Stupendous Miserable City

Author: John David Rhodes
Editor: U of Minnesota Press
ISBN: 9781452913032
Size: 19,11 MB
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Tracing Pasolini's engagement with Rome and looking beyond his films to explore the interrelatedness of all of Pasolini's artistic output in the 1950s and 1960s, Rhodes opens up new ways of understanding Pasolini's work and proves how connected Pasolini was to the upheavals in Italy at the time.

Rome Continuing Encounters Between Past And Present

Author: Dorigen Caldwell
Editor: Routledge
ISBN: 1351902415
Size: 18,13 MB
Format: PDF, Mobi
Read: 138

Few other cities can compare with Rome's history of continuous habitation, nor with the survival of so many different epochs in its present. This volume explores how the city's past has shaped the way in which Rome has been built, rebuilt, represented and imagined throughout its history. Bringing together scholars from the disciplines of architectural history, urban studies, art history, archaeology and film studies, this book comprises a series of studies on the evolution of the city of Rome and the ways in which it has represented and reconfigured itself from the medieval period to the present day. Moving from material appropriations such as spolia in the medieval period, through the cartographic representations of the city in the early modern period, to filmic representation in the twentieth century, we encounter very different ways of making sense of the past across Rome's historical spectrum. The broad chronological arrangement of the chapters, and the choice of themes and urban locations examined in each, allows the reader to draw comparisons between historical periods. An imaginative approach to the study of the urban and architectural make-up of Rome, this volume will be valuable not only for historians of art and architecture, but also for students of cultural history and film studies.

A Grammar Of Cinepoiesis

Author: Silvia Carlorosi
Editor: Lexington Books
ISBN: 1498509851
Size: 16,31 MB
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A unique contribution to the fields of film studies and critical and cinematic theory, A Grammar of Cinepoiesis explores the theoretical and practical modes of a cinema of poetry and examines how it breaks the convention of narrative in cinema. Carlorosi demonstrates how cinema of poetry is able to open a dialogue between author, text, and viewers, while cinematic authors, like poietes (poets), bring to life multiple possible worlds.

Rome Postmodern Narratives Of A Cityscape

Author: Dom Holdaway
Editor: Routledge
ISBN: 1317320611
Size: 15,85 MB
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Until the mid-twentieth century the Western imagination seemed intent on viewing Rome purely in terms of its classical past or as a stop on the Grand Tour. This collection of essays looks at Rome from a postmodern perspective, including analysis of the city's 'unmappability', its fragmented narratives and its iconic status in literature and film.

Roman Poems

Author: Pier Paolo Pasolini
Editor: City Lights Books
ISBN: 9780872861879
Size: 16,38 MB
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The Italian film-maker Pier Paolo Pasolini was first and always a poet-the most important civil poet, according to Alberto Moravia, in Italy in the second half of this century. His poems were at once deeply personal and passionately engaged in the political turmoil of his country. In 1949, after his homosexuality led the Italian Communist Party to expel him on charges of "moral and political unworthiness," Pasolini fled to Rome. This selection of poems from his early impoverished days on the outskirts of Rome to his last (with a backward longing glance at his native Frill) is at the center of his poetic and filmic vision of modern Italian life as an Inferno. Pier Paolo Pasolini was born in 1922 in Bologna. In addition to the films for which he is world famous, he wrote novels, poetry, and social and cultural criticism. He was murdered in 1975.

Neither God Nor Master

Author: Brian Price
Editor: U of Minnesota Press
ISBN: 9780816654611
Size: 14,21 MB
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Based on the author's doctoral dissertation--New York University.

The Unmaking Of Fascist Aesthetics

Author: Kriss Ravetto
Editor: U of Minnesota Press
ISBN: 9780816637430
Size: 18,65 MB
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In works by filmmakers from Bertolucci to Spielberg, debauched images of nazi and fascist eroticism, symbols of violence and immorality, often bear an uncanny resemblance to the images and symbols once used by the fascists themselves to demarcate racial, sexual, and political others. This book exposes the "madness" inherent in such a course, which attests to the impossibility of disengaging visual and rhetorical constructions from political, ideological, and moral codes. Kriss Ravetto argues that contemporary discourses using such devices actually continue unacknowledged rhetorical, moral, and visual analogies of the past. Against postwar fictional and historical accounts of World War II in which generic images of evil characterize the nazi and the fascist, Ravetto sets the more complex approach of such filmmakers as Pier Paolo Pasolini, Liliana Cavani, and Lina Wertmuller. Her book asks us to think deeply about what it means to say that we have conquered fascism, when the aesthetics of fascism still describe and determine how we look at political figures and global events. Book jacket.

Brutal Vision

Author: Karl Schoonover
Editor: U of Minnesota Press
ISBN: 0816675546
Size: 20,15 MB
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How spectacular visions of physical suffering in post–World War II Italian neorealist films redefined moviegoing as a form of political action

Italian Post Neorealist Cinema

Author: Luca Barattoni
Editor: Edinburgh University Press
ISBN: 0748650938
Size: 17,73 MB
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This book brings to the surface the lines of experimentation and artistic renewal appearing after the exhaustion of Neorealism, mapping complex areas of interest such as the emergence of ethical concerns, the relationship between ideology and representati

On Michael Haneke

Author: Brian Price
Editor: Wayne State University Press
ISBN: 9780814334058
Size: 15,74 MB
Format: PDF
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Considers the films of Michael Haneke, who has emerged as a major figure in world cinema over the last fifteen years.