Vista: 3141
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Peter Pan was born over a century ago. There is something doubly contradictory in this phrase that, although true, is also the reason why this book has been released. We are talking about the boy who will never grow up and the fact that he is celebrating his hundredth birthday should provoke some surprise. At the same time, he is such a powerful icon that it is also true that he seems to have been there, floating in our culture, reappearing in its images, since time immemorial – much farther back than the early twentieth century. This book shows that, although he considered dying to be an awfully big adventure, Peter Pan is, on his one hundredth birthday, more alive than ever. And our prediction is that he will accompany our culture as long as it survives. Like all great myths, Peter will continue bursting through the window of our texts, leading us to other worlds so that when we least expect it, we will hear his cry emanate from a dark ocean. This book, in a sincere tribute, intends to be both a compilation and a precedent – by inspiring a deeper look into its image, we hope to influence the life of this character so dear and yet so mysterious and seductive. Peter Pan ha cumplido un siglo de vida. Hay algo doblemente contradictorio en esta frase que, por lo demás, es cierta y es el motivo por el cual este libro ha visto la luz. Estamos hablando del niño que nunca crece y el hecho de que celebre su cumpleaños número cien puede provocarnos cierta extrañeza. Por otro lado, se trata de un icono tan poderoso que también es verdad que parece haber estado ahí, flotando en nuestra cultura, resurgiendo en sus imágenes, desde tiempos inmemoriales mucho más lejanos que los albores del siglo XX. Este libro muestra que, a pesar de que considere que morir podría resultar una aventura extraordinaria, Peter Pan está a sus cien años más vivo que nunca. Y el panorama pinta, en efecto, para una vida que acompañe a nuestra cultura mientras ésta sobreviva. Igual que sucede con todos los grandes mitos, Peter seguirá irrumpiendo a través de la ventana de nuestros textos, guiándonos a otros mundos de tal manera que, cuando menos lo esperemos, escucharemos su grito emanar de un océano oscuro. Este libro, en un sincero homenaje, pretende ser compilación y precedente y, mediante la provocación, mediante la motivación de la profundización en su figura, incidir en la trayectoria de la vida de este personaje tan entrañable y a la vez tan misterioso y seductor.

Pinocchio

Autore: Carlo Collodi
Editore: Candlewick Press
ISBN: 0763647314
Grandezza: 21,92 MB
Formato: PDF, Docs
Vista: 8322
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Pinocchio, a wooden puppet full of tricks and mischief, with a talent for getting into and out of trouble, wants more than anything else to become a real boy.

Discovering A New Audience For Theatre

Autore: Nat Eek
Editore: Sunstone Press
ISBN: 0865346607
Grandezza: 76,42 MB
Formato: PDF, Docs
Vista: 2116
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Eek presents the history of the International Association of Theatre for Children and Youth (ASSITEJ) from its founding in 1965 to present day. (Performing Arts)

Building Imaginary Worlds

Autore: Mark J.P. Wolf
Editore: Routledge
ISBN: 113622081X
Grandezza: 74,70 MB
Formato: PDF
Vista: 7735
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Mark J.P. Wolf’s study of imaginary worlds theorizes world-building within and across media, including literature, comics, film, radio, television, board games, video games, the Internet, and more. Building Imaginary Worlds departs from prior approaches to imaginary worlds that focused mainly on narrative, medium, or genre, and instead considers imaginary worlds as dynamic entities in and of themselves. Wolf argues that imaginary worlds—which are often transnarrative, transmedial, and transauthorial in nature—are compelling objects of inquiry for Media Studies. Chapters touch on: a theoretical analysis of how world-building extends beyond storytelling, the engagement of the audience, and the way worlds are conceptualized and experienced a history of imaginary worlds that follows their development over three millennia from the fictional islands of Homer’s Odyssey to the present internarrative theory examining how narratives set in the same world can interact and relate to one another an examination of transmedial growth and adaptation, and what happens when worlds make the jump between media an analysis of the transauthorial nature of imaginary worlds, the resulting concentric circles of authorship, and related topics of canonicity, participatory worlds, and subcreation’s relationship with divine Creation Building Imaginary Worlds also provides the scholar of imaginary worlds with a glossary of terms and a detailed timeline that spans three millennia and more than 1,400 imaginary worlds, listing their names, creators, and the works in which they first appeared.

The Adventures Of Pinocchio

Autore: Carlo Collodi
Editore: Carlo Collodi
ISBN: 8822868978
Grandezza: 25,66 MB
Formato: PDF, ePub, Mobi
Vista: 582
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Pinocchio, the name a variant of common "pinolo" (pine seed), is a fictional character and the protagonist of the children's novel The Adventures of Pinocchio (1883) by Italian writer Carlo Collodi. Carved by a woodcarver named Geppetto in a small Italian village near Florence, he was created as a wooden puppet but dreamed of becoming a real boy. He has also been used as a character who is prone to telling lies and fabricating stories for various reasons. The story has appeared in many adaptations in other media. Pinocchio has been called an icon of modern culture and one of the most re-imagined characters in the pantheon of children's literature. Pinocchio is known for having a short nose that becomes longer when he is under stress (chapter 3), especially while lying. His clothes are made of flowered paper, his shoes are made of wood and his hat is made of bread (page 16 of Collodi's Le Avventure di Pinocchio). In this, the original tale, Collodi describes him as a “rascal,” “imp,” “scapegrace,” “disgrace,” “ragamuffin,” and “confirmed rogue,” with even his father, carpenter Geppetto, referring to him as a “wretched boy.” Upon being born, Pinocchio immediately laughs derisively in his creator’s face, whereupon he steals the old man’s wig. Pinocchio’s bad behavior, rather than being charming or endearing, is meant to serve as a warning. Collodi originally intended the story, which was first published in 1881, to be a tragedy. It concluded with the puppet’s execution. Pinocchio’s enemies, the Fox and the Cat, bind his arms, pass a noose around his throat, and hang him from the branch of an oak tree. ...a tempestuous northerly wind began to blow and roar angrily, and it beat the poor puppet from side to side, making him swing violently, like the clatter of a bell ringing for a wedding. And the swinging gave him atrocious spasms.... His breath failed him and he could say no more. He shut his eyes, opened his mouth, stretched his legs, gave a long shudder, and hung stiff and insensible.