Before Mickey

Author: Donald Crafton
Editor: University of Chicago Press
ISBN: 022623102X
Size: 18,63 MB
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This witty and fascinating study reminds us that there was animation before Disney: about thirty years of creativity and experimentation flourishing in such extraordinary work as Girdie the Dinosaur and Felix the Cat. Before Mickey, the first and only in-depth history of animation from 1898-1928, includes accounts of mechanical ingenuity, marketing and art. Crafton is equally adept at explaining techniques of sketching and camera work, evoking characteristic styles of such pioneering animators as Winsor McCay and Ladislas Starevitch, placing work in its social and economic context, and unraveling the aesthetic impact of specific cartoons. "Before Mickey's scholarship is quite lively and its descriptions are evocative and often funny. The history of animation coexisted with that of live-action film but has never been given as much attention."—Tim Hunter, New York Times

Before Mickey

Author: Donald Crafton
Editor: MIT Press (MA)
ISBN:
Size: 10,15 MB
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This is the first book to trace the prehistory of animation - zoetrope, flipbooks, and vaudeville "lightning sketches" - and to chronicle the achievements of Emil Cohl, the first animator, and Felix's creator Otto Mesmer, among others.

The Talkies

Author: Donald Crafton
Editor: Univ of California Press
ISBN: 9780520221284
Size: 13,71 MB
Format: PDF, ePub, Mobi
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"The Talkies is a valuable addition to a distinguished series—especially important because it deals with one of the most eventful periods in motion picture history. Crafton's scholarship is impressive, and he has produced a readable book that's sure to become a standard reference."—James Naremore, author of More than Night

Walt Before Mickey

Author: Timothy S. Susanin
Editor: Univ. Press of Mississippi
ISBN: 1604739614
Size: 14,36 MB
Format: PDF
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The untold story of ten critical, formative years in the great producer's life

Animation

Author: Maureen Furniss
Editor: Indiana University Press
ISBN: 0861969049
Size: 20,78 MB
Format: PDF, Kindle
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Animation—Art and Industry is an introductory reader covering a broad range of animation studies topics, focusing on both American and international contexts. It provides information about key individuals in the fields of both independent and experimental animation, and introduces a variety of topics relevant to the critical study of media—censorship, representations of gender and race, and the relationship between popular culture and fine art. Essays span the silent era to the present, include new media such as web animation and gaming, and address animation made using a variety of techniques.

The Talkies

Author: Donald Crafton
Editor: Charles Scribner's Sons
ISBN: 9780684195858
Size: 20,39 MB
Format: PDF, ePub, Mobi
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The 10-volume, illustrated series considers the film industry from its early roots in the 19th century right up to 1990. It examines the development of film and the film industry, analyzing both the genres, themes and technology that defined each decade a

Good Girls Wicked Witches

Author: Amy M. Davis
Editor: Indiana University Press
ISBN: 0861969014
Size: 13,20 MB
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An in-depth view of the way popular female stereotypes were reflected in—and were shaped by—the portrayal of women in Disney’s animated features. In Good Girls and Wicked Witches, Amy M. Davis re-examines the notion that Disney heroines are rewarded for passivity. Davis proceeds from the assumption that, in their representations of femininity, Disney films both reflected and helped shape the attitudes of the wider society, both at the time of their first release and subsequently. Analyzing the construction of (mainly human) female characters in the animated films of the Walt Disney Studio between 1937 and 2001, she attempts to establish the extent to which these characterizations were shaped by wider popular stereotypes. Davis argues that it is within the most constructed of all moving images of the female form—the heroine of the animated film—that the most telling aspects of Woman as the subject of Hollywood iconography and cultural ideas of American womanhood are to be found. “A fascinating compilation of essays in which [Davis] examined the way Disney has treated female characters throughout its history.” —PopMatters

Fairy Tale As Myth Myth As Fairy Tale

Author: Jack Zipes
Editor: University Press of Kentucky
ISBN: 0813143918
Size: 16,65 MB
Format: PDF
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" Explores the historical rise of the literary fairy tale as genre in the late seventeenth century. In his examinations of key classical fairy tales, Zipes traces their unique metamorphoses in history with stunning discoveries that reveal their ideological relationship to domination and oppression. Tales such as Beauty and the Beast, Snow White and the Seven Dwarves, and Rumplestiltskin have become part of our everyday culture and shapers of our identities. In this lively work, Jack Zipes explores the historical rise of the literary fairy tale as genre in the late seventeenth century and examines the ideological relationship of classic fairy tales to domination and oppression in Western society. The fairy tale received its most "mythic" articulation in America. Consequently, Zipes sees Walt Disney's Snow White as an expression of American male individualism, film and literary interpretations of L. Frank Baum's The Wizard of Oz as critiques of American myths, and Robert Bly's Iron John as a misunderstanding of folklore and traditional fairy tales. This book will change forever the way we look at the fairy tales of our youth.

The Disney Middle Ages

Author: T. Pugh
Editor: Springer
ISBN: 113706692X
Size: 12,74 MB
Format: PDF, Mobi
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For many, the middle ages depicted in Walt Disney movies have come to figure as the middle ages, forming the earliest visions of the medieval past for much of the contemporary Western (and increasingly Eastern) imagination. The essayists of The Disney Middle Ages explore Disney's mediation and re-creation of a fairy-tale and fantasy past, not to lament its exploitation of the middle ages for corporate ends, but to examine how and why these medieval visions prove so readily adaptable to themed entertainments many centuries after their creation. What results is a scrupulous and comprehensive examination of the intersection between the products of the Disney Corporation and popular culture's fascination with the middle ages.

Animating Space

Author: J.P. Telotte
Editor: University Press of Kentucky
ISBN: 0813139791
Size: 11,14 MB
Format: PDF
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Animators work within a strictly defined, limited space that requires difficult artistic decisions. The blank frame presents a dilemma for all animators, and the decision of what to include and leave out raises important questions about artistry, authorship, and cultural influence. In Animating Space: From Mickey to WALL-E, renowned scholar J. P. Telotte explores how animation has confronted the blank template, and how responses to that confrontation have changed. Focusing on American animation, Telotte tracks the development of animation in line with changing cultural attitudes toward space and examines innovations that elevated the medium from a novelty to a fully realized art form. From Winsor McCay and the Fleischer brothers to the Walt Disney Company, Warner Bros., and Pixar Studios, Animating Space explores the contributions of those who invented animation, those who refined it, and those who, in the current digital age, are using it to redefine the very possibilities of cinema.