Creative Criticism

Author: Stephen Benson
Editor:
ISBN: 9780748674329
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Including pieces by creative critics as varied as Anne Carson, Jacques Derrida, Geoff Dyer, Hélène Cixous, Ali Smith, and John Cage, this anthology and guide celebrates the formal and intellectual inventiveness of works which also demonstrate a deep fidelity to the writing or art they address. The Anthology is of interest to all students, teachers and critics of literature and creative writing, and especially those students who are required to write critical essays. All 14 texts included respond innovatively to the question: How do we write criticism? As examples of academic critical writing they are all sympathetic to works whose aim is to change the ways in which we see and describe our world. Key Features * Unique as an anthology of and guide to creative critical writing * Demonstrates a range of ways to write critically and creatively * Extensive introduction & explanatory headnotes to each text Contents Roland Barthes, from A Lover's Discourse: Fragments; John Cage, from 'Where Are We Going? And What Are We Doing?'; Anne Carson, 'Every Exit is an Entrance (A Praise of Sleep)'; Hélène Cixous, 'Without end, no, State of drawingness, no, rather: The Executioner's taking off'; Jacques Derrida 'Aphorism Countertime'; Geoff Dyer, from Out of Sheer Rage: In the Shadow of D.H. Lawrence; Benjamin Friedlander, 'Gertrude Stein: A Retrospective Criticism'; Peter Gizzi, 'Correspondences of the Book'; Kevin Kopelson, 'Music Lessons'; Denise Riley, 'Lyric Selves'; Eve Sedgwick, 'Jane Austen and the Masturbating Girl'; Ali Smith, 'Green'; John Wilkinson, 'Imperfect Pitch'; Sarah Wood, 'Anew Again'. Stephen Benson and Clare Connors teach in the School of Literature, Drama and Creative Writing at the University of East Anglia. Stephen Benson is the author of Cycles of Influence: Fiction, Folktale, Theory (2002) and Literary Music: Writing Music in Contemporary Fiction (2006), and the editor of Contemporary Fiction and the Fairy Tale (2008). Clare Connors is the author of Force from Nietzsche to Derrida and Literary Theory: A Beginner's Guide (2010).

Creative Criticism

Author: Hendrie Weisinger
Editor:
ISBN: 9780283998812
File Size: 13,39 MB
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Giving and taking criticism can be the most difficult and stressful parts of the job - yet success at work demands that you do both, often and well. Whether you manage, sell, negotiate, supervise or collaborate, criticism comes with your job: it must be skilfully received and expressed if you are to stay on track professionally.

Creative Criticism

Author: Joel Elias Spingarn
Editor: BiblioBazaar, LLC
ISBN: 9781110044788
File Size: 78,56 MB
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This is a pre-1923 historical reproduction that was curated for quality. Quality assurance was conducted on each of these books in an attempt to remove books with imperfections introduced by the digitization process. Though we have made best efforts - the books may have occasional errors that do not impede the reading experience. We believe this work is culturally important and have elected to bring the book back into print as part of our continuing commitment to the preservation of printed works worldwide.

Shakespeare And Creative Criticism

Author: Rob Conkie
Editor: Berghahn Books
ISBN: 1789202515
File Size: 65,16 MB
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What kinds of critical insights are made possible only or especially via creative strategies? This volume examines how creative modes of writing might facilitate or inform new ways to critically engage with Shakespeare. Creative writing, demonstrated in a series of essays, reflections, stories and scenes, operates as a vehicle for exploring and articulating critical and theoretical ideas. In doing so, Shakespeare’s enduring creative and critical appeal is newly understood and critiqued.

Creative Criticism

Author: J E Spingarn
Editor:
ISBN:
File Size: 17,28 MB
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There are four essays in the volume. The first, on "The New Criticism," is a statement of the New Freedom in the criticism of literature and art. The second, "Dramatic Criticism and the Theatre," applies this body of theory to the drama; and in the essay on "Prose and Verse" its application to 'vers libres' and to the whole question of metre is made clear. The last essay, on "Creative Connoisseurship," deals with the fine arts, and with the new ideal of "creative collecting."The author's works on criticism have been widely accepted abroad, and in one of Eden Phillpott's novels, "The Joy of Youth," the hero quotes with enthusiasm * the theories of "an honest critic, Spingarn, the American."-Seven Arts, Vol. 1

Creative Criticism And Other Essays

Author: Joel Elias Spingarn
Editor:
ISBN:
File Size: 77,13 MB
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The Creative Critic

Author: Carl Henry Grabo
Editor:
ISBN:
File Size: 29,60 MB
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Genetic Criticism And The Creative Process

Author: William Kinderman
Editor: University Rochester Press
ISBN: 1580463177
File Size: 64,70 MB
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Studies of the genesis of musical, literary, and theatrical works.

The Courage To Be Creative

Author: Doreen Virtue
Editor: Hay House
ISBN: 1401948715
File Size: 58,53 MB
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"You were born creative, because you are the creation of the Creator, as we all are. If you don't feel creative or your creative pursuits haven't worked out, Doreen Virtue's newest book can help. Doreen, the author of more than 50 best-selling books, shows you how to gain 10 forms of courage that lead to creativity, including the courage to be yourself. Each chapter features practical exercises to lead readers to discover their natural talents as writers or artists and in other creative vocations or avocations. Doreen also includes summaries of fascinating psychological studies that demonstrate how to become a successful and satisfied creative individual. Filled with practical advice, scientific research on the creative process, and real-life stories, The Courage to Be Creative is a mainstream book with an inspirational flavor"--

The Dynamics Of Criticism In T S Eliot

Author: Mohammad Hanief
Editor: Atlantic Publishers & Dist
ISBN: 9788171569267
File Size: 45,92 MB
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The Book Is The Most Authentic One Ever Written On The Subject. Apart From Its Wide-Ranging And Usually Inaccessible Materials, It Has Been Written In Such A Lively And Fluent Style That It Ravishes Both The Uninitiated And The Expert, The Common Reader And The Scholar. Besides, Having Functional Utility For Examinations, Interviews And Competitions, And Elite Occasions, It Is A Source Of Critical Strength And Ideas For Any Reader Of Taste And Interest Irrespective Of His Particular Language, Literature And Department. Mohammad Hanif Has Made A Diligent Collection Of Material From And About T.S. Eliot S Critical Writings And Has Arranged It Straightforwardly In Eight Chapters, On The Sources Of Eliot S Ideas, On His Views About Poetry, Criticism, Drama And The Novel And His Style Is Lively, Clear And Forceful On The Whole ----.----- He Roused By Attention By Some First-Hand Observation On A Point Of Detail (For Instance, Eliot And Benda, On Eliot S Possible Debt To Pater And On Eliot S Humour). The Inclusion Of Chapter 6 On Eliot S Criticism Of The Nover Is Welcome And Mr. Hanif Does Show That Eliot Ranged Widely In This Department Of Literature ------------.

Creative Criticism Essays On The Unity Of Genius And Taste

Author: Anonymous
Editor: Wentworth Press
ISBN: 9780526131747
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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Essays In Criticism

Author: Matthew Arnold
Editor:
ISBN:
File Size: 27,72 MB
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Humanities

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File Size: 10,66 MB
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The Illustrated Magazine

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The Creative Critic

Author: Katja Hilevaara
Editor: Routledge
ISBN: 1317200136
File Size: 10,88 MB
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As practitioner-researchers, how do we discuss and analyse our work without losing the creative drive that inspired us in the first place? Built around a diverse selection of writings from leading researcher-practitioners and emerging artists in a variety of fields, The Creative Critic: Writing as/about Practice celebrates the extraordinary range of possibilities available when writing about one’s own work and the work one is inspired by. It re-thinks the conventions of the scholarly output to propose that critical writing be understood as an integral part of the artistic process, and even as artwork in its own right. Finding ways to make the intangible nature of much of our work ‘count’ under assessment has become increasingly important in the Academy and beyond. The Creative Critic offers an inspiring and useful sourcebook for students and practitioner-researchers navigating this area. Please see the companion site to the book, http://www.creativecritic.co.uk, where some of the chapters have become unfixed from the page.

Criticism Creativity

Author: P. J. M. Robertson
Editor: Doncaster [England] : Brynmill Press ; Kingston, Ont. : Quarry Press
ISBN:
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The Ladies Cabinet Of Fashion Music Romance

Author:
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ISBN:
File Size: 35,35 MB
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