Catalogue Of Printed Books

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Essays and Reviews
Language: en
Pages: 1057
Authors: Victor Shea, Victoria Shea, William Whitla
Categories: History
Type: BOOK - Published: 2000 - Publisher: University of Virginia Press

Essays and Reviews is a collection of seven articles that appeared in 1860, sparking a Victorian culture war that lasted for at least a decade. With pieces written by such prominent Oxford and Cambridge intellectuals as Benjamin Jowett, Mark Pattison, Baden Powell, and Frederick Temple (later archbishop of Canterbury), the
Catalogue of Printed Books
Language: en
Authors: Victor Shea, Victoria Shea, William Whitla
Categories: History
Type: BOOK - Published: 1887 - Publisher:

Books about Catalogue of Printed Books
The Collected Works of Gerard Manley Hopkins: Volume IV: Oxford Essays and Notes 1863-1868
Language: en
Pages: 392
Authors: Lesley Higgins
Categories: Literary Collections
Type: BOOK - Published: 2006-10-05 - Publisher: OUP Oxford

The first of eight volumes of Hopkins's Collected Works to be published, Oxford Essays and Notes presents a remarkable cache of previously unpublished papers, including forty-five essays which Hopkins produced during his undergraduate career at Oxford (1863-1867), only seven of which were reproduced in the 1959 edition of Journals and
Of Apes and Ancestors
Language: en
Pages: 144
Authors: Ian Hesketh
Categories: Religion
Type: BOOK - Published: 2009 - Publisher: University of Toronto Press

By reconstructing the Oxford debate of 1860 on the merits of Charles Darwin?s Origin of Species, and carefully considering the individual perspectives of the main participants, Ian Hesketh argues that personal jealousies and professional agendas played a formative role in shaping the response to Darwin?s hypothesis.
Painting the Bible
Language: en
Pages: 268
Authors: Michaela Giebelhausen
Categories: Art
Type: BOOK - Published: 2017-07-05 - Publisher: Routledge

Painting the Bible is the first book to investigate the transformations that religious painting underwent in mid-Victorian England. It charts the emergence of a Protestant realist painting in a period of increasing doubt, scientific discovery and biblical criticism. The book analyzes the position of religious painting in academic discourse and