Tra Mille Volti Il Tuo Volto Signore Io Cerco

Autore: Giancarlo Garbiglia
Editore: Effata Editrice IT
ISBN: 8874025475
Grandezza: 67,58 MB
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La Sindone è la straordinaria testimonianza di un mistero. Contemplandola, si può vedere un corpo impresso da innumerevoli segni di sofferenza, per giungere a fissarne il Volto, che ci conduce a ripercorrere con Gesù, oggi, il suo cammino di amore...

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Autore: Luther Blissett
Editore:
ISBN: 9783492247214
Grandezza: 34,32 MB
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Der Rasende Roland

Autore: Ludovico Ariosto
Editore: BoD – Books on Demand
ISBN: 3843034540
Grandezza: 11,50 MB
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Ludovico Ariosto: Der rasende Roland. Band 1 Erstdruck Ferrara 1516, erweiterte Fassung 1521. Hier nach der Übers. v. Alfons Kissner, Berlin: Propyläen-Verlag, 1922. Vollständige Neuausgabe. Herausgegeben von Karl-Maria Guth. Berlin 2013. Textgrundlage sind die Ausgaben: Ariosto, Ludovico: Der rasende Roland. In: Sämtliche poetischen Werke, Bd. 1–3, übers. v. Alfons Kissner, Berlin: Propyläen-Verlag, 1922. Die Paginierung obiger Ausgaben wird in dieser Neuausgabe als Marginalie zeilengenau mitgeführt. Umschlaggestaltung von Thomas Schultz-Overhage unter Verwendung des Bildes: Alessandro Turchi, Der rasende Herkules (Ausschnitt), 1620. Gesetzt aus Minion Pro, 11 pt.

Pinocchio

Autore: Carlo Collodi
Editore: BoD – Books on Demand
ISBN: 3958702023
Grandezza: 29,69 MB
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Carlo Collodi, eigentlich Carlo Lorenzini (1826-1890) war ein italienischer Schriftsteller und Journalist. Meister Seppel, der Marionettenschnitzer, kommt aus dem Staunen nicht mehr heraus: die Puppe, die er gerade geschnitzt hat, ist lebendig! Er tauft sie Pinocchio und schnell zeigt sich: Pinocchio ist eigensinnig und rücksichtslos. Um ihm ein Schulbuch besorgen zu können, verkauft Meister Seppel seine einzige Jacke. Auf dem Weg zur Schule fühlt sich Pinocchio aber magisch von einem Puppentheater angezogen. Das ist der Anfang eines bewegten Abenteuers, in dem sich Pinocchio durch seinen Eigensinn immer wieder in große Probleme bringt. Trotzdem erfüllt sich am Ende Pinocchios großer Wunsch - ein richtiger Junge aus Fleisch und Blut zu werden.

Il Novelliere Supplemento Al Diavoletto

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ISBN:
Grandezza: 10,48 MB
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La Fenice Foglio Di Lettere Ed Arti Con Appendice Teatrale Red P Perego

Autore: Pietro Perego
Editore:
ISBN:
Grandezza: 15,93 MB
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Il Diavoletto

Autore: Tito Dellaberrenga
Editore:
ISBN:
Grandezza: 61,47 MB
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Vista: 5636
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L Universo Illustrato Giornale Per Tutti

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ISBN:
Grandezza: 11,13 MB
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Vista: 9845
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Il Vero Amico

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ISBN:
Grandezza: 53,96 MB
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Shakespeare S Sonnette

Autore: William Shakespeare
Editore: Walter de Gruyter
ISBN:
Grandezza: 71,27 MB
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Vista: 2767
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This historic book may have numerous typos and missing text. Purchasers can download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1905 edition. Excerpt: ...as his own" (Dowden). For the references to the poet's age.in the Sonnets, see p. 41 above. 3. Furrows. Cf. Sonn. 2 above, and Rich. III. i. 3. 229. 4. Expiate. Bring to an end. Cf. Rich. III. iii. 3. 23: "Make haste; the hour of death is expiate." Here, as there, Steevens conjectures "expirate," which White and Hudson adopt. Surely there is no need of coining a word to replace one which S. twice uses and which can be plausibly explained. Malone quotes Chapman's Byron's Conspiracie, in which an old courtier speaks of himself as " A poor and expiate humour of the court." XXIII 1. Vnperfect. Used by S. only here; but unperfectness occurs in Oth. ii. 3. 298. Imperfect we find in Sonn. 43. 11 and elsewhere, and imperfection six times in the plays. On the present passage, cf. Cor. v. 3. 40: --"Like a dull actor now, I have forgot my part, and I am out, Even to a full disgrace." 2. Besides. For the prepositional use, cf. T. N, iv. 2. 92: "Alas, sir, how fell you besides your five wits?" 3. Replete with too much rage. The rage overcoming self-control. 5. For fear of trust. Fearing to trust myself. Schmidt makes it = " doubting of being trusted;" but the context clearly confirms the explanation I have given. Dowden calls attention to the construction of the first eight lines, 5, 6 referring to 1, 2, and 7, 8, to 3. 4 6. Ceremony. Hudson says that the word "is here used as a trisyllable, as if spelt cer'mony;" but how he would scan the verse I cannot imagine. The word is clearly a quadrisyllable, as almost always in S. 9. Books. Sewell reads " looks;" but the old reading is supported by 13 below. The books, as Dowden remarks, are probably the manuscript books in which the poet writes his sonnets. 12. That tongue. Probably = any tongue, however eloquent, ...