Der Schweigende Stern

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Cinema Of Collaboration

Author: Mariana Ivanova
Editor: Berghahn Books
ISBN: 1789203449
Size: 20,47 MB
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From their very inception, European cinemas undertook collaborative ventures in an attempt to cultivate a transnational “Film-Europe.” In the postwar era, it was DEFA, the state cinema of East Germany, that emerged as a key site for cooperative practices. Despite the significant challenges that the Cold War created for collaboration, DEFA sought international prestige through various initiatives. These ranged from film exchange in occupied Germany to partnerships with Western producers, and from coproductions with Eastern European studios to strategies for film co-authorship. Uniquely positioned between East and West, DEFA proved a crucial mediator among European cinemas during a period of profound political division.

Re Imagining Defa

Author: Séan Allan
Editor: Berghahn Books
ISBN: 178533106X
Size: 18,53 MB
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By the time the Berlin Wall collapsed, the cinema of the German Democratic Republic—to the extent it was considered at all—was widely regarded as a footnote to European film history, with little of enduring value. Since then, interest in East German cinema has exploded, inspiring innumerable festivals, books, and exhibits on the GDR’s rich and varied filmic output. In Re-Imagining DEFA, leading international experts take stock of this vibrant landscape and plot an ambitious course for future research, one that considers other cinematic traditions, brings genre and popular works into the fold, and encompasses DEFA’s complex post-unification “afterlife.”

Music In Science Fiction Television

Author: Kevin J. Donnelly
Editor: Routledge
ISBN: 0415641071
Size: 11,98 MB
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The music for science fiction television programs, like music for science fiction films, is often highly distinctive, introducing cutting-edge electronic music and soundscapes. There is a highly particular role for sound and music in science fiction, because it regularly has to expand the vistas and imagination of the shows and plays a crucial role in setting up the time and place. Notable for its adoption of electronic instruments and integration of music and effects, science fiction programs explore sonic capabilities offered through the evolution of sound technology and design, which has allowed for the precise control and creation of unique and otherworldly sounds. This collection of essays analyzes the style and context of music and sound design in Science Fiction television. It provides a wide range of in-depth analyses of seminal live-action series such as Doctor Who, The Twilight Zone, and Lost, as well as animated series, such as The Jetsons. With thirteen essays from prominent contributors in the field of music and screen media, this anthology will appeal to students of Music and Media, as well as fans of science fiction television.

The Sound Of Things To Come

Author: Trace Reddell
Editor: U of Minnesota Press
ISBN: 1452957363
Size: 17,54 MB
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A groundbreaking approach to sound in sci-fi films offers new ways of construing both sonic innovation and science fiction cinema Including original readings of classics like The Day the Earth Stood Still, 2001: A Space Odyssey, Star Wars, and Blade Runner, The Sound of Things to Come delivers a comprehensive history of sound in science fiction cinema. Approaching movies as sound objects that combine cinematic apparatus and consciousness, Trace Reddell presents a new theory of sonic innovation in the science fiction film. Reddell assembles a staggering array of movies from sixty years of film history—including classics, blockbusters, B-movies, and documentaries from the United States, Britain, France, Germany, Japan, and the Soviet Union—all in service to his powerful conception of sound making as a speculative activity in its own right. Reddell recasts debates about noise and music, while arguing that sound in the science fiction film provides a medium for alien, unknown, and posthuman sound objects that transform what and how we hear. Avoiding genre criticism’s tendency to obsess over utopias, The Sound of Things to Come draws on film theory, sound studies, and philosophies of technology to advance conversations about the avant-garde, while also opening up opportunities to examine cinematic sounds beyond the screen.

From Weimar To Christiania

Author: Florence Feiereisen
Editor: Cambridge Scholars Publishing
ISBN: 1443806374
Size: 12,89 MB
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From Weimar to Christiania is a new compilation of graduate student work in the fields of German and Scandinavian Studies. Resulting from research presented at a unique graduate student conference at the University of Massachusetts Amherst, these essays utilize a wide variety of disciplinary approaches and represent an ambitious and successful effort to connect related yet distinct fields. This anthology is aimed at scholars within the broad areas of German and Scandinavian Studies. All of the contributions speak to an appreciation of cultural studies as a diverse collection of theoretical tools, which provide the historian, political scientist, and literary and film scholars gathered here with the means to contextualize and investigate cultural productions, situations, and environments. From Weimar to Christiania delivers compelling research that expands bodies of knowledge in northern European studies.

Die Gedichte Ossian S Tr By E Freiherr Von Harold

Author: Ossian
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Archiv F R Urheber Und Medienrecht

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Be Active Before You Become Radioactive

Author: Cari Petersen
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Size: 17,13 MB
Format: PDF
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East German Cinema

Author: S. Heiduschke
Editor: Springer
ISBN: 1137322322
Size: 13,61 MB
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East Germany's film monopoly, Deutsche Film-Aktiengesellschaft, produced a films ranging beyond simple propaganda to westerns, musicals, and children's films, among others. This book equips scholars with the historical background to understand East German cinema and guides the readers through the DEFA archive via examinations of twelve films.