Acta Musicologica

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Editor:
ISBN:
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Vols. 3-24 include Index novorum librorum.

Festa Musicologica

Author: Thomas J. Mathiesen
Editor: Pendragon Press
ISBN: 9780945193708
Size: 16,54 MB
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Giovanni Pierluigi Da Palestrina

Author: Clara Marvin
Editor: Taylor & Francis
ISBN: 9780815323518
Size: 16,84 MB
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Sex and the Internet is the first ever professional book on the fascinating and revolutionary area of internet sexuality. With many disturbing questions raised by sex and the internet, here is a clinician's guide that addresses these concerns by both informing and providing practical and concrete suggestions and directions. Contributions by an international compilation of experts in the field of sexuality keeps on course with pertinent and relevant material.

Ottaviano Petrucci

Author: Stanley Boorman
Editor: Oxford University Press on Demand
ISBN: 0195142071
Size: 20,64 MB
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This bibliographic study of the output of the Petrucci presses includes a study of technique and house-style, and provides a catalogue of editions and copies.

Discovering Medieval Song

Author: Mark Everist
Editor:
ISBN: 110701039X
Size: 10,97 MB
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Comprehensive survey of the conductus over a period of more than one hundred years, demonstrating how music and poetry interact.

Sartre

Author: David Drake
Editor: Haus Publishing
ISBN: 9781904341857
Size: 19,65 MB
Format: PDF
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Accessible and affordable illustrated biography

Counterpoint And Compositional Process In The Time Of Dufay

Author: Kevin N. Moll
Editor: Routledge
ISBN: 1135617260
Size: 18,97 MB
Format: PDF
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First Published in 1998. Routledge is an imprint of Taylor & Francis, an informa company.

Mozart Bibliographien Mozart Bibliographies

Author: Karl F. Stock
Editor: Walter de Gruyter
ISBN: 3110939533
Size: 20,26 MB
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The work Mozart Bibliographies is published to commemorate Wolfgang Amadeus Mozart's 250th birthday. 1,612 independent and hidden bibliographies as well as reference works on Mozart's life, his works and his family are recorded here with commentaries. It also covers non-independent bibliographies, catalogues of his works, exhibition catalogues, discographies and filmographies. With a few exceptions, all the entries are based on title autopsy. The bibliographies are divided into titles on Mozart's family, Constanze Mozart, Karl Mozart, Leopold Mozart, Maria Anna (Nannerl) Mozart, Wolfgang Amadeus Mozart and Wolfgang Amadeus d. J. (Franz Xaver Wolfgang) Mozart. The extensive material is indexed by names, titles and subject headings, providing varied insights and access.

The Conductus Collections Of Ms Wolfenb Ttel 1099

Author: Ethel Thurston
Editor: A-R Editions, Inc.
ISBN: 0895791277
Size: 12,93 MB
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Music Madness And The Unworking Of Language

Author: John T Hamilton
Editor: Columbia University Press
ISBN: 0231512546
Size: 14,56 MB
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In the romantic tradition, music is consistently associated with madness, either as cause or cure. Writers as diverse as Kleist, Hoffmann, and Nietzsche articulated this theme, which in fact reaches back to classical antiquity and continues to resonate in the modern imagination. What John Hamilton investigates in this study is the way literary, philosophical, and psychological treatments of music and madness challenge the limits of representation and thereby create a crisis of language. Special focus is given to the decidedly autobiographical impulse of the late eighteenth and early nineteenth centuries, where musical experience and mental disturbance disrupt the expression of referential thought, illuminating the irreducible aspects of the self before language can work them back into a discursive system. The study begins in the 1750s with Diderot's Neveu de Rameau, and situates that text in relation to Rousseau's reflections on the voice and the burgeoning discipline of musical aesthetics. Upon tracing the linkage of music and madness that courses through the work of Herder, Hegel, Wackenroder, and Kleist, Hamilton turns his attention to E. T. A. Hoffmann, whose writings of the first decades of the nineteenth century accumulate and qualify the preceding tradition. Throughout, Hamilton considers the particular representations that link music and madness, investigating the underlying motives, preconceptions, and ideological premises that facilitate the association of these two experiences. The gap between sensation and its verbal representation proved especially problematic for romantic writers concerned with the ineffability of selfhood. The author who chose to represent himself necessarily faced problems of language, which invariably compromised the uniqueness that the author wished to express. Music and madness, therefore, unworked the generalizing functions of language and marked a critical limit to linguistic capabilities. While the various conflicts among music, madness, and language questioned the viability of signification, they also raised the possibility of producing meaning beyond significance.