The Ghost Of Meter

Author: Annie Finch
Editor: University of Michigan Press
ISBN: 9780472087099
File Size: 27,90 MB
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A groundbreaking study of the connections among meter, the poetic unconscious, and wider literary and cultural forces
A Prosody of Free Verse
Language: en
Pages: 214
Authors: Richard Andrews
Categories: Language Arts & Disciplines
Type: BOOK - Published: 2016-07-15 - Publisher: Routledge

There is to date no comprehensive account of the rhythms of free verse. The main purpose of A Prosody of Free Verse: explorations in rhythm is to fill that gap and begin to provide a systematic approach to describing and analyzing free verse rhythms. Most studies have declared the attempt
The Ghost of Meter
Language: en
Pages: 178
Authors: Annie Finch
Categories: Literary Criticism
Type: BOOK - Published: 2000 - Publisher: University of Michigan Press

A groundbreaking study of the connections among meter, the poetic unconscious, and wider literary and cultural forces
Free Verse
Language: en
Pages: 212
Authors: Charles O. Hartman
Categories: Poetry
Type: BOOK - Published: 2014-07-14 - Publisher: Princeton University Press

To make sense of free verse" in theory or in practice, the whole study of prosody--the function of rhythm in poetry--must be revised and rethought. Stating this as the issue that poets and critics have faced in the past century, Charles Hartman takes up the challenge and develops a theory
Polyrhythmicity in Language, Music and Society
Language: en
Pages: 168
Authors: Richard Andrews
Categories: Performing Arts
Type: BOOK - Published: 2021-06-14 - Publisher: Springer Nature

This book addresses the complex time relations that occur in some types of jazz and classical music, as well as in the novel, plays and poetry. It discusses these multiple levels of rhythm from a social science as well as an arts and humanities perspective. Building on his ground-breaking work
A History of Free Verse
Language: en
Pages: 285
Authors: Chris Beyers
Categories: Poetry
Type: BOOK - Published: 2001-01-01 - Publisher: University of Arkansas Press

This book examines the most salient and misunderstood aspect of twentieth-century poetry, free verse. Although the form is generally approached as if it were one indissoluble lump, it is actually a group of differing poetic genres proceeding from much different assumptions. Separate chapters on T.S. Eliot, Wallace Stevens, H.D., and