A Keyboard Anthology

Author: Howard Ferguson
Editor:
ISBN: 9781854721761
File Size: 80,50 MB
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A Keyboard Anthology

Author: Associated Board Of the Royal Schools Of Music
Editor:
ISBN:
File Size: 10,19 MB
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The Harpsichord Booke

Author: Arne Jon Arneson
Editor: Madison, Wis. : Index House
ISBN:
File Size: 20,19 MB
Format: PDF, Mobi
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Schubert Solo Piano Literature

Author: Carolyn Maxwell
Editor:
ISBN:
File Size: 48,18 MB
Format: PDF
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Guide To The Pianist S Repertoire Third Edition

Author: Maurice Hinson
Editor: Indiana University Press
ISBN: 9780253109088
File Size: 60,81 MB
Format: PDF
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"The Hinson" has been indispensable for performers, teachers, and students. Now updated and expanded, it's better than ever, with 120 more composers, expertly guiding pianists to solo literature and answering the vital questions: What's available? How difficult is it? What are its special features? How does one reach the publisher? The "new Hinson" includes solo compositions of nearly 2,000 composers, with biographical sketches of major composers. Every entry offers description, publisher, number of pages, performance time, style and characteristics, and level of difficulty. Extensively revised, this new edition is destined to become a trusted guide for years to come.

The British Catalogue Of Music

Author:
Editor:
ISBN:
File Size: 12,93 MB
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Haydn Solo Piano Literature

Author: Carolyn Maxwell
Editor:
ISBN:
File Size: 51,81 MB
Format: PDF, ePub, Mobi
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Mozart Solo Piano Literature

Author: Carolyn Maxwell
Editor:
ISBN:
File Size: 65,54 MB
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Schumann Solo Piano Literature

Author: Carolyn Maxwell
Editor:
ISBN:
File Size: 42,61 MB
Format: PDF
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Beethoven Solo Piano Literature

Author: Geraldine Gant Luethi
Editor:
ISBN:
File Size: 60,17 MB
Format: PDF, ePub
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The New Beacon

Author:
Editor:
ISBN:
File Size: 66,33 MB
Format: PDF, Kindle
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Scarlatti Solo Piano Literature

Author: Gayle Kliever
Editor:
ISBN:
File Size: 77,58 MB
Format: PDF, Docs
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Music In Eighteenth Century Britain

Author: DavidWyn Jones
Editor: Routledge
ISBN: 1351557408
File Size: 17,16 MB
Format: PDF, ePub
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This collection of essays by some of the leading scholars in the field looks at various aspects of musical life in eighteenth-century Britain. The significant roles played by institutions such as the Freemasons and foreign embassy chapels in promoting music making and introducing foreign styles to English music are examined, as well as the influence exerted by individuals, both foreign and British. The book covers the spectrum of British music, both sacred and secular, and both cosmopolitan and provincial. In doing so it helps to redress the picture of eighteenth-century British music which has previously portrayed Handel and London as its primary constituents.

Clavier

Author:
Editor:
ISBN:
File Size: 57,65 MB
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Keyboard

Author:
Editor:
ISBN:
File Size: 10,99 MB
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Guide To The Pianist S Repertoire

Author: Maurice Hinson
Editor:
ISBN:
File Size: 68,75 MB
Format: PDF, Mobi
Read: 2860
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The new "Hinson" has 120 more composers and 300 pages of new material

Songs Without Words

Author: Sandra Mangsen
Editor: Boydell & Brewer
ISBN: 1580465498
File Size: 74,24 MB
Format: PDF, Mobi
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Pathbreaking study of a vast and intriguing repertoire: arrangements for keyboard instruments of songs, arias, and other vocal pieces, from the age William Byrd to that of Handel

English Pastime Music 1630 1660

Author: Martha Maas
Editor: A-R Editions, Inc.
ISBN: 0895790491
File Size: 13,57 MB
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Dissertation Abstracts International

Author:
Editor:
ISBN:
File Size: 42,24 MB
Format: PDF, ePub
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Aspects Of Early English Keyboard Music Before C 1630

Author: David J. Smith
Editor: Routledge
ISBN: 1351613871
File Size: 62,30 MB
Format: PDF, Mobi
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English keyboard music reached an unsurpassed level of sophistication in the late sixteenth and early seventeenth centuries as organists such as William Byrd and his students took a genre associated with domestic, amateur performance and treated it as seriously as vocal music. This book draws together important research on the music, its sources and the instruments on which it was played. There are two chapters on instruments: John Koster on the use of harpsichord during the period, and Dominic Gwynn on the construction of Tudor-style organs based on the surviving evidence we have for them. This leads to a section devoted to organ performance practice in a liturgical context, in which John Harper discusses what the use of organs pitched in F may imply about their use in alternation with vocal polyphony, and Magnus Williamson explores improvisational practice in the Tudor period. The next section is on sources and repertoire, beginning with Frauke Jürgensen and Rachelle Taylor’s chapter on Clarifica me Pater settings, which grows naturally out of the consideration of improvisation in the previous chapter. The next two contributions focus on two of the most important individual manuscript sources: Tihomir Popović challenges assumptions about My Ladye Nevells Booke by reflecting on what the manuscript can tell us about aristocratic culture, and David J. Smith provides a detailed study of the famous Fitzwilliam Virginal Book. The discussion then broadens out into Pieter Dirksen’s consideration of a wider selection of sources relating to John Bull, which in turn connects closely to David Leadbetter’s work on Gibbons, lute sources and questions of style.