King Prince Valiant 3

Autore: Nate Cosby
Editore: Dynamite Entertainment
ISBN:
Grandezza: 40,78 MB
Formato: PDF, Mobi
Vista: 3085
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ÊSteel thyself! For the adventure-craving Valiant flees from a foe that wants to be his friend, adopts a travel companion from a different age, and wields a weapon that may save the entire King universe, or rip it usunder!

Prince Valiant

Autore: Gary Gianni
Editore: Andrews McMeel Publishing
ISBN: 0740777378
Grandezza: 68,65 MB
Formato: PDF, Kindle
Vista: 1102
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"Strips dating from November 21, 2004, to May 18, 2008, are included within this collection."--Back cover.

Prince Valiant 11

Autore: Hal Foster
Editore:
ISBN: 9781606998281
Grandezza: 61,23 MB
Formato: PDF, Kindle
Vista: 9768
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Arvak the Red Stallion s first appearance occurs in this volume of the classically illustrative Sunday comic strip, based on the King Arthur myth."

The Definitive Prince Valiant Companion

Autore: Brian M. Kane
Editore: Fantagraphics Books
ISBN: 1606993054
Grandezza: 70,80 MB
Formato: PDF
Vista: 4599
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The ultimate book for Prince Valiant fans and collectors. Out of print for over a decade, The Prince Valiant Companion has become a Holy Grail for collectors of the series. Now, in anticipation of the seventy-fifth anniversary of comics’ longest-running adventure strip, and to celebrate their own just-launched reprinting of the strip’s classic earliest years, Fantagraphics is proud to present an expanded version of this hard-to-find collector’s item. Compiled by award-winning Foster biographer Brian M. Kane, The Definitive Prince Valiant Companion beautifully and definitively showcases the careers of artists Hal Foster, John Cullen Murphy, and Gary Gianni. In addition to updating the original version’s story synopsis section with over thirty years of material, The Definitive Prince Valiant Companion also contains rare and new articles. Included in this volume is a never before reprinted newspaper feature from 1949, Foster’s final interview conducted by Arn Saba, an extensive interview with John Cullen Murphy, and a new interview with the current Prince Valiant creative team of Gary Gianni and Mark Schultz. The Companion also contains a new, in-depth article by Kane on Foster’s artistic influences, as well as a foreword by comics historian Brian Walker, and an introduction by Pulitzer Prize-winning author Ray Bradbury. A special feature of The Companion is a sixteen-page color section of carefully selected strips from the entire run of the comic. Showcasing this section are eight pages by Foster, scanned and digitally restored from original color engraver’s proofs that had been carefully stored and preserved for over forty years. For the first time ever, collectors will be able to see Prince Valiant as Foster intended it to be seen, with all of his fine inked line work intact. Rounding out this section are four John Cullen Murphy pages from the Murphy family’s collection of proofs, and four Gary Gianni pages that were selected by the artist and digitally recolored under his supervision.

Prince Valiant

Autore: Harold Rudolf Foster
Editore:
ISBN:
Grandezza: 48,63 MB
Formato: PDF, ePub
Vista: 3247
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King Prince Valiant 2

Autore: Nate Cosby
Editore: Dynamite Entertainment
ISBN:
Grandezza: 54,75 MB
Formato: PDF
Vista: 9356
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UTTER DEFEAT! The stubborn and fearless PRINCE VALIANT dares to face the GREATEST FOE, who has never been (and never will be) defeated...and Val loses. Then, and only then, does Valiant begin to understand the epic quest he is about to undertake. Gird you loins for transcendent adventure by NATE COSBY (Cow Boy) and RON SALAS!Ê

The Vikings On Film

Autore: Kevin J. Harty
Editore: McFarland
ISBN: 0786486384
Grandezza: 13,97 MB
Formato: PDF, ePub, Mobi
Vista: 5387
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"Essays discuss American, British and European productions. Analyzed in detail are such films as The Vikings (1958), The Long Ships (1964), Alfred the Great (1969), Erik the Viking (1989) and Outlander (2008), and a pair of comic-strip adaptations, the live-action Prince Valiant (1997) and the animated Astérix and the Vikings (2006). Comprehensive filmography included"--Provided by publisher.

Cinemascope 3

Autore: John Howard Reid
Editore: Lulu.com
ISBN: 1411671880
Grandezza: 60,15 MB
Formato: PDF
Vista: 3193
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This third collection of widescreen wonders photographed in CinemaScope, focuses on such popular movies as "Love Is a Many-Splendored Thing," "Cleopatra," "Three Coins in the Fountain," "Bus Stop," "There's No Business Like Show Business," "The Seven Year Itch," "Let's Make Love," "Peyton Place," "North to Alaska," "The Longest Day," "The Eddy Duchin Story," "Far from the Madding Crowd," "The Man in the Gray Flannel Suit," "The Helen Morgan Story," "A Star Is Born" and "2001: A Space Odyssey."

Medievalist Comics And The American Century

Autore: Chris Bishop
Editore: Univ. Press of Mississippi
ISBN: 1496808533
Grandezza: 33,82 MB
Formato: PDF, Docs
Vista: 2228
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The comic book has become an essential icon of the American Century, an era defined by optimism in the face of change and by recognition of the intrinsic value of democracy and modernization. For many, the Middle Ages stand as an antithesis to these ideals, and yet medievalist comics have emerged and endured, even thrived alongside their superhero counterparts. Chris Bishop presents a reception history of medievalist comics, setting them against a greater backdrop of modern American history. From its genesis in the 1930s to the present, Bishop surveys the medievalist comic, its stories, characters, settings, and themes drawn from the European Middle Ages. Hal Foster’s Prince Valiant emerged from an America at odds with monarchy, but still in love with King Arthur. Green Arrow remains the continuation of a long fascination with Robin Hood that has become as central to the American identity as it was to the British. The Mighty Thor reflects the legacy of Germanic migration into the United States. The rugged individualism of Conan the Barbarian owes more to the western cowboy than it does to the continental knight-errant. In the narrative of Red Sonja, we can trace a parallel history of feminism. Bishop regards these comics as not merely happenchance, but each success (Prince Valiant and The Mighty Thor) or failure (Beowulf: Dragon Slayer) as a result and an indicator of certain American preoccupations amid a larger cultural context. Intrinsically modernist paragons of pop-culture ephemera, American comics have ironically continued to engage with the European Middle Ages. Bishop illuminates some of the ways in which we use an imagined past to navigate the present and plots some possible futures as we valiantly shape a new century.