French Music Since Berlioz

Author: Caroline Potter
Editor: Routledge
ISBN: 1351566474
Size: 16,66 MB
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French Music Since Berlioz explores key developments in French classical music during the nineteenth and twentieth centuries. This volume draws on the expertise of a range of French music scholars who provide their own perspectives on particular aspects of the subject. Ddre Donnellon's introduction discusses important issues and debates in French classical music of the period, highlights key figures and institutions, and provides a context for the chapters that follow. The first two of these are concerned with opera in the nineteenth and twentieth centuries respectively, addressed by Thomas Cooper for the nineteenth century and Richard Langham Smith for the twentieth. Timothy Jones's chapter follows, which assesses the French contribution to those most Germanic of genres, nineteenth-century chamber music and symphonies. The quintessentially French tradition of the nineteenth-century salon is the subject of James Ross's chapter, while the more sacred setting of Paris's most musically significant churches and the contribution of their organists is the focus of Nigel Simeone's essay. The transition from the nineteenth to the twentieth century is explored by Roy Howat through a detailed look at four leading figures of this time: FaurChabrier, Debussy and Ravel. Robert Orledge follows with a later group of composers, Satie & Les Six, and examines the role of the media in promoting French music. The 1930s, and in particular the composers associated with Jeune France, are discussed by Deborah Mawer, while Caroline Potter investigates Parisian musical life during the Second World War. The book closes with two chapters that bring us to the present day. Peter O'Hagan surveys the enormous contribution to French music of Pierre Boulez, and Caroline Potter examines trends since 1945. Aimed at teachers and students of French music history, as well as performers and the inquisitive concert- and opera-goer, French Music Since Berlioz is an essential companion for an

Surrealist Poetry In France

Author: J. H. Matthews
Editor:
ISBN:
Size: 20,89 MB
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Modern French Poets

Author: Jean-François Leroux
Editor: Gale / Cengage Learning
ISBN: 9780787652524
Size: 11,41 MB
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Essays on French poets of the twentieth-century discusses collective creations, open-ended storytelling, Cubism, surrealism, avant-garde poetry, symbolism, as well as reflections on the various creative processes employed by these French poets.

The American Heritage Dictionary Of The English Language 3rd Edition Anne H Soukhanov

Author: Anne H. Soukhanov
Editor: Bukupedia
ISBN:
Size: 15,11 MB
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A lmost a quarter of a century ago a new dictionary bearing the name American Heritage appeared. That book was notable because it did four things and it did them well. It faithfully recorded the language in easily understood definitions. It provided guidance toward accuracy, precision, and grace in the use of English that intelligent people need and seek in a dictionary. It traced, whenever possible, the development of English words to their origins and keyed many to an Appendix of Indo-European Roots. And it presented complex lexical data in a typographically attractive design accented by thousands of photographs and line drawings in spacious margins. The American Heritage Dictionary of the English Language, Third Edition , builds upon this distinguished, innovative foundation. The pages of the Third Edition, a lexicon of more than 200,000 boldface forms, hundreds of thousands of meanings, and nearly 4,000 pieces of art, reflect the rich and varied texture of American English as it has been used over time by a broad group of educated speakers. This Dictionary is the product of four years of work by 175 contributors. In preparing the Dictionary, our editors have had access to a database containing hundreds of millions of lines of text that could be searched for any word in context. The A-Z vocabulary, containing more than 16,000 words and meanings new to this Edition, is a comprehensive, detailed record of the language. Use of citations allowed the editors to identify new words and new meanings, identify levels of usage, and select more than 4,000 quoted illustrations from nearly 2,000 sources for use in exemplifying entry words in printed context. The quoted illustrations range from the works of Shakespeare, Pope, and Ruskin to the works of contemporary writers such as Joyce Carol Oates, Joan Didion, John Updike, and Tom Wicker. More than 30,000 nonquoted illustrative examples were also derived from study of the citations. Finally, the citations were used to determine the status of variants. For example, 4,000 electronic citations were accrued for the spelling ambiance and about 2,000 were found for the variant ambience . On the basis of this 2:1 ratio the Dictionary gives ambience as an "unequal," or less frequently occurring, variant of the entry word ambiance . If language is a reflection of the ethos of the generation speaking it, then the new entries and meanings in this Edition have much to say about us and our time. The great majority of the new words relate to social and life patterns; to the life sciences with an emphasis on health, medicine, genetics, and ecology; and to the physical sciences with an emphasis on computer technology and electronics, physics, and astronomy. The goal of the Third Edition is to provide the user with comprehension and appreciation of the language in a readable manner. Keeping the needs of the contemporary user in mind, we have presented the central and often the most frequently sought meaning of a word first. The definitions are worded in concise, lucid prose without the specialized terms and abbreviations that make most dictionaries forbidding and confusing. The Third Edition contains more than 500 notes and comments on matters of grammar, diction, pronunciation, and levels and nuances of usage. Citations were used in identifying new and evolving usage problems, attesting and evaluating the currency of certain usages, studying various levels of usage, and evaluating their sociolinguistic implications. The 173-member Usage Panel, with 75 new members and chaired by Geoffrey Nunberg, a linguist associated with Stanford University, has made an important contribution to the content and direction of the Usage Notes through responses to periodic surveys developed by the Chair and the editors. The Usage Panel of the Third Edition consists chiefly of writers, editors, and scholars, 22 of whom are professors of linguistics or English. Other Panelists occupy distinguished positions in law, diplomacy, government, business, science and technology, medicine, and the arts. Eighteen are recipients of the Pulitzer Prize and one is a Nobel Laureate. These men and women, who reside in 28 states across the land and in Canada and England, are a cross section of today's critical, literary, and scholarly community. A list of usage issues—old and new—was prepared by the Chair and the editors, and from it the usage program for the Third Edition was developed. Some of the usage issues are entirely new. An example is the Note at world-class . Other issues discussed in previous editions were resurveyed. An example is the use of contact as a verb. In some instances the Panel's views are more conservative than in the past: only 27 percent of the current Panel accepts hopefully as a sentence adverb, a usage that in 1969 was acceptable to 44 percent of the Panel. Other Notes, such as the one that discusses the use of above as a noun, present guidance and linguistic analysis without Panel opinions. The Usage Notes are not confined solely to matters of stylistic excellence. Our concern with usage extends to issues of gender, ethnicity, and sexual preference. Considerable attention is devoted in this Edition to the history of words. The etymologies have been thoroughly revised and expanded by a group of 25 specialists whose work reflects original scholarly research in many fields, including African, Persian, Turkish, and Native American languages. Special symbols, abbreviations, and complex technical vocabulary have been avoided in the etymologies. More than 400 word history paragraphs, most of which contain dates of first occurrence of the words in English, appear at entries with especially interesting etymologies. These word histories, such as the one at nerd , provide a social, historical, and cultural context for the evolution of words and explain the various linguistic processes that contribute to the development of language. A great many Modern English words can be traced to the reconstructed ancestral language called Proto-Indo-European. The etymologies in the Third Edition, like those in the First, trace many words to their earliest ascertainable origins, usually in Proto-Indo-European, by means of cross-references to a new and thoroughly revised Appendix of Indo-European Roots. The Appendix, in a major departure from previous style, gives the root followed by a brief gloss and a list of some of the Modern English words derived from it. The individual roots entry then follows. For example, the Modern English words fierce , and treacle , at first glance strange semantic companions, both derive from the root *ghwer- , "wild." The Third Edition contains hundreds of labeled words and meanings whose occurrence is restricted to certain areas of the United States. An important new feature unique to the Third Edition is the inclusion of more than 100 Regional Notes that explore the various linguistic and historical processes contributing to the development of these terms. These processes are apparent in the Regional Notes at entries such as absquatulate . In an effort to assist the reader in using the language with color, vitality, and freshness, the Third Edition devotes more attention than ever before to synonymy by including more than 900 synonym paragraphs. The fully cross-referenced synonym paragraphs are of two kinds. The first, liberally illustrated with quotations, discriminates shades of meaning. The second kind lists exact synonyms, that is, words sharing a common irreducible element of meaning, and provides antonyms when applicable. The American Heritage Dictionary of the English Language, Third Edition , like the First, is the product of significant advances in the use of computer technology. The Third Edition is derived from a complex, highly versatile structured database. Every element in the Dictionary was parsed, examined, and coded to reflect its lexical function and position within the base. In combination, these elements form dictionary entries, and on a broader scale they reflect a multitude of relationships across the lexicon. Use of the database in connection with electronically generated citations places the Third Edition a generation ahead of other dictionaries. It is no longer possible for a few general editors working strictly within a publishing house to compile a true and accurate record of the language as it is used today. Semantic, etymological, linguistic, and technical complexities inherent in the language require the counsel of specialists from many disciplines. These specialists' names are listed under Special Contributors and Consultants. We wish to thank all of them for helping us in our pursuit of accuracy and truth. Special thanks go to John Simpson, Co-Editor of the New Oxford English Dictionary , for valuable comments made during the early stages of the project. And to all members of the Editorial Staff who gave unstintingly of their time and expended great effort in the development of the Third Edition, we express our deepest gratitude. Anne H.Soukhanov

Encyclopedia Of Literary Translation Into English A L

Author: O. Classe
Editor: Taylor & Francis
ISBN: 9781884964367
Size: 12,41 MB
Format: PDF
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This anthology examines Love's Labours Lost from a variety of perspectives and through a wide range of materials. Selections discuss the play in terms of historical context, dating, and sources; character analysis; comic elements and verbal conceits; evidence of authorship; performance analysis; and feminist interpretations. Alongside theater reviews, production photographs, and critical commentary, the volume also includes essays written by practicing theater artists who have worked on the play. An index by name, literary work, and concept rounds out this valuable resource.

French Forum

Author:
Editor:
ISBN:
Size: 18,39 MB
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The French Review

Author: James Frederick Mason
Editor:
ISBN:
Size: 19,66 MB
Format: PDF, Kindle
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An Anthology Of French Surrealist Poetry

Author: J. H. Matthews
Editor:
ISBN:
Size: 18,22 MB
Format: PDF, ePub, Docs
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Essays In French Literature

Author:
Editor:
ISBN:
Size: 18,15 MB
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Collaborative Form

Author: Thomas Jensen Hines
Editor: Kent State University Press
ISBN: 9780873384179
Size: 15,49 MB
Format: PDF, Docs
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Collaborative form attempts to show the nature and limits of works of art that are made up of two or more artistic forms. The first task of this book is to analyze and interpret a set of combinations. Each chapter treats one collaborative work and attempts to show that the principles of collaboration are the same, whether the components are poetry and graphic works as in Lettera Ambrosa by Rene Char and Georges Braque, poetry and music as in Herzgewachse by Maurice Maeterlinck and Arnold Schoenberg, or more complex sets that include painting, music, dance, lighting, and drama as in Der gelbe Klang by Wassily Kandinsky, Morder, Hoffnung der Frauen by Oskar Kokoschka, and Triad by Alwin Nikolais.