Film Noir And The Cinema Of Paranoia

Author: Wheeler Winston Dixon
Editor:
ISBN: 9780748624003
File Size: 42,83 MB
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Wheeler Winston Dixon's comprehensive work engages readers in an overview of noir and fatalist film from the mid-twentieth century to the present, ending with a discussion of television, the Internet, and dominant commercial cinema. Beginning with the 1940s classics, Film Noir and the Cinema of Paranoia moves to the "Red Scare" and other ominous expressions of the 1950s that contradicted an American split-level dream of safety and security. The dark cinema of the 1960s hosted films that reflected the tensions of a society facing a new and, to some, menacing era of social expression. From smaller studio work to the vibrating pulse of today's "click and kill" video games, Dixon boldly addresses the noir artistry that keeps audiences in an ever-consumptive stupor.
Film Noir and the Cinema of Paranoia
Language: en
Pages: 198
Authors: Wheeler Winston Dixon
Categories: Performing Arts
Type: BOOK - Published: 2009 - Publisher:

Wheeler Winston Dixon's comprehensive work engages readers in an overview of noir and fatalist film from the mid-twentieth century to the present, ending with a discussion of television, the Internet, and dominant commercial cinema. Beginning with the 1940s classics, Film Noir and the Cinema of Paranoia moves to the "Red
Film Noir and the Cinema of Paranoia
Language: en
Pages: 208
Authors: Dixon Wheeler Winston Dixon
Categories: Electronic books
Type: BOOK - Published: 2019-07-29 - Publisher: Edinburgh University Press

Film Noir and the Cinema of Paranoia is an overview of 20th- and 21st-century noir and fatalist film practice from 1945 onwards. The book demonstrates the ways in which American cinema has inculcated a climate of fear in our daily lives, as reinforced, starting in the 1950s, by television, and
The Red and the Black
Language: en
Pages: 312
Authors: Robert Miklitsch
Categories: Performing Arts
Type: BOOK - Published: 2016-12-07 - Publisher: University of Illinois Press

Critical wisdom has it that we said a long goodbye to film noir in the 1950s. Robert Miklitsch begs to differ. Pursuing leads down the back streets and alleyways of cultural history, The Red and the Black proposes that the received rise-and-fall narrative about the genre radically undervalues the formal
Dark Borders
Language: en
Pages: 268
Authors: Jonathan Auerbach
Categories: History
Type: BOOK - Published: 2011-03-25 - Publisher: Duke University Press

Shows how politics and aesthetics merge in American film noirs made between the late 1930s and the mid-1950s; their oft-noted uncanniness betrays the fear that un-American foes lurk within the homeland.
Siren City
Language: en
Pages: 288
Authors: Robert Miklitsch
Categories: Performing Arts
Type: BOOK - Published: 2011 - Publisher: Rutgers University Press

"Robert Miklitsch has convinced me. Sound and music in film noir are every bit as important as the visuals. Siren City drives home this argument with authority and elegance. Highly recommended."---Krin Gabbard, author of Hotter Than That: The Trumpet, Jazz, and American Culture --