Four Quartets

Author: T. S. Eliot
Editor: Houghton Mifflin Harcourt
ISBN: 0547539703
Size: 11,28 MB
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The last major verse written by Nobel laureate T. S. Eliot, considered by Eliot himself to be his finest work Four Quartets is a rich composition that expands the spiritual vision introduced in “The Waste Land.” Here, in four linked poems (“Burnt Norton,” “East Coker,” “The Dry Salvages,” and “Little Gidding”), spiritual, philosophical, and personal themes emerge through symbolic allusions and literary and religious references from both Eastern and Western thought. It is the culminating achievement by a man considered the greatest poet of the twentieth century and one of the seminal figures in the evolution of modernism.

Four Quartets

Author: T. S. Eliot
Editor: Faber & Faber
ISBN: 0571254357
Size: 10,69 MB
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Four Quartets is the culminating achievement of T.S. Eliot's career as a poet. While containing some of the most musical and unforgettable passages in twentieth-century poetry, its four parts, 'Burnt Norton', 'East Coker', 'The Dry Salvages' and 'Little Gidding', present a rigorous meditation on the spiritual, philosophical and personal themes which preoccupied the author. It was the way in which a private voice was heard to speak for the concerns of an entire generation, in the midst of war and doubt, that confirmed it as an enduring masterpiece.

The English Eliot

Author: Steve Ellis
Editor: Routledge
ISBN: 1317330706
Size: 17,98 MB
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This book, first published in 1991, supplies a neglected cultural context for T. S. Eliot’s writings of the 1930s and 1940s, particularly Four Quartets, and attempts to disprove the widespread belief in Eliot’s unproblematic commitment to England, and the ‘Englishness’. The book traces Eliot’s classicism not only in linguistic and formalist terms but also in his construction of England in the Quartets and Quartets-related essays. His practice is related to the vigorous polemic concerning the definition of England found in the 1930s and 1940s, in material as diverse as landscape painting, advertising, travel literature and the detective novel. This original and provocative text will not only be of interest to students and teachers of Eliot, but to those interested in representations of nationality.

Metaphysical Symbolism In T S Eliot S Four Quartets

Author: Ronald Moore
Editor: Stanford University Press
ISBN:
Size: 15,49 MB
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T S Eliot And The Ideology Of Four Quartets

Author: John Xiros Cooper
Editor: Cambridge University Press
ISBN: 9780521496292
Size: 16,41 MB
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Criticism of Eliot has ignored the public dimension of his life and work. His poetry is often seen as the private record of an internal spiritual struggle. Professor Cooper shows how Eliot deliberately addressed a North Atlantic 'mandarinate' fearful of social disintegration during the politically turbulent 1930s. Almost immediately following publication, Four Quartets was accorded canonical status as a work that promised a personal harmony divorced from the painful disharmonies of the emerging postwar world. Cooper connects Eliot's careers as banker, director and editor to a much wider cultural agenda. He aimed to reinforce established social structures during a period of painful political transition. This powerful and original study re-establishes the public context in which Eliot's work was received and understood. It will become an essential reference work for all interested in a wider understanding of Eliot and of Anglo-American cultural relations.

Four Quartets

Author: Thomas Stearns Eliot
Editor: Houghton Mifflin Harcourt
ISBN: 9780156332255
Size: 13,15 MB
Format: PDF
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The last major verse written by the Nobel laureate, including “Burnt Norton,” “East Coker,” “The Dry Salvages,” and “Little Gidding.”

Annotations To T S Eliot S Four Quartets

Author: Herman Servotte
Editor: iUniverse
ISBN: 1450240674
Size: 13,60 MB
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This book of annotations to Four Quartets provides unparalleled, page by page insights into the thoughts and background material behind the poem. It will be a unique asset for any reader who wants help in navigating the extraordinary complexities of T.S. Eliot's final masterpiece. Carol Simpson Stern, Professor, Department of Performance Studies and Poetry, Northwestern University, Evanston, Illinois