Teor A Del Drama Moderno 1880 1950

Author: Peter Szondi
Editor:
ISBN: 9788423324279
Size: 15,10 MB
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Teoria Del Dramma Moderno

Author: Peter Szondi
Editor:
ISBN:
Size: 18,52 MB
Format: PDF, Mobi
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Teoria Del Dramma Moderno 1880 1950

Author: Peter Szondi
Editor: Giulio Einaudi Editore
ISBN: 8858421450
Size: 15,50 MB
Format: PDF
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Il saggio di Szondi analizza i mutamenti che la forma teatrale ha subito tra Otto e Novecento. Attraverso un esame attento di opere di Ibsen, Cechov, Strindberg, Maeterlinck, Hauptmann e poi di Brecht, emerge quella che rimane come una lucida e articolata proposta teorica.

Teoria Do Drama Moderno

Author: Peter Szondi
Editor: Editora Cosac Naify
ISBN: 9788575030752
Size: 15,21 MB
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Este livro não traz apenas um panorama histórico do teatro moderno, mas também análises do autor oferecendo o máximo resultado de uma dialética histórico-filosófica das formas de arte, identificando oposições e continuidades no arco da produção de onze dramaturgos, entre eles Ibsen, Tchékhov, Strindberg, Brecht, Pirandello, Eugene O'Neill e Arthur Miller.

Chaos In Theater

Author:
Editor: Peter Lang
ISBN: 1453918973
Size: 11,91 MB
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Have you ever prepared a discourse by heart and then found out that, when the moment arrives, surprise and uniqueness of hic et nunc are inevitable? No matter how much you prepare a text, it will need improvisation to be used on a stage or in the street. But, what is the limit between improvisation and technique, experience and training? Can we scientifically measure the improvisation of a text? This work aims to investigate in which dimension art meets science and how it happens. Artists need to discover new conceptual instruments that contribute to the probing of the laws of matter, social existence, and the human mind. The rigorous and fascinating trip that Anna Grazia Cafaro proposes to capture the sense, function, and nature of the actor’s improvisation is a splendid and a unique example of a “new alliance” between art and science, predicted forty years ago by the scientist Ilya Prigogine and the philosopher Isabelle Stengers. Thanks to the application of Chaos Theory to the theatrical processes, attempted here for the first time, the actor and the performance are analyzed as “complex dynamic systems” like a cell, in which, paradoxically, chaos and order coexist and maintain the system in balance; the continuous passages from chaos to order, create the necessary tension and energy that allows the spectator to build his own meaning. Despite the complex theoretical concepts this book is written in an accessible language and includes clear examples that make it comprehensible to a wide audience. It is perfect for students of theater, practitioners, scholars, and anyone who is curious about communicative mechanisms. It can be used in theater, science, comparative literature, and philosophy departments.

D Une Sc Ne L Autre Vol 2

Author:
Editor: Editions Mardaga
ISBN:
Size: 11,89 MB
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Contemporary Italian Filmmaking

Author: Manuela Gieri
Editor: University of Toronto Press
ISBN: 9780802069795
Size: 18,39 MB
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Contemporary Italian Filmmaking is an innovative critique of Italian filmmaking in the aftermath of World War II - as it moves beyond traditional categories such as genre film and auteur cinema. Manuela Gieri demonstrates that Luigi Pirandello's revolutionary concept of humour was integral to the development of a counter-tradition in Italian filmmaking that she defines `humoristic'. She delineates a `Pirandellian genealogy' in Italian cinema, literature, and culture through her examination of the works of Federico Fellini, Ettore Scola, and many directors of the `new generation,' such as Nanni Moretti, Gabriele Salvatores, Maurizio Nichetti, and Giuseppe Tornatore. A celebrated figure of the theatrical world, Luigi Pirandello (1867-1936) is little known beyond Italy for his critical and theoretical writings on cinema and for his screenplays. Gieri brings to her reading of Pirandello's work the critical parameters offered by psychoanalysis, poststructuralism, and postmodernism to develop a syncretic and transcultural vision of the history of Italian cinema. She identifies two fundamental trends of development in this tradition: the `melodramatic imagination' and the `humoristic,' or comic, imagination. With her focus on the humoristic imagination, Gieri describes a `Pirandellian mode' derived from his revolutionary utterances on the cinema and narrative, and specifically, from his essay on humour, L'umorismo (On Humour, 1908). She traces a history of the Pirandellian mode in cinema and investigates its characteristics, demonstrating the original nature of Italian filmmaking that is particularly indebted to Pirandello's interpretation of humour.

Dramaturgias De La Imagen

Author: José Antonio Sánchez
Editor: Univ de Castilla La Mancha
ISBN: 9788488255488
Size: 15,72 MB
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Dramaturgias de la imagen constata la pérdida de validez de un modelo de representación teatral que hizo crisis a finales del XIX y, lo que es aún más interesante, trata de sistematizar la aparición a lo largo del siglo XIX de múltiples propuestas, provinientes de la vanguardia teatral, pero sobre todo de otros campos, que confluyen en la elaboración de nuevos modelos escénicos. Joaquín Medina (Escritor y gestor cultural).Sánchez ha escrito un libro necesario: hace conocer, difunde expresiones artísticas importantes, pero al mismo tiempo establece redes, vasos comunicantes que permiten entender mejor el panorama teatral de este siglo. Por otra parte, dedicarse a estudiar esta zona del teatro, con la pasión que él lo hace, implica una toma de posición frente a la experiencia teatral más recocnocida, que Sánchez sostiene con firmeza. Julia Elena Sagaseta Teatro del Sur . Buenos Aires (Argentina).

Mujeres En La Frontera

Author: ALMELA BOIX Margarita
Editor: Editorial UNED
ISBN: 843626780X
Size: 13,94 MB
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Mujeres en la frontera es el quinto volumen del Seminario Permanente sobre Literatura y Mujer.Siglos XX y XXI. Después de investigar sobre autoras y personajes femeninos en la obra Universos femeninos en la literatura actual. Mujeres de papel, sobre la pervivencia y reescrituras de mitos femeninos en Tejiendo el mito, sobre memoria, compromiso y autoficción en Ecos de la memoria y sobre espacios físicos y simbólicos de las mujeres en Mujeres a la conquista de espacios, el seminario ha dedicado su atención al tema de las migraciones, los exilios, las diásporas y la movilidad geográfica y cultural en general. Si en el imaginario de hace unas décadas los que emigraban eran sobre todo hombres, hace tiempo que se ha hecho evidente que los flujos migratorios no son una característica exclusivamente masculina. Es más, en la actualidad asistimos a una auténtica feminización de ciertas migraciones. ¿Cómo se refleja esto en la literatura?, ¿cómo lo ven y describen las mujeres?, ¿“viven” ellas el cruce de la frontera de forma distinta que los hombres? y ¿qué causas las llevan a traspasar las fronteras? Si las mujeres son por definición “extranjeras” en el mundo patriarcal, ¿acumulan en la migración una doble extranjería? Y una vez “en el otro lado”, ¿escriben en su propia lengua o en su lengua de adopción? Estos son algunos de los interrogantes que nos hemos planteado en esta nueva volumen del Seminario Permanente sobre Literatura y Mujer, de la UNED. Este nuevo volumen colectivo que presentamos está organizado en cuatro secciones: “Perspectivas históricas”, “Fronteras lingüísticas: Otro país, otra lengua”, “Fronteras geográficas: Desarraigo y otredad” y “Fronteras interiores”, que dan cuenta de la gran variedad de estudios aquí reunidos.

Hamlet And The Baker S Son

Author: Augusto Boal
Editor: Routledge
ISBN: 1135127751
Size: 11,67 MB
Format: PDF
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Hamlet and the Baker's Son is the autobiography of Augusto Boal, inventor of the internationally renowned Forum Theatre system, and 'Theatre of the Oppressed' and author of Games for Actors and Non-Actors and Legislative Theatre. Continuing to travel the world giving workshops and inspiration to teachers, prisoners, actors and care-workers, Augusto Boal is a visionary as well as a product of his times - the Brazil of military dictatorship and artistic and social repression and was once imprisoned for his subversive activities. From his early days in Brazil's political theatre movement to his recent experiments with theatre as a democratic political process, Boal's story is a moving and memorable one. He has devised a unique way of using the stage to empower the disempowered, and taken his methods everywhere from the favelas of Rio to the rehearsal studios of the Royal Shakespeare Company.