Mimesis

Autore: Erich Auerbach
Editore: Princeton University Press
ISBN: 1400847958
Grandezza: 52,82 MB
Formato: PDF, Docs
Vista: 4126
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More than half a century after its translation into English, Erich Auerbach's Mimesis remains a masterpiece of literary criticism. A brilliant display of erudition, wit, and wisdom, his exploration of how great European writers from Homer to Virginia Woolf depicted reality has taught generations how to read Western literature. This new expanded edition includes a substantial essay in introduction by Edward Said as well as an essay, never before translated into English, in which Auerbach responds to his critics. A German Jew, Auerbach was forced out of his professorship at the University of Marburg in 1935. He left for Turkey, where he taught at the state university in Istanbul. There he wrote Mimesis, publishing it in German after the end of the war. Displaced as he was, Auerbach produced a work of great erudition that contains no footnotes, basing his arguments instead on searching, illuminating readings of key passages from his primary texts. His aim was to show how from antiquity to the twentieth century literature progressed toward ever more naturalistic and democratic forms of representation. This essentially optimistic view of European history now appears as a defensive--and impassioned--response to the inhumanity he saw in the Third Reich. Ranging over works in Greek, Latin, Spanish, French, Italian, German, and English, Auerbach used his remarkable skills in philology and comparative literature to refute any narrow form of nationalism or chauvinism, in his own day and ours. For many readers, both inside and outside the academy, Mimesis is among the finest works of literary criticism ever written. This Princeton Classics edition includes a substantial introduction by Edward Said as well as an essay in which Auerbach responds to his critics.

Mimesis And Alterity

Autore: Michael T. Taussig
Editore: Psychology Press
ISBN: 9780415906876
Grandezza: 33,48 MB
Formato: PDF, ePub, Docs
Vista: 2412
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In Mimesis and Alterity Taussig undertakes and eccentric history of the mimetic faculty. He moves easily from the nineteenth-century invention of mimetically capacious machines, such as the camera, backwards to the fable of colonial first contact' alleged mimetic prowess of primitives, ' and then forward to contemporary time, when the idea of alterity is increasingly unstable. Utilizing anthropological theory, Taussig blends Latin American ethnography and colonial history with the insights of Walter Benjamin, Adorno and Horkheimer. Vigorous and unorthodox, Taussig's understanding of mimesis in different cultures deepens our meaning of ethnography, racism and society.

Mimesis

Autore: Gunter Gebauer
Editore: Univ of California Press
ISBN: 9780520084599
Grandezza: 40,45 MB
Formato: PDF
Vista: 8024
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"A fundamental historical account of the much-cited but little-studied concept of mimesis, and an essential starting point for all future discussions of this crucial critical concept."--Hayden White

Mimesis

Autore: Erich Auerbach
Editore:
ISBN: 9780691113364
Grandezza: 65,30 MB
Formato: PDF, ePub
Vista: 3911
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Erich Auerbach's 'Mimesis' still stands as a monumental achievement in literary criticism which has taught generations how to read Western literature. This expanded edition includes an introductory essay by Edward Said, and an essay by Auerbach, translated into English, in which he responds to his critics.

Mimesis

Autore: Erich Auerbach
Editore:
ISBN:
Grandezza: 66,16 MB
Formato: PDF, Kindle
Vista: 423
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Mimesis

Autore: Matthew Potolsky
Editore: Routledge
ISBN: 1135996059
Grandezza: 71,73 MB
Formato: PDF, Kindle
Vista: 6120
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A topic that has become increasingly central to the study of art, performance and literature, the term mimesis has long been used to refer to the relationship between an image and its ‘real’ original. However, recent theorists have extended the concept, highlighting new perspectives on key concerns, such as the nature of identity. Matt Potolsky presents a clear introduction to this potentially daunting concept, examining: the foundations of mimetic theory in ancient philosophy, from Plato to Aristotle three key versions of mimesis: imitatio or rhetorical imitation, theatre and theatricality, and artistic realism the position of mimesis in modern theories of identity and culture, through theorists such as Freud, Lacan, Girard and Baudrillard the possible future of mimetic theory in the concept of ‘memes’, which connects evolutionary biology and theories of cultural reproduction. A multidisciplinary study of a term rapidly returning to the forefront of contemporary theory, Mimesis is a welcome guide for readers in such fields as literature, performance and cultural studies.

Mimesis And Science

Autore: Scott R. Garrels
Editore: MSU Press
ISBN: 1609172388
Grandezza: 15,58 MB
Formato: PDF, Kindle
Vista: 7553
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This exciting compendium brings together, for the first time, some of the foremost scholars of René Girard’s mimetic theory, with leading imitation researchers from the cognitive, developmental, and neuro sciences. These chapters explore some of the major discoveries and developments concerning the foundational, yet previously overlooked, role of imitation in human life, revealing the unique theoretical links that can now be made from the neural basis of social interaction to the structure and evolution of human culture and religion. Together, mimetic scholars and imitation researchers are on the cutting edge of some of the most important breakthroughs in understanding the distinctive human capacity for both incredible acts of empathy and compassion as well as mass antipathy and violence. As a result, this interdisciplinary volume promises to help shed light on some of the most pressing and complex questions of our contemporary world.

Mimesis In Contemporary Theory

Autore: Mihai Spariosu
Editore: John Benjamins Publishing
ISBN: 9027242232
Grandezza: 36,18 MB
Formato: PDF, ePub, Mobi
Vista: 814
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After almost two hundred years of relative obscurity mimesis finds itself again in the limelight of Western theoretical discourse. In the Anglo-American tradition, mimesis or 'imitation' regained some prominence, at the turn of the century, through S.H. Butcher's translation of and introduction to Aristotle's Poetics, and , in the thirties, through the work of the Chicago school, also centered around Aristotle. More recently, mimesis looms large in the work of Auerbach, Burke and Frye. But it is only in the past decade or so, with the publication in France of the work of Barthes, Derrida, Girard, Genette, and some of their collaborators, that mimesis has again become an object of heated controversy on both sides of the Atlantic. The present collection is designed not only to bring fresh points of view to the current debate, by drawing in other theoretical developments beside the Anglo-American and the French, but also to explain why mimesis has so stubbornly haunted our civilization.

Mimesis As Make Believe

Autore: Kendall L. Walton
Editore: Harvard University Press
ISBN: 9780674576032
Grandezza: 12,44 MB
Formato: PDF, Mobi
Vista: 9130
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Representations--in visual arts and fiction--play an important part in our lives and culture. Walton presents here a theory of the nature of representation which illuminates its many varieties and goes a long way toward explaining its importance. Walton's theory also provides solutions to thorny philosophical problems concerning the existence of fictitious beings. Throughout, his analysis is illustrated by a rich array of examples drawn from literature, painting, sculpture, theater, and film.

Mimesis

Autore: Samuel IJsseling
Editore: Peeters Pub & Booksellers
ISBN: 9789039002735
Grandezza: 16,62 MB
Formato: PDF, Docs
Vista: 891
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Mimesis is one of the root words of Ancient Philosophy and again plays an important role in contemporary French thought. In this essay, an original interpretation of mimesis is given which throws new light on art and literature, reading and writing, the mirror and the example, identity and difference, and last but not least on the traditional opposition between reality and illusion, between appearing and being.