Segnocinema

Autore:
Editore:
ISBN:
Grandezza: 43,25 MB
Formato: PDF, Docs
Vista: 1295
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Cinema Of Silvio Soldini

Autore: Bernadette Luciano
Editore: Troubador Publishing Ltd
ISBN: 1906510245
Grandezza: 64,51 MB
Formato: PDF, Mobi
Vista: 537
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One of the acclaimed filmmakers of the so-called 'new Italian cinema', Silvio Soldini's early films were recognized by critics for their artistic and cinematic value. This book traces his career from his first student film, "Drimage", to his documentary and shorts, and his feature films culminating in the 2004 comedy "Agatha and the Storm".

Remake

Autore: Pietro Piemontese
Editore: Castelvecchi
ISBN: 9788882102500
Grandezza: 63,55 MB
Formato: PDF, ePub, Mobi
Vista: 4896
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Contemporary Italian Filmmaking

Autore: Manuela Gieri
Editore: University of Toronto Press
ISBN: 080200556X
Grandezza: 57,18 MB
Formato: PDF
Vista: 9003
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Contemporary Italian Filmmaking is an innovative critique of Italian filmmaking in the aftermath of World War II - as it moves beyond traditional categories such as genre film and auteur cinema. Manuela Gieri demonstrates that Luigi Pirandello's revolutionary concept of humour was integral to the development of a counter-tradition in Italian filmmaking that she defines `humoristic'. She delineates a `Pirandellian genealogy' in Italian cinema, literature, and culture through her examination of the works of Federico Fellini, Ettore Scola, and many directors of the `new generation,' such as Nanni Moretti, Gabriele Salvatores, Maurizio Nichetti, and Giuseppe Tornatore. A celebrated figure of the theatrical world, Luigi Pirandello (1867-1936) is little known beyond Italy for his critical and theoretical writings on cinema and for his screenplays. Gieri brings to her reading of Pirandello's work the critical parameters offered by psychoanalysis, poststructuralism, and postmodernism to develop a syncretic and transcultural vision of the history of Italian cinema. She identifies two fundamental trends of development in this tradition: the `melodramatic imagination' and the `humoristic,' or comic, imagination. With her focus on the humoristic imagination, Gieri describes a `Pirandellian mode' derived from his revolutionary utterances on the cinema and narrative, and specifically, from his essay on humour, L'umorismo (On Humour, 1908). She traces a history of the Pirandellian mode in cinema and investigates its characteristics, demonstrating the original nature of Italian filmmaking that is particularly indebted to Pirandello's interpretation of humour.

Tarantino Fortuna Critica La Critica Dei Film Di Quentin Tarantino In Italia E In Francia 1992 2004

Autore: Valentina Fini
Editore: Digital Index Editore
ISBN: 8890664355
Grandezza: 73,78 MB
Formato: PDF
Vista: 9428
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Werner Herzog

Autore:
Editore: Pellegrini Editore
ISBN: 9788881014484
Grandezza: 15,99 MB
Formato: PDF, ePub
Vista: 447
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Robert Zemeckis

Autore: Andrea Fontana
Editore: Sovera Edizioni
ISBN: 9788881248865
Grandezza: 20,64 MB
Formato: PDF, ePub, Docs
Vista: 5073
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Andrej Kon Alovskij

Autore: Massimo Causo
Editore: Effata Editrice IT
ISBN: 9788874020683
Grandezza: 15,89 MB
Formato: PDF, ePub
Vista: 3675
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Revolutionary Desire In Italian Cinema

Autore: Luana Ciavola
Editore: Troubador Publishing Ltd
ISBN: 1848766807
Grandezza: 33,60 MB
Formato: PDF
Vista: 3350
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Revolutionary Desire in Italian Cinema is the first book to draw on psychoanalytical concepts and film theories to examine the critical tendency of Italian cinema and the way in which auteur Italian filmmakers have expressed their counter-ideological thought and criticism against Italian society. The book examines how by being committed to Italian social reality, Italian cinema expresses a desire for revolt against the status quo and the dominant ideological order. Taking as case studies Bernardo Bertolucci’s Prima della rivoluzione, Marco Bellocchio’s I pugni in tasca, Pier Paolo Pasolini’s Porcile, Nanni Moretti’s Ecce Bombo and La messa è finita, the book relies on socio-historiographical theories through which Luana Ciavola discusses how plot and characters create a sense of revolt against the both social order and values such as family, religion and bourgeois ethics. The book confirms the central role of Italian cinema in a historical and political context, insofar as it includes a substantial background which highlights aspects of Italian history never considered before in a study on Italian cinema. Revolutionary Desire in Italian Cinema is aimed at academics, researchers, undergraduate and postgraduate students and all lovers of Italian cinema.

Italian Gothic Horror Films 1957 1969

Autore: Roberto Curti
Editore: McFarland
ISBN: 0786494379
Grandezza: 67,12 MB
Formato: PDF, ePub
Vista: 9706
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The "Gothic" style was a key trend in Italian cinema of the 1950s and 1960s, because of its peculiar, often strikingly original approach to the horror genre. These films portrayed Gothic staples in a stylish and idiosyncratic way, and took a daring approach to the supernatural and to eroticism, with the presence of menacing yet seductive female witches, vampires and ghosts. Thanks to such filmmakers as Mario Bava (Black Sunday), Riccardo Freda (The Horrible Dr. Hichcock), and Antonio Margheriti (Castle of Blood), as well the iconic presence of actress Barbara Steele, Italian Gothic horror went overseas and reached cult status. The book examines the Italian Gothic horror of the period, with an abundance of previously unpublished production information drawn from official papers and original scripts. Entries include a complete cast and crew list, home video releases, plot summary and the author’s analysis. Excerpts from interviews with filmmakers, scriptwriters and actors are included. Foreword by film director and scriptwriter Ernesto Gastaldi.