Rosso Parigi

Autore: Maureen Gibbon
Editore:
ISBN: 9788806228408
Grandezza: 72,30 MB
Formato: PDF, Mobi
Vista: 9325
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Foreign Artists And Communities In Modern Paris 1870 1914

Autore: Susan Waller
Editore: Routledge
ISBN: 1351566911
Grandezza: 51,45 MB
Formato: PDF, Mobi
Vista: 2820
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Foreign Artists and Communities in Modern Paris, 1870-1914 examines Paris as a center of international culture that attracted artists from Western and Eastern Europe, Asia and the Americas during a period of burgeoning global immigration. Sixteen essays by a group of emerging and established international scholars - including several whose work has not been previously published in English - address the experiences of foreign exiles, immigrants, students and expatriates. They explore the formal and informal structures that permitted foreign artists to forge connections within and across national communities and in some cases fashion new, transnational identities in the City of Light. Considering Paris from an innovative global perspective, the book situates both important modern artists - such as Edvard Munch, Sonia Delaunay-Terk, Marc Chagall and Gino Severini - and lesser-known American, Czech, Italian, Polish, Welsh, Russian, Japanese, Catalan, and Hungarian painters, sculptors, writers, dancers, and illustrators within the larger trends of international mobility and cultural exchange. Broadly appealing to historians of modern art and history, the essays in this volume characterize Paris as a thriving transnational arts community in which the interactions between diverse cultures, peoples and traditions contributed to the development of a hybrid and multivalent modern art.

Paris Red

Autore: Maureen Gibbon
Editore: W. W. Norton
ISBN: 9780393352238
Grandezza: 11,73 MB
Formato: PDF, ePub, Mobi
Vista: 2174
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A richly imagined portrait of the young woman who inspired the great Impressionist painter Edouard Manet, transports the reader to a world of Parisian cafés, dance halls, flaneurs, and new boulevards. The year is 1862. The place, Paris. The woman who will become known to the world as Manet’s Olympia is a young girl in a threadbare dress and green boots, hungry for life, love, and experience. Victorine and her friend Denise talk to a handsome stranger—a painter—on the street. He buys them dinner, and soon Victorine begins to move through layers of Parisian society, meeting writers and artists including Baudelaire and Alfred Stevens. When Victorine must choose between her friend and her lover, her old life and new possibilities, the history of art is changed forever. Intense, erotic, and beautifully wrought, Paris Red is a novel about the way art transforms us.

Sculpture S Private Self

Autore: Sharon Hecker
Editore:
ISBN:
Grandezza: 64,92 MB
Formato: PDF, Kindle
Vista: 3478
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Rosso

Autore: Medardo Rosso
Editore: Skira - Berenice
ISBN:
Grandezza: 72,32 MB
Formato: PDF, ePub, Mobi
Vista: 8477
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This publication traces the complex and contemporary aesthetic of Medardo Rosso through a selection of sculptures, plaster casts, bronzes, and original photographs and documents. The public and the contemporary art world will find, in Rossos artistic practice, unexpected opportunities for reflection. The name Medardo Rosso is known everywhere. His biography counts hundreds of titles. His writings and many letters have been published numerous times. The events of his biography are known through anecdotes and tales of struggle that make of his life a novel; he has entered literature as another Cellini, Mephistopheles or Vulcan. His work has been the subject of specialised studies, and yet a question remains that today cannot be avoided: which pieces are, in actual fact, Medardo Rossos work? However surprising this question may seem, there is nothing predictable about the answer. Beginning in the early twentieth century, a large number of copies started emerging from founderies; this, together with current fakes and replicas, means the authentic work is invisible, drowning under bronzes sucked like lollies, undignified waxes, and invasive subjects, in a kind of swamp.

Medardo Rosso

Autore: Margaret Scolari Barr
Editore: Ayer Company Pub
ISBN:
Grandezza: 53,81 MB
Formato: PDF, Docs
Vista: 2744
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Rosso Fiorentino

Autore: Carlo Falciani
Editore: Giunti Editore
ISBN: 8809794532
Grandezza: 41,53 MB
Formato: PDF, ePub
Vista: 4512
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ePub: FL2148

The Athenaeum

Autore:
Editore:
ISBN:
Grandezza: 69,36 MB
Formato: PDF, Docs
Vista: 1965
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Kermes 94 95

Autore:
Editore: Claudio Aita
ISBN:
Grandezza: 53,17 MB
Formato: PDF, ePub, Mobi
Vista: 8007
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Numero doppio, 160 pagine, cm21x29,7, brossura, illustrato a colori, anno 2015 Questo numero speciale di Kermes, nell’ambito delle celebrazioni per il 350° anniversario della morte di Nicolas Poussin (1594-1665), esce in concomitanza con la mostra ‘Poussin et Dieu’ che il Musée du Louvre presenta nella primavera del 2015. Omaggio al ‘pittore-filosofo’, il volume si pone quale strumento scientifico di riferimento che riporta lo stato dell’arte a livello internazionale negli studi tecnici poussiniani e accompagna la mostra come adeguato complemento al catalogo per la comprensione scientifica delle tematiche. La pubblicazione è stata l’occasione per attivare un dibattito internazionale – quasi un convegno ideale con sede in Kermes – a cui hanno aderito con entusiasmo oltre venti autori, proponendo significativi ed estesi studi in una dimostrazione esemplare d’interazione fra ricerche storico artistiche e tecnico-scientifiche. … It is with great enthusiasm that Kermes supported this initiative hosting the studies, as though these were part of a conference, ‘ideal’ in that it never took place physically, but very much real in terms of the international plurality of its contributions, presented here thanks to lively exchange of information across frontiers … This publication is the fruit of a perfect and exemplary collaboration between curators, conservators and scientists brought together from all countries… The publication here before us provides a number of answers – let us be brave and use the word ‘definitive’ – to questions which have long been an issue of debate … Comme l’affirme ici même Sheila McTighe, toute vision plus large de la pratique de Poussin doit dorénavant prendre en compte et intégrer ces nouvelles données techniques. (Pierre Rosenberg de l’Académie française, Président-directeur honoraire du Musée du Louvre) This volume of the journal Kermes devoted to the meticulous technical analysis of several works by Nicolas Poussin, reveals the wealth of knowledge acquired through the implementation of new methods of physico-chemical analysis taken together with the detailed investigation of the handling and materials deployed during the process of creating the work of art. A number of different means have been employed in order to investigate in the greatest detail the nature of a particular pigment, its impurities, the effects of the addition of a medium as well as the effects created by mixtures … (Philippe Walter, Directeur du Laboratoire d’archéologie moléculaire et structurale, CNRS-UMR 8820, Université Pierre et Marie Curie) indice/Index: speciale – NICOLAS POUSSIN. TECHNIQUE, PRACTICE, CONSERVATION a cura di Helen Glanville, Claudio Seccaroni Helen Glanville, Claudio Seccaroni Nota introduttiva dei curatori / Editors’ Introductory Note Pierre Rosenberg Du progrès en histoire de l’art / On Developments in the History of Art Philippe Walter Combiner les regards sur les œuvres de Nicolas Poussin / A Combined Vision of the Works of Nicolas Poussin Sheila McTighe Poussin’s Practice: A New Plea for Poussin as a Painter Helen Glanville Nicolas Poussin: Creation and Perception Paolo Bensi Supporti e preparazioni: aspetti delle scelte esecutive di Poussin a confronto con le tecniche pittoriche dell’ambiente romano (1620-70) Chiara Merucci, Claudio Seccaroni Qualche osservazione sui Baccanali di putti della Galleria Nazionale d’Arte Antica in Palazzo Barberini Marcia Steele Transmitted Light Infrared Imaging of Two Paintings by Poussin at the Cleveland Museum of Art David Piurek The Cleveland Museum of Art Painting Conservation. Transmitted IR Photography Setup Sophia Plender, Aviva Burnstock Technical Examination and Conservation of The Triumph of David by Nicolas Poussin Laurie Benson, Carl Villis The Crossing of the Red Sea in the National Gallery of Victoria, Melbourne John Twilley, Nicole Myers, Mary Schafer Poussin’s Materials and Techniques for The Triumph of Bacchus at the Nelson-Atkins Museum of Art Jean Cadogan, Stephen Kornhauser, Patricia Sherwin Garland The Crucifixion by Nicolas Poussin in the Wadsworth Atheneum Museum of Art, Hartford, Connecticut Rikke Foulke The Holy Family with the Infant Saint John the Baptist and Saint Elizabeth Laurence de Viguerie, Philippe Walter, Helen Glanville Some Preliminary Remarks on Nicolas Poussin’s Painting Technique in L’Orage: Complementary X-ray Fluorescence and X-ray Diffraction Study Carol Woods Sawyer Discoveries Concerning Poussin’s Technique Made during the Examination and Treatment of Achilles among the Daughters of Lycomedes Characteristics of the Canvases Used by Nicolas Poussin Bibliographic References Abstracts CULTURA PER I BENI CULTURALI CSRP-The Central Scientific Restoration Project Workshop – Moscow: I metodi di restauro dei monumenti architettonici di legno in russia ARI: Il tesoro sottratto di Roma SUPSI: Studio comparativo di metodi diagnostici per la valutazione dei distacchi degli intonaci e del loro trattamento AICRAB: “Digital Humanities” alla Biblioteca Capitolare di Vercelli OPD: Avanzamenti circa il restauro dell’ Adorazione dei Magi di Leonardo da Vinci MNEMOSYNE: Riprendere le proposte di Giovani Urbani per la cura dei contesti ambientali e condizione per la duratura conservazione anche delle singole opere d’arte CCR La Venaria Reale: Campagna di documentazione dello stato di conservazione dell’opera La Bella Principessa attribuita a Leonardo da Vinci Taccuino IG-IIC: Sostenibilità della conservazione, ma oltre le mode … LA RECENSIONE Licia Vlad Borrelli, La fucina di Vulcano. I metalli nel mondo antico: storia, tecnologia, conservazione Giorgio Bonsanti Giuseppina Perusini, Simon Horsin-Déon e il restauro in Francia alla metà del XIX secolo Paolo Bensi Christoph Schölzel, Gemäldegalerie Dresden: Bewahrung und Restaurierung der Kunstwerke von den Anfängen der Galerie bis 1876 Giorgio Bonsanti Antonio Sgamellotti, Brunetto G. Brunetti and Costanza Miliani (edited by), Science and Art. The Painted Surface Giorgio Bonsanti Elena Pecchioni, Fabio Fratini, Emma Cantisani, Atlante delle malte antiche in sezione sottile al microscopio ottico / Atlas of the ancient mortars in thin section under optical microscope Deodato Tapete Maria Beatrice Failla, Susanne Adina Meyer, Chiara Piva, Stefania Ventra (a cura di), La cultura del restauro. Modelli di ricezione per la museologia e la storia dell’arte Giorgio Bonsanti