Adorno S Aesthetics Of Music

Author: Max Paddison
Editor: Cambridge University Press
ISBN: 9780521626088
File Size: 53,96 MB
Format: PDF, ePub, Docs
Read: 6714

An introduction to T. W. Adorno's aesthetics and sociology of music.
Adorno's Aesthetics of Music
Language: en
Pages: 378
Authors: Max Paddison
Categories: Music
Type: BOOK - Published: 1997-10-30 - Publisher: Cambridge University Press

An introduction to T. W. Adorno's aesthetics and sociology of music.
Adorno's Positive Dialectic
Language: en
Pages: 254
Authors: Yvonne Sherratt
Categories: Philosophy
Type: BOOK - Published: 2002-10-10 - Publisher: Cambridge University Press

This book offers an interpretation of the work of Theodor Adorno. In contrast to the conventional view that Adorno's is in essence a critical philosophy, Yvonne Sherratt traces systematically a utopian thesis that pervades all the major aspects of Adorno's thought. She places Adorno's work in the context of German
Adorno's Nietzschean Narratives
Language: en
Pages: 286
Authors: Karin Bauer
Categories: Philosophy
Type: BOOK - Published: 1999-09-09 - Publisher: SUNY Press

Investigates the intellectual affinities of Adorno and Nietzsche, culminating in a discussion of their readings of Wagner, who serves as a medium and supplement for their critiques of modern culture.
Adorno's 'Minima Moralia' in the 21st Century
Language: en
Pages: 200
Authors: Caren Irr
Categories: Philosophy
Type: BOOK - Published: 2021-11-18 - Publisher: Bloomsbury Publishing

This interdisciplinary volume revisits Adorno's lesser-known work, Minima Moralia, and makes the case for its application to the most urgent concerns of the 21st century. Contributing authors situate Adorno at the heart of contemporary debates on the ecological crisis, the changing nature of work, the idea of utopia, and the
Adorno's Poetics of Critique
Language: en
Pages: 224
Authors: Steven Helmling
Categories: Philosophy
Type: BOOK - Published: 2011-10-20 - Publisher: Bloomsbury Publishing

Adorno's Poetics of Critique is a critical study of the Marxist culture-critic Theodor W. Adorno, a founding member of the Frankfurt school and widely regarded today as its most brilliant exponent. Steven Helmling is centrally concerned with Adorno's notoriously difficult writing, a feature most commentators acknowledge only to set it