The Clerkenwell Tales

Autore: Peter Ackroyd
Editore: Anchor
ISBN: 0307276929
Grandezza: 21,53 MB
Formato: PDF, Mobi
Vista: 5744
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From the foremost contemporary chronicler of London’s history, a suspenseful novel that ingeniously draws on Chaucer’s The Canterbury Tales to recreate the city’s 14th century religious and political intrigues. London, 1399. Sister Clarice, a nun born below Clerkenwell convent, is predicting the death of King Richard II and the demise of the Church. Her visions can be dismissed as madness, until she accurately foretells a series of terrorist explosions. What is the role of the apocalyptic Predestined Men? And the clandestine Dominus? And what powers, ultimately, will prevail?In Peter Ackroyd’s deft and suprising narrative, The Miller, the Prioress, the Wife of Bath and other characters from Canterbury Tales pursue these mysteries through a pungently vivid medieval London. From the Trade Paperback edition.

The Clerkenwell Tales Proof

Autore: Peter Ackroyd
Editore:
ISBN: 9781856868143
Grandezza: 61,61 MB
Formato: PDF, ePub
Vista: 5337
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A Tale For The Time Being

Autore: Ruth Ozeki
Editore: Penguin
ISBN: 1101606258
Grandezza: 66,50 MB
Formato: PDF, Kindle
Vista: 9253
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A brilliant, unforgettable novel from bestselling author Ruth Ozeki—shortlisted for the Booker Prize and the National Book Critics Circle Award “A time being is someone who lives in time, and that means you, and me, and every one of us who is, or was, or ever will be.” In Tokyo, sixteen-year-old Nao has decided there’s only one escape from her aching loneliness and her classmates’ bullying. But before she ends it all, Nao first plans to document the life of her great grandmother, a Buddhist nun who’s lived more than a century. A diary is Nao’s only solace—and will touch lives in ways she can scarcely imagine. Across the Pacific, we meet Ruth, a novelist living on a remote island who discovers a collection of artifacts washed ashore in a Hello Kitty lunchbox—possibly debris from the devastating 2011 tsunami. As the mystery of its contents unfolds, Ruth is pulled into the past, into Nao’s drama and her unknown fate, and forward into her own future. Full of Ozeki’s signature humor and deeply engaged with the relationship between writer and reader, past and present, fact and fiction, quantum physics, history, and myth, A Tale for the Time Being is a brilliantly inventive, beguiling story of our shared humanity and the search for home. From the Trade Paperback edition.

The Lambs Of London

Autore: Peter Ackroyd
Editore: Anchor
ISBN: 030738702X
Grandezza: 13,71 MB
Formato: PDF, ePub
Vista: 3895
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From the author of Chatterton and Shakespeare: A Biography comes a gripping novel set in London that re-imagines an infamous 19th-century Shakespeare forgery. Charles and Mary Lamb, who will in time achieve lasting fame as the authors of Tales from Shakespeare for Children, are still living at home, caring for their dotty and maddening parents. Reading Shakespeare is the siblings’ favorite reprieve, and they are delighted when an ambitious young bookseller comes into their lives claiming to possess a ‘lost’ Shakespearea play. Soon all of London is eagerly anticipating opening night of a star-studded production of the play not knowing that they have all been duped by charlatan and a fraud. From the Trade Paperback edition.

Shakespeare

Autore: Peter Ackroyd
Editore: Anchor
ISBN: 9780307490827
Grandezza: 38,63 MB
Formato: PDF, Kindle
Vista: 9930
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A TIMES LITERARY SUPPLEMENT BEST BOOK OF THE YEAR Drawing on an exceptional combination of skills as literary biographer, novelist, and chronicler of London history, Peter Ackroyd surely re-creates the world that shaped Shakespeare--and brings the playwright himself into unusually vivid focus. With characteristic narrative panache, Ackroyd immerses us in sixteenth-century Stratford and the rural landscape–the industry, the animals, even the flowers–that would appear in Shakespeare’s plays. He takes us through Shakespeare’s London neighborhood and the fertile, competitive theater world where he worked as actor and writer. He shows us Shakespeare as a businessman, and as a constant reviser of his writing. In joining these intimate details with profound intuitions about the playwright and his work, Ackroyd has produced an altogether engaging masterpiece.

Of Remembraunce The Keye

Autore: Karl Heinz Göller
Editore: Peter Lang Pub Incorporated
ISBN:
Grandezza: 45,16 MB
Formato: PDF, Docs
Vista: 1068
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The papers in this book examine the thematic, structural and aesthetic relationship between medieval English literature and a wide variety of more recent modern texts. Some of the contributors re-examine the concepts of authority and representation in Chretien and Malory and of medieval romance and the modern novel, while Caxton's Morte Darthur is interpreted from the point of view of Norbert Elias; other focuses of interest are the love-death motif in nineteenth-century novels, the comic in contemporary British fiction, the literary representations of Arthurian characters (Galahad, Tristan, Gawain), and recent Beowulf translations. In addition, there are socio-historic and generic readings of Chaucer's Sir Thopas and of Troilus and Criseyde, of Ipomadon and Malory's Morte Darthur. Aspects of medieval heritage are uncovered in Horace Walpole, Fuerst Pueckler-Muskau, Georg Kaiser, A. S. Byatt, David Lodge, Fay Weldon, Iris Murdoch, the Irish novelist Eamonn Sweeney and the Polish writer Andrzej Sapkowski, in William Gibson's cyberpunk novel Neuromancer and Peter Ackroyd's recent Clerkenwell Tales. In addition, there is a translation of Karl Heinz Goeller's former essay on Chancer's Troilus and Criseyde.

The Middlesteins

Autore: Jami Attenberg
Editore: Profile Books
ISBN: 1847659438
Grandezza: 62,66 MB
Formato: PDF, ePub, Mobi
Vista: 2462
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"The Middlesteins had me from its very first pages" - Jonathan Franzen Edie and Richard have been married for over thirty years, living in the Chicago suburbs. Everyone who knew them-even their own children Robin and Benny-agreed that Edie was a tough woman to love, but no one expected Richard to walk out on her, especially not in her condition. Edie is fifty-nine years old, she weighs 300 pounds, and her doctors have told her she'll die if she doesn't stop eating. As Richard is shut out by the family and seeks solace in the world of internet dating, Robin is dragged back from the city and forced to rebuild a relationship with her mother. Meanwhile Benny and his neurotic wife Rachelle try to take control of the situation. But have any of them stopped to think about whether Edie really wants to be saved? Written with sly humour, warmth and great insight, The Middlesteins is a novel about what it means to be part of a family.

London Under

Autore: Peter Ackroyd
Editore: Random House
ISBN: 0701169915
Grandezza: 21,25 MB
Formato: PDF, ePub, Mobi
Vista: 8122
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London Under is a wonderful, atmospheric, imaginative, oozing short study of everything that goes on under London, from original springs and streams and Roman amphitheatres to Victorian sewers, gang hideouts and modern Tube stations. The depth below is hot, warmer than the surface, and tunnels down through the geological layers, meeting the creatures that dwell in darkness, real and fictional - rats and eels, monsters and ghosts. There is a Bronze Age trackway under the Isle of Dogs, Anglo-Saxon graves were found under St Paul's, and the monastery of Whitefriars lies beneath Fleet Street. In Kensal Green cemetery a hydraulic device lowered bodies into the catacombs below - 'Welcome to the lower depths' - while a door in the plinth of the statue of Boadicea on Westminster Bridge leads to a huge tunnel, packed with cables for gas, water and telephone lines. When the Metropolitan Line was opened in 1864 the guards asked for permission to grow beards to protect themselves against the sulphurous fumes, and called their engines by the names of tyrants - Czar, Kaiser, Mogul - and even Pluto, god of the underworld. 'The vastness of the space, a second earth,' writes Peter Ackroyd, 'elicits sensations of wonder and of terror. It partakes of myth and dream in equal measure.' Going under London is to penetrate history, to enter a hidden world.

Third Agents

Autore: Ian Cooper
Editore: Cambridge Scholars Pub
ISBN:
Grandezza: 77,96 MB
Formato: PDF, Mobi
Vista: 7336
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Third Agents: Secret Protagonists of the Modern Imagination brings together a varied and fascinating range of contributions to explore the role of third agents in the post-Enlightenment literary imagination, including modern narratives such as film. It centres on the figure of 'the third' - conceived imaginatively as a liminal agent transgressing social, cultural and spatio-temporal boundaries, and conceptually as the vital yet often problematic element in theories of discourse that seek to operate beyond binary codes of meaning. This figure is revealed to be a 'secret protagonist' of modernity, neglected by, and eluding the scope of, existing intellectual and literary histories. Contributors to this volume are drawn from diverse theoretical backgrounds, encompassing work in dialectics, psychoanalysis and systems theory. Through their focus on literature and media, they seek to understand how those conceptions of the third relate to imaginative figurations. This volume offers the first comprehensive account of third agency in modern literature and its intellectual and imaginative pre-history. It provides an accessible combination of close readings and theoretical reflection, presenting figures who inhabit in-between territories such as the adventurer, the bastard, the priest, the angel, the adulterer, the poet and the outcast. These figures are read as protagonists in a genealogy of modernity that has not yet been written. The essays here also provide fascinating answers as to why these secret protagonists often became major figures in modern philosophy and literary theory, and give new insights into such writers as Benjamin, Barthes and Derrida.

Rewriting Reprising

Autore: Georges Letissier
Editore: Cambridge Scholars Publishing
ISBN: 1443816140
Grandezza: 68,98 MB
Formato: PDF, ePub, Docs
Vista: 2491
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This volume comprises sixteen essays, preceded by an introductory chapter focusing on the diverse modalities of textual, and more widely, artistic transfer. Whereas the first Rewriting-Reprising volume (coord. by C. Maisonnat, J. Paccaud-Huguet & A. Ramel) underscored the crucial issue of origins, the second purports to address the specificities of hypertextual, and hyperartistic (Genette, 1982) practices. Its common denominator is therefore second degree literature and art. A first section, titled “Pastiche, Parody, Genre and Gender,” delineates what amounts to a poetics of rewriting/reprising, by investigating a whole range of authorial stances, from homage – through a symphonic play of intertexts – to varying degrees of textual deviance, or dissidence. Some genres, like the fairy tale or the Gothic, through their very malleability, are indeed more apt to lend themselves to rewriting/reprising. However, hypertextuality is not merely ornamental, or purely aesthetic; its subversive potential is perceptible notably through its many attempts at emancipating the genre from the ideological fetters of gender. Over the past two decades, Victorian literature and culture has become an inescapable field of investigations to any study on intertextuality in the English-speaking world. In a second part, diversity has been preferred to any single, specific angle to approach the Victorian/neo-Victorian tropism. The purpose is to provide as complete a spectrum as is reasonably possible in such a volume. The practice of rewriting in the Victorian age is thus studied alongside contemporary appropriations of the Victorian canon. The question is raised of whether literary fetishism may not result in a form of counterfeit classicism, while the more challenging neo-Victorian rewritings would make a claim for the need to choose one’s literary heritage and ancestors. This is where the post-colonial agenda comes in. Precisely, the third part investigates the question of rewriting-reprising as a way of writing back. The myth of Frankenstein’s creature bent on wreaking vengeance on his creator is of course seminal as it offers a myth of transgression which, in its turn, becomes a “foundation myth.” Not only are post-colonial responses to their (disclaimed) parent-texts highly theory-informed, but they also evince an awareness of such contemporary issues which are direct consequences of the colonial past. In the last section of this volume, the scope of what comes within the range of intertextuality per se is widened to cover artistic dialogism. In the exchanges between theatrical texts, reprise may be construed as a metaphor standing for the pleasure inherent in the process of recreation. The interaction between embedded paintings and the embedding canvas offers yet another variation on the reprise motif, as does the meta-aesthetic discourse of the critic on the work of art. What begins as mere repetition is soon colored by the personal inflections of the interpreter. In operatic performances, updating a classical text to make it suitable to contemporary audiences, and in close harmony with the role assigned to music, is liable to spur on the creativity of recreation.