Adesso Ti Mangio

Autore: Agnese Baruzzi
Editore:
ISBN: 9788854031999
Grandezza: 77,76 MB
Formato: PDF, ePub
Vista: 4525
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Ahamm Ti Mangio

Autore: Alexis Lecaye
Editore:
ISBN: 9788804441922
Grandezza: 64,76 MB
Formato: PDF, ePub
Vista: 1641
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Ti Mangio

Autore: John Fardell
Editore:
ISBN: 9788880336297
Grandezza: 16,92 MB
Formato: PDF, ePub, Docs
Vista: 3550
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Ti Mangio Con Gli Occhi

Autore: Ferdinando Scianna
Editore:
ISBN: 9788869654473
Grandezza: 60,83 MB
Formato: PDF, Mobi
Vista: 413
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The Tradition Of The Actor Author In Italian Theatre

Autore: Donatella Fischer
Editore: Routledge
ISBN: 1351191659
Grandezza: 42,61 MB
Formato: PDF, Mobi
Vista: 8032
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"The central importance of the actor-author is a distinctive feature of Italian theatrical life, in all its eclectic range of regional cultures and artistic traditions. The fascination of the figure is that he or she stands on both sides of one of theatre's most important power relationships: between the exhilarating freedom of performance and the austere restriction of authorship and the written text. This broad-ranging volume brings together critical essays on the role of the actor-author, spanning the period from the Renaissance to the present. Starting with Castiglione, Ruzante and the commedia dell'arte, and surveying the works of Dario Fo, De Filippo and Bene, among others, the contributors cast light on a tradition which continues into Neapolitan and Sicilian theatre today, and in Italy's currently fashionable 'narrative theatre', where the actor-author is centre stage in a solo performance."

A History Of Neapolitan Drama In The Twentieth Century

Autore: Mariano D'Amora
Editore: Cambridge Scholars Publishing
ISBN: 144388622X
Grandezza: 38,69 MB
Formato: PDF
Vista: 8709
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In a world that tends to homologate, thus becoming, in every aspect of our lives, grey, flat and uniform, so creating the world of universal similarity (including language), does it still make sense today to talk about vernacular theatre? Tackling such a question implies uncovering the reasons for the disappearance of the many regional theatres that were present in Italy in the nineteenth century. There is no doubt that first the unification of the country in 1861, and then the language policies of fascism in the ‘30s were the final nails in the coffin for local theatres. It is also true, however, that what really determined their downsizing was the progressive loss of connection with their own environment. If we give an essentially superficial interpretation to the adjective “vernacular”, and in a play we see a canovaccio (plot) that the local star uses as a vehicle to show his talent through a series of modest mannerisms, then “vernacular” implies the death certificate of this type of theatre (once the star dies, his alleged dramaturgy dies with him and his mannerisms). On the contrary, if we identify in this adjective the theatre’s healthy attempt to develop a local, social and cultural analysis of its environment, it opens a whole new meaning and acquires a perspective that a national theatre can never aspire to. This is the case of Neapolitan theatre. It managed to survive and thrive, producing plays that were capable of critically describing modern and contemporary reality. Neapolitan playwrights forcefully proclaimed their roots as a primary source for their work. The city, in fact, became a direct expression of that cultural microcosm which provided them with the living flesh of their plots.

Extravagance And Three Other Plays

Autore: Dacia Maraini
Editore: Rowman & Littlefield
ISBN: 1611495466
Grandezza: 73,85 MB
Formato: PDF, Kindle
Vista: 9512
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The collection includes four theatrical works of acclaimed Italian author, Dacia Maraini, in a dual-language format (Italian/English). The works have been chosen around the themes of distress, exclusion, and various manifestations of tragedy with particular reference to women. The works were chosen within a modern and a historical reference in order to give breadth to the main themes. The individual works include: (a) Stravaganza/Extravagance. The unfolding drama alludes to the Legge Basaglia (the so-called Basaglia Law, 180/1978), whose prescriptions included the closure of insane asylums throughout Italy; (b) Camille. In this piece, Maraini offers a reinterpretation of the storied and controversial relationship between the sculptor, Auguste Rodin, and his young apprentice/assistant, Camille Claudel; (c) Storia di Isabella di Morra raccontata da Benedetto Croce/The Story of Isabella di Morra as Told by Benedetto Croce. In this play, the power of literature and the written word (the implicit, culpable “character” in this play) culminates in atrocious homicide; (d) I digiuni di Catarina da Siena/The Fasting of Catherine of Siena. Powerful relationships dominate this account of Saint Catherine’s profound religiosity.

Crossover Picturebooks

Autore: Sandra L. Beckett
Editore: Routledge
ISBN: 1136577017
Grandezza: 16,20 MB
Formato: PDF, Kindle
Vista: 861
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This book situates the picturebook genre within the widespread international phenomenon of crossover literature, examining an international corpus of picturebooks — including artists’ books, wordless picturebooks, and celebrity picturebooks — that appeal to readers of all ages. Focusing on contemporary picturebooks, Sandra Beckett shows that the picturebook has traditionally been seen as a children’s genre, but in the eyes of many authors, illustrators, and publishers, it is a narrative form that can address any and all age groups. Innovative graphics and formats as well as the creative, often complex dialogue between text and image provide multiple levels of meaning and invite readers of all ages to consider texts that are primarily marketed as children’s books. The interplay of text and image that distinguishes the picturebook from other forms of fiction and makes it a unique art form also makes it the ultimate crossover genre. Crossover picturebooks are often very complex texts that are challenging for adults as well as children. Many are characterized by difficult "adult" themes, genre blending, metafictive discourse, intertextuality, sophisticated graphics, and complex text-image interplay. Exciting experiments with new formats and techniques, as well as novel interactions with new media and technologies have made the picturebook one of the most vibrant and innovative contemporary literary genres, one that seems to know no boundaries. Crossover Picturebooks is a valuable addition to the study of a genre that is gaining increasing recognition and appreciation, and contributes significantly to the field of children’s literature as a whole.