Herculine Barbin

Author: Michel Foucault
Editor: Vintage
ISBN: 0307833097
Size: 16,32 MB
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With an eye for the sensual bloom of young schoolgirls, and the torrid style of the romantic novels of her day, Herculine Barbin tells the story of her life as a hermaphrodite. Herculine was designated female at birth. A pious girl in a Catholic orphanage, a bewildered adolescent enchanted by the ripening bodies of her classmates, a passionate lover of another schoolmistress, she is suddenly reclassified as a man. Alone and desolate, he commits suicide at the age of thirty in a miserable attic in Paris. Here, in an erotic diary, is one lost voice from our sexual past. Provocative, articulate, eerily prescient as she imagines her corpse under the probing instruments of scientists, Herculine brings a disturbing perspective to our own notions of sexuality. Michel Foucault, who discovered these memoirs in the archives of the French Department of Public Hygiene, presents them with the graphic medical descriptions of Herculine's body before and after her death. In a striking contrast, a painfully confused young person and the doctors who examine her try to sort out the nature of masculine and feminine at the dawn of the age of modern sexuality.

Herculine Barbin

Author: Herculine Barbin
Editor: Vintage
ISBN: 0394738624
Size: 13,88 MB
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The erotic diary of Barbin, who as a young woman was suddenly reclassified as a man, details the story of her metamorphosis, offering a unique perspective of human sexuality

Herculine Barbin And The Omission Of Biopolitics From Judith Butler S Gender Genealogy

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ISBN:
Size: 10,18 MB
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This article argues that Judith Butler's neglect of biopolitics in her reading of Michel Foucault's work on sexuality leads her to propose a genealogy of gender ontology rather than conduct a genealogy of gender itself. Sex was not an effect of a cultural system for Foucault, but an apparatus of biopower that emerged in the eighteenth century for the administration of life. Butler, however, is interested in uncovering how something we call or identify as gender manifests itself in different times and contexts, rather than asking what relations of power made necessary the emergence of gender as a discourse. After examining the theoretical configurations underpinning Butler's engagement with Foucault's Herculine Barbin, I suggest a more biopolitically informed reading of how the material body becomes captured by the discourses of sexuality and sex. Finally, the article sets out preliminary questions with which a more strictly Foucauldian genealogy of gender might be conducted.

Feminism Foucault And Embodied Subjectivity

Author: Margaret A. McLaren
Editor: SUNY Press
ISBN: 0791487938
Size: 14,94 MB
Format: PDF
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Argues that Foucault's work employs a conception of subjectivity that is well-suited for feminist theory and politics.

Resisting Normative Power

Author: Pápai Dávid
Editor:
ISBN:
Size: 14,68 MB
Format: PDF
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Gender And Citizenship

Author: Claudia Moscovici
Editor: Rowman & Littlefield
ISBN: 9780847696956
Size: 12,31 MB
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Moscovici proposes a new understanding of how gender relations were reformulated by both male and female writers in nineteenth-century France. She analyzes the different versions of gendered citizenship elaborated by Friedrich Hegel, George Sand, Honore de Balzac, Auguste Comte and Herculine Barbin revealing a shift from a single dialectical (or male-centered) definition of citizenship to a double dialectical (or bi-gendered) one in which each sex plays an important role in subject-citizenship and is defined as the negation of the other sex. Moscovici further argues that a double dialectical pattern of androgyny endows women with a (relational) cultural identity that secures their paradoxical roles as both representatives and outsiders to subject-citizenship in nineteenth-century French society and culture.

Hosting The Monster

Author: Holly Lynn Baumgartner
Editor: Rodopi
ISBN: 9042024860
Size: 11,91 MB
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Hosting the Monster responds to the call of the monstrous with, not rejection, but invitation. Positing the monster as that which defies classification, the essays in this collection are an ongoing engagement with that which lies outside of established boundaries. With chapters ranging from the monstrous mother or the deformed child to subjectivity in transition, this volume is not only of interest to film and gender scholars and literary and cultural theorists but also students of popular culture or horror. Its wide appeal stems from its invitation both to entertain the monster and to widen the call to and the listening for the monsters that have not yet, and perhaps must not yet, come calling back. This sense of hospitality and non-hostility is one guiding principle of this collection, suggesting that the ability to survey and research the otherwise may reveal more about the subjectivity of the self through the wisdom of the other, however monstrous the manifestation. Holly Lynn Baumgartner is an associate professor of Humanities and English at Mercy College of Northwest Ohio. Her articles have appeared in Reflections, Rhizomes, American Book Review and other journals. Roger Davis is an instructor of English at MacEwan College in Edmonton, Canada. He is co-author of Essay Writing for Canadian Students and his literary interests include poetry, poetics and popular culture. Contents Preface Holly Lynn BAUMGARTNER and Roger DAVIS: Hosting the Monster: Introduction Duane W. KIGHT: ¿I Live in the Weak and the Wounded¿: The Monster of Brad Anderson¿s Session 9 Amaya MURUZÁBAL MURUZÁBAL: The Monster as a Victim of War: The Returning Veteran in The Best Years of Our Lives Lucy FIFE: Human Monstrosity: Rape, Ambiguity and Performance in Rosemary¿s Baby Inderjit GREWAL: The Monstrous and Maternal in Toni Morrison¿s Beloved Hannah PRIEST: The Witch and the Werewolf: Rebirth and Subjectivity in Medieval Verse Holly Lynn BAUMGARTNER: It¿s Never the Bass: Opera¿s True Transgressors Sing Soprano Katherine ANGELL: Joseph Merrick and the Concept of Monstrosity in Nineteenth Century Medical Thought Jessica WEBB: Herculine Barbin: Human Error, Criminality and the Case of the Monstrous Hermaphrodite Cecilia A. FEILLA: Literary Monsters: Gender, Genius, and Writing in Denis Diderot¿s `On Women¿ and Mary Shelley¿s Frankenstein Sorcha NÍ FHLAINN: Sweet, Bloody Vengeance: Class, Social Stigma and Servitude in the Slasher Genre. David M. KINGSLEY: It Came from Four-Colour Fiction: The Effect of Cold War Comic Books on the Fiction of Stephen King Liesbet DEPAUW: The Monsters that Failed to Scare: The Atypical Reception of the 1930s Horror Films in Belgium Roger DAVIS: ¿a white illusion of a man¿: Snowman, Survival and Speculation in Margaret Atwood¿s Oryx and Crake Notes on Contributors

Between Genders

Author: Nathaniel Wing
Editor: University of Delaware Press
ISBN: 9780874138450
Size: 13,80 MB
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They share a preoccupation with experiences of gender and the vicissitudes of gender identities. Between Genders explores a pervasive yet frequently veiled crisis of authority throughout the century, regarding who or what institution might determine "correct" gender relations, and what these values might imply in aesthetic, ethical, and frequently political issues."--Jacket.

Crossing The Stage

Author: Lesley Ferris
Editor: Routledge
ISBN: 1134924526
Size: 20,56 MB
Format: PDF
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Crossing the Stage brings together for the first time essays which explore cross-dressing in theatre, cabaret, opera and dance. The volume contains seminal pieces which have become standard texts in the field, as well as new work especially commissioned from leading writers on performance. Crossing the Stage is an indispensable sourcebook on theatrical cross-dressing. It will be essential reading for all those interested in performance and the representation of gender.

Bodies And Pleasures

Author: Ladelle McWhorter
Editor: Indiana University Press
ISBN: 9780253213259
Size: 18,93 MB
Format: PDF, Mobi
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Sexual identities are dangerous, Michel Foucault tells us. Categories of desire harden into stereotypes by which the forces of normalization hold us and judge us. In Bodies and Pleasures, Ladelle McWhorter reads Foucault from an original and personal angle, motivated by the differences this experience has made in her life. At the same time, her analysis advances discussion of key issues in Foucault scholarship: the genealogical critique, the status of the subject and humanism, essentialism versus social construction, and the relationships between identity, community, and political action. Weaving her own experience of coming to grips with her lesbian sexual identity into her readings of Foucault's most recent writings on sexuality and power, McWhorter argues compellingly that Foucault's texts should be read less for the arguments they advance and more for their transformative effect. By exploring bodies and pleasures—gardening, line dancing, or doing philosophy, for example—McWhorter shows that it isn't necessary to conform with socially recognized sexual identities. Bodies and Pleasures takes the reader beyond unexplored norms and imposed identities as it points the way toward a personal politics, ethics, and style that challenges our sexual selves.