East Asian Lacquer

Author: Metropolitan Museum of Art (New York, N.Y.)
Editor: Metropolitan Museum of Art
ISBN: 0870996223
File Size: 29,22 MB
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The Irving Collection represents a wide range of styles and techniques from the 13th through the twentieth centuries.

Production Distribution And Appreciation

Author: Patricia Frick
Editor: European Studies in Asian Art
ISBN: 9789004380509
File Size: 54,73 MB
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Production, Distribution and Appreciation: New Aspects of East Asian Lacquer Wares presents a comprehensive study on various new aspects of lacquer ware in China, Korea and Japan.

East Asian Urushi Lacquer Work With Mother Of Pearl Inlay

Author: Tokugawa-Bijutsukan. Nagoya
Editor:
ISBN:
File Size: 54,46 MB
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Investigation And Conservation Of East Asian Cabinets In Imperial Residences 1700 1900

Author: Gabriela Krist
Editor: Böhlau Verlag Wien
ISBN: 3205201337
File Size: 18,97 MB
Format: PDF
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The international workshop on conservation of East Asian cabinets in imperial residences (1700–1900) marked the starting point for the FWF-funded research project on the East Asian cabinets in Schönbrunn palace. The workshop facilitated the exchange of knowledge and experience between international conservators, art historians and related experts in the fields of Asian and European lacquerware and porcelain.

The East Asian Library Journal

Author:
Editor:
ISBN:
File Size: 29,51 MB
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Picturing Commerce In And From The East Asian Maritime Circuits 1550 1800

Author: Tamara H. Bentley
Editor: Amsterdam University Press
ISBN: 9048535441
File Size: 79,69 MB
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Combining strikingly new scholarship by art historians, historians, and ethnomusicologists, this interdisciplinary volume illuminates trade ties within East Asia, and from East Asia outwards, in the years 1550 to 1800. While not encyclopedic, the selected topics greatly advance our sense of this trade picture. Throughout the book, multi-part trade structures are excavated; the presence of European powers within the Asian trade nexus features as part of this narrative. Visual goods are highlighted, including lacquerwares, musical instruments, Chinese bronze coins, unfired ceramic portrait figurines, and Chinese, Japanese, Korean, and Southeast Asian ceramic vessels. These essays underscore the significance of Asian industries producing multiples, and the rhetorical charge of these goods, shifting in meaning as they move. Building reverberations between merchant networks and the look of the objects themselves, this richly-illustrated book brings to light the Asian trade engine powering the early modern visual cultures of East and Southeast Asia, the American colonies, and Europe.

The Grove Encyclopedia Of Materials And Techniques In Art

Author: Gerald W. R. Ward
Editor: Oxford University Press, USA
ISBN: 0195313917
File Size: 62,26 MB
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Provides over 1400 articles that deal with materials and techniques in art from ancient times to the present, including such media as ceramics, sculpture, metalwork, painting, works on paper, textiles, video, and computer art.

Buddhist Art Of East Asia

Author: Dietrich Seckel
Editor: Western Washington Univ
ISBN:
File Size: 69,38 MB
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The Museum Of East Asian Art Inaugural Exhibition Chinese Metalwares And Decorative Arts

Author: Museum of East Asian Art (Bath, England)
Editor: Museum of East Asian Art
ISBN:
File Size: 10,94 MB
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V. 1. This volume of the catalogue for the Inaugural Exhibition of The Museum of East Asian Art contains the descriptions and photographs of some 225 Chinese ceramics, which cover the period from late Neolithic times (circa 2500 B.C.) to about 1820 A.D. and are a fairly comprehensive selection of the ceramics produced in China during this long period. -- Author's note.

Newsletter East Asian Art And Archaeology

Author:
Editor: UM Libraries
ISBN:
File Size: 47,60 MB
Format: PDF
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Harmony Contrast

Author: Jane Wilkinson
Editor: Psychology Press
ISBN: 9780700704613
File Size: 33,76 MB
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Harmony and Contrast provides a cross-cultural perspective on the art of Japan, China and Korea, focusing on the use of materials in art.

Proceedings Of The 22nd Symposium On Archaeometry

Author: A. Aspinall
Editor: University of Bradford, Department of Archaeological Sciences
ISBN:
File Size: 66,12 MB
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Harvard East Asian Monographs

Author:
Editor:
ISBN:
File Size: 44,32 MB
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The Splendour Of Urushi

Author: Masako Shōno-Slʹadek
Editor:
ISBN:
File Size: 32,65 MB
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Crosscurrents

Author: Amy Poster
Editor: Harry N Abrams Incorporated
ISBN:
File Size: 70,14 MB
Format: PDF
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This catalogue explores New York's superlative private collections of Japanese, Chinese and Korean art through a broad and diverse selection of paintings, calligraphy, sculpture, ceramics, and lacquerware that reflect the highest achievements of the classical traditions of East Asian culture. Leading authorities of Asian art discuss the objects within the dynamic context of East Asia as an enduring cultural sphere, offering an expanded view of the art of this region as it traversed national boundaries, transforming and being transformed in the process.

Andon

Author:
Editor:
ISBN:
File Size: 71,38 MB
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Symbol And Substance In Japanese Lacquer

Author: Barbra Teri Okada
Editor: Weatherhill, Incorporated
ISBN:
File Size: 78,33 MB
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Published in conjunction with a fall 1995 exhibition of the Ehrenkranz Collection at the Japan Society in New York City. An introductory essay details the processes of harvesting, refining, and applying lacquer, and gives a historical overview of the evolution of specific techniques. Fifty-five examples from the 15th to the 18th centuries are shown in full-page photos, and are thoroughly described and explicated in accompanying text. A glossary of technical terms and a detailed bibliography contribute to the book's usefulness for collectors, scholars, and dealers. Annotation copyright by Book News, Inc., Portland, OR

The East Asian Tradition Korea

Author: Widayati Roesijadi
Editor:
ISBN:
File Size: 74,42 MB
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Masterpieces Of Chinese Lacquer From The Mike Healy Collection

Author: Julia M. White
Editor: University of Washington Press
ISBN:
File Size: 23,21 MB
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Presents a wide range of exceptional Chinese lacquerware representing a broad time span and multiple techniques. The lacquers range in date from the later Han dynasty (1st-2nd century CE) to the late Ming dynasty (1368-1644). The collection is also rich in uniquely Yuan dynasty lacquerware, which is noted for its austere and refined appearance.