Forum Modernes Theater

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File Size: 63,59 MB
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Englisches Theater Der Gegenwart

Author: Klaus Peter Müller
Editor: Gunter Narr Verlag
ISBN: 9783823340300
File Size: 60,59 MB
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Theater Religion Spiritualit T

Author: Ingrid Hentschel
Editor: LIT Verlag Münster
ISBN: 9783825866426
File Size: 59,49 MB
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Theatre And Religion

Author: Günter Ahrends
Editor: Gunter Narr Verlag
ISBN: 9783823352259
File Size: 54,28 MB
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Theatre As Critique

Author: Nikolaus Müller-Schöll
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File Size: 43,92 MB
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Postdramatisches Theater Als Transkulturelles Theater

Author: Teresa Kovacs
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ISBN: 9783823381914
File Size: 19,42 MB
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The Dramatic Touch Of Difference

Author: Erika Fischer-Lichte
Editor: Gunter Narr Verlag
ISBN: 9783823340232
File Size: 38,47 MB
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Play Ritual Representation

Author: Ingrid Hentschel
Editor: LIT Verlag Münster
ISBN: 9783825872694
File Size: 59,33 MB
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Translating Literatures Translating Cultures

Author: Kurt Mueller-Vollmer
Editor: Erich Schmidt Verlag GmbH & Co KG
ISBN: 9783503049059
File Size: 66,29 MB
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Special Issue Theatre As Critique

Author: Nikolaus Müller-Schöll
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ISBN:
File Size: 17,44 MB
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Chapters From The History Of Stage Cruelty

Author: Günter Ahrends
Editor: Gunter Narr Verlag
ISBN: 9783823340379
File Size: 32,82 MB
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Themenheft Theatre As Critique

Author: Nikolaus Müller-Schöll
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File Size: 15,75 MB
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Skandinavistik

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File Size: 77,88 MB
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The Histrionic Sensibility

Author: Ziad Elmarsafy
Editor: Gunter Narr Verlag
ISBN: 9783823355366
File Size: 29,88 MB
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Ibsen On The German Stage 1876 1918

Author: Jens-Morten Hanssen
Editor: Narr Francke Attempto Verlag
ISBN: 3823392719
File Size: 38,98 MB
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Digital humanities has opened up new avenues for Ibsen scholarship, and recent developments within the field of e-research methodologies have formed a point of departure for questioning conventional assumptions. This book explores the early reception of Ibsen on the German stage from a quantitative angle using the performance database IbsenStage as a research tool. Visualization techniques are adopted as a means to prepare data for analysis and identify the major patterns in the production history, and data interrogation methodology is used to trigger new lines of enquiry.

Occupy Antigone

Author: Katharina Pewny
Editor: Narr Francke Attempto Verlag
ISBN: 3823379550
File Size: 21,49 MB
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This anthology provides some of today's most relevant views on Sophocles' classic and its many interpretations from an interdisciplinary, cross-cultural perspective. It critically investigates the work of artists and theoreticians who have occupied Antigone ever since she appeared onstage in antiquity, dealing with questions of the relationship between performance and philosophy and of how Antigone can be appropriated to criticize reigning discourses. Occupy Antigone makes an original contribution to the vibrant life the mythical figure enjoys in contemporary performance practice and theory.

Dramaturgies In The New Millennium

Author: Katharina Pewny
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ISBN: 9783823368731
File Size: 18,17 MB
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Throwing The Body Into The Fight

Author: Mary Kate Connolly
Editor: Intellect L & D E F A E
ISBN: 9781783200344
File Size: 33,78 MB
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Throwing the Body into the Fight is the first English-language publication dedicated to the German choreographer Raimund Hoghe. Curated and edited by Mary Kate Connolly, the book operates as a collage, drawing together a variety of international voices to create a fragmented portrait of the artist. Lavishly illustrated with photographs by Rosa Frank, who has collaborated closely with Hoghe for two decades, this book will be welcomed by all who admire a man described by the New York Times—in its review of Hoghe's 2012 “Pas de Deux” with Japanese dancer Takashi Ueno—as “a lover of romance and beautiful things.”

An Idea Of The Drama

Author: Bert Cardullo
Editor: Peter Lang
ISBN: 9783631613795
File Size: 48,17 MB
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"This is a collection of ten long essays arranged around the primordial subject of realism and non-realism, or anti-realism, in the drama, as this subject manifests itself in modern Europe and contemporary America from Ibsen to Shaw to the symbolists, expressionists, surrealists, dadaists, futurists, and absurdists. This book treats not only the issue of realism versus anti-realism in theater from a practical as well as a theoretical point of view. It also treats at least two subjects related to this issue: the superfical or bourgeois realism that has long crippled the theater versus the critical and sometimes poetic realism that liberates it; and the avant-garde, the rearguard, and the middle-to-advanced artistic ground in between claimed by Bertolt Brecht and Harold Pinter. Special attention is paid, moreover, to the first thoroughgoing American avant-garde dramatist, Gertrude Stein. In sum, this book treats the subject of realism and non-realism from the point of view of the theater's ability to create not only the illusion of reality onstage, but also the reality of illusion"--Publisher's description, back cover.