The Clerkenwell Tales

Autore: Peter Ackroyd
Editore: Anchor
ISBN: 0307276929
Grandezza: 63,92 MB
Formato: PDF, Kindle
Vista: 7096
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From the foremost contemporary chronicler of London’s history, a suspenseful novel that ingeniously draws on Chaucer’s The Canterbury Tales to recreate the city’s 14th century religious and political intrigues. London, 1399. Sister Clarice, a nun born below Clerkenwell convent, is predicting the death of King Richard II and the demise of the Church. Her visions can be dismissed as madness, until she accurately foretells a series of terrorist explosions. What is the role of the apocalyptic Predestined Men? And the clandestine Dominus? And what powers, ultimately, will prevail?In Peter Ackroyd’s deft and suprising narrative, The Miller, the Prioress, the Wife of Bath and other characters from Canterbury Tales pursue these mysteries through a pungently vivid medieval London. From the Trade Paperback edition.

The Clerkenwell Tales Proof

Autore: Peter Ackroyd
ISBN: 9781856868143
Grandezza: 29,33 MB
Formato: PDF, Mobi
Vista: 3399
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Of Remembraunce The Keye

Autore: Karl Heinz Göller
Editore: Peter Lang Pub Incorporated
Grandezza: 67,93 MB
Formato: PDF, Kindle
Vista: 9251
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The papers in this book examine the thematic, structural and aesthetic relationship between medieval English literature and a wide variety of more recent modern texts. Some of the contributors re-examine the concepts of authority and representation in Chretien and Malory and of medieval romance and the modern novel, while Caxton's Morte Darthur is interpreted from the point of view of Norbert Elias; other focuses of interest are the love-death motif in nineteenth-century novels, the comic in contemporary British fiction, the literary representations of Arthurian characters (Galahad, Tristan, Gawain), and recent Beowulf translations. In addition, there are socio-historic and generic readings of Chaucer's Sir Thopas and of Troilus and Criseyde, of Ipomadon and Malory's Morte Darthur. Aspects of medieval heritage are uncovered in Horace Walpole, Fuerst Pueckler-Muskau, Georg Kaiser, A. S. Byatt, David Lodge, Fay Weldon, Iris Murdoch, the Irish novelist Eamonn Sweeney and the Polish writer Andrzej Sapkowski, in William Gibson's cyberpunk novel Neuromancer and Peter Ackroyd's recent Clerkenwell Tales. In addition, there is a translation of Karl Heinz Goeller's former essay on Chancer's Troilus and Criseyde.

Medieval Afterlives In Contemporary Culture

Autore: Gail Ashton
Editore: Bloomsbury Publishing
ISBN: 144116068X
Grandezza: 63,95 MB
Formato: PDF
Vista: 7398
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With contributions from 29 leading international scholars, this is the first single-volume guide to the appropriation of medieval texts in contemporary culture. Medieval Afterlives in Contemporary Culture covers a comprehensive range of media, including literature, film, TV, comics book adaptations, electronic media, performances, and commercial merchandise and tourism. Its lively chapters range from Spamalot to the RSC, Beowulf to Merlin, computer games to internet memes, opera to Young Adult fiction and contemporary poetry, and much more. Also included is a companion website aimed at general readers, academics, and students interested in the burgeoning field of Medieval afterlives, complete with: - Further reading/weblinks - 'My favourite' guides to contemporary medieval appropriations - Images and interviews - Guide to library archives and manuscript collections - Guide to heritage collection See also our website at

Third Agents

Autore: Ian Cooper
Editore: Cambridge Scholars Pub
Grandezza: 52,97 MB
Formato: PDF
Vista: 8772
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Third Agents: Secret Protagonists of the Modern Imagination brings together a varied and fascinating range of contributions to explore the role of third agents in the post-Enlightenment literary imagination, including modern narratives such as film. It centres on the figure of 'the third' - conceived imaginatively as a liminal agent transgressing social, cultural and spatio-temporal boundaries, and conceptually as the vital yet often problematic element in theories of discourse that seek to operate beyond binary codes of meaning. This figure is revealed to be a 'secret protagonist' of modernity, neglected by, and eluding the scope of, existing intellectual and literary histories. Contributors to this volume are drawn from diverse theoretical backgrounds, encompassing work in dialectics, psychoanalysis and systems theory. Through their focus on literature and media, they seek to understand how those conceptions of the third relate to imaginative figurations. This volume offers the first comprehensive account of third agency in modern literature and its intellectual and imaginative pre-history. It provides an accessible combination of close readings and theoretical reflection, presenting figures who inhabit in-between territories such as the adventurer, the bastard, the priest, the angel, the adulterer, the poet and the outcast. These figures are read as protagonists in a genealogy of modernity that has not yet been written. The essays here also provide fascinating answers as to why these secret protagonists often became major figures in modern philosophy and literary theory, and give new insights into such writers as Benjamin, Barthes and Derrida.

Rewriting Reprising

Autore: Georges Letissier
Editore: Cambridge Scholars Publishing
ISBN: 1443816140
Grandezza: 63,31 MB
Formato: PDF, Docs
Vista: 9107
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This volume comprises sixteen essays, preceded by an introductory chapter focusing on the diverse modalities of textual, and more widely, artistic transfer. Whereas the first Rewriting-Reprising volume (coord. by C. Maisonnat, J. Paccaud-Huguet & A. Ramel) underscored the crucial issue of origins, the second purports to address the specificities of hypertextual, and hyperartistic (Genette, 1982) practices. Its common denominator is therefore second degree literature and art. A first section, titled “Pastiche, Parody, Genre and Gender,” delineates what amounts to a poetics of rewriting/reprising, by investigating a whole range of authorial stances, from homage – through a symphonic play of intertexts – to varying degrees of textual deviance, or dissidence. Some genres, like the fairy tale or the Gothic, through their very malleability, are indeed more apt to lend themselves to rewriting/reprising. However, hypertextuality is not merely ornamental, or purely aesthetic; its subversive potential is perceptible notably through its many attempts at emancipating the genre from the ideological fetters of gender. Over the past two decades, Victorian literature and culture has become an inescapable field of investigations to any study on intertextuality in the English-speaking world. In a second part, diversity has been preferred to any single, specific angle to approach the Victorian/neo-Victorian tropism. The purpose is to provide as complete a spectrum as is reasonably possible in such a volume. The practice of rewriting in the Victorian age is thus studied alongside contemporary appropriations of the Victorian canon. The question is raised of whether literary fetishism may not result in a form of counterfeit classicism, while the more challenging neo-Victorian rewritings would make a claim for the need to choose one’s literary heritage and ancestors. This is where the post-colonial agenda comes in. Precisely, the third part investigates the question of rewriting-reprising as a way of writing back. The myth of Frankenstein’s creature bent on wreaking vengeance on his creator is of course seminal as it offers a myth of transgression which, in its turn, becomes a “foundation myth.” Not only are post-colonial responses to their (disclaimed) parent-texts highly theory-informed, but they also evince an awareness of such contemporary issues which are direct consequences of the colonial past. In the last section of this volume, the scope of what comes within the range of intertextuality per se is widened to cover artistic dialogism. In the exchanges between theatrical texts, reprise may be construed as a metaphor standing for the pleasure inherent in the process of recreation. The interaction between embedded paintings and the embedding canvas offers yet another variation on the reprise motif, as does the meta-aesthetic discourse of the critic on the work of art. What begins as mere repetition is soon colored by the personal inflections of the interpreter. In operatic performances, updating a classical text to make it suitable to contemporary audiences, and in close harmony with the role assigned to music, is liable to spur on the creativity of recreation.

Novelists In The New Millennium

Autore: Vanessa Guignery
Editore: Palgrave Macmillan
ISBN: 1137292709
Grandezza: 40,60 MB
Formato: PDF, ePub
Vista: 3982
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A collection of interviews with leading writers such as Julian Barnes, Jonathan Coe, Kazuo Ishiguro, Hanif Kureishi, Arundhati Roy and Will Self. Through these interviews the book explores and introduces a range of key themes in contemporary literature, raising questions about genre, history, postmodernism, celebrity culture and form.

Britain Since The Seventies

Autore: Jeremy Black
Editore: Reaktion Books
ISBN: 1861894457
Grandezza: 75,10 MB
Formato: PDF, ePub, Mobi
Vista: 560
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In Britain since the Seventies, well-known historian Jeremy Black examines the most recent developments in British political, social, cultural and economic history. Taking the triumph of consumerism as an organizing theme, he charts the rise and fall of the Conservative Party, developments in British society, culture and politics, environmental issues, questions of identity, and changes in economic circumstance and direction. Iconic issues such as BSE, transport, asylum seekers and the NHS are viewed from both national and international perspectives. Black’s account of contemporary Britain challenges as well as entertains, seeking to engage the reader in the process of interpretation. Through the lens of the last three decades, the author unveils his image of a country in which uncertainty, contingency and change are the defining features. In charting the impact of increasing individualism, longevity and secularization, Black is drawn repeatedly to examine a fundamental paradox of modern Britain: "At the start of both century and millennium, the British were more prosperous than ever before, but . . . happiness has not risen with prosperity." Britain since the Seventies is a wide-ranging and cogent evaluation of recent British history, and as such will appeal to all those interested in the condition of modern Britain, and how it came to be so, as well as being an ideal introduction for students of the subject.

History Is Mostly Repair And Revenge

Autore: Liliana Sikorska
Editore: Peter Lang
ISBN: 9783631597712
Grandezza: 24,58 MB
Formato: PDF
Vista: 3874
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Literature in English is a term that has recently appeared to include both English literature in the traditional sense of the word and all the newly emerging literatures written and published in English whose authors may represent various ethnic and cultural backgrounds. This series as well as the yearly Literature in English Symposium (LIES) organized by the Department of English Literature and Literary Linguistics, the School of English at Adam Mickiewicz University Poznań (Poland), respond to the current interest in wider mapping of English literature. Each year the symposium is devoted to a particular topic linked with the interests of an invited writer, whose presentation we also publish. The volume is devoted to the discourses of/on history as is the main area of interest of Adam Thorpe.

A Tale For The Time Being

Autore: Ruth Ozeki
Editore: Penguin
ISBN: 1101606258
Grandezza: 42,27 MB
Formato: PDF, Kindle
Vista: 2091
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A brilliant, unforgettable novel from bestselling author Ruth Ozeki—shortlisted for the Booker Prize and the National Book Critics Circle Award “A time being is someone who lives in time, and that means you, and me, and every one of us who is, or was, or ever will be.” In Tokyo, sixteen-year-old Nao has decided there’s only one escape from her aching loneliness and her classmates’ bullying. But before she ends it all, Nao first plans to document the life of her great grandmother, a Buddhist nun who’s lived more than a century. A diary is Nao’s only solace—and will touch lives in ways she can scarcely imagine. Across the Pacific, we meet Ruth, a novelist living on a remote island who discovers a collection of artifacts washed ashore in a Hello Kitty lunchbox—possibly debris from the devastating 2011 tsunami. As the mystery of its contents unfolds, Ruth is pulled into the past, into Nao’s drama and her unknown fate, and forward into her own future. Full of Ozeki’s signature humor and deeply engaged with the relationship between writer and reader, past and present, fact and fiction, quantum physics, history, and myth, A Tale for the Time Being is a brilliantly inventive, beguiling story of our shared humanity and the search for home. From the Trade Paperback edition.