Liner Notes On Parents Children Exes Excess Decay A Few More Of My Favourite Things

Author: Loudon Wainwright III
Editor: Omnibus Press
ISBN: 1783239565
Size: 12,91 MB
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‘Liner Notes is, unsurprisingly, as good as its author’s songs, with moments of sharp humor alternating with real-life pain, and vivid reflections on love, death, and the whole damn thing. Loudon Wainwright is a true original: not like anyone else, just as he set out to be.’ Salman Rushdie In the late 1960s, Loudon Wainwright III established himself as a loner, deliberately standing outside the conventional. He recorded his first album in 1969, full of raw, angry poetry, but it was the 1972 novelty song ‘Dead Skunk’ that brought him popular recognition. Wainwright’s songs are as hilarious as they can be painful. In Liner Notes, he details the family history and fractured relationships that have informed him: the alcoholism, infidelities and competitiveness; the successes, joys and love. Wainwright writes poignantly about being a son, a parent, a brother and a grandfather while re-printing selections from his father’s columns and meditating upon family, inspiration and art. As plain-speaking on the page as in his songs, Wainwright lays everything bare in this heartfelt memoir of music and family. His lyrics adorn and inform the text, amplifying his prose and connecting his songs to the life he led. ‘He is unafraid and clear-eyed about the events of his life – and utterly engaging.’ Rosanne Cash ’Fans of the self-lacerating, painfully funny Wainwright III will find the memoir they want here’ Kirkus Reviews

Liner Notes

Author: Emily Franklin
Editor: Open Road Media
ISBN: 1480452319
Size: 19,93 MB
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How do you share the soundtrack of your life? Just out of grad school, Laney is ready to embark on a new phase of her life. Leaving California to head back east, she’s got three thousand miles to reflect on her past before moving ahead to the future. With a box of mixed tapes at the ready, she envisions a trip spent reminiscing about first crushes, high school, family issues, and college loves and losses—her most precious memories. What she doesn’t picture is her mother in the seat beside her—which is exactly what happens when her mom invites herself along for the ride. Soon, Laney’s giving her mother a crash course in retro hits from her formative years—and a history of her life that her mom never knew about. As they roll through the American landscape, Laney and her mother discover that their lives are no one-hit wonders.

Check The Technique

Author: Brian Coleman
Editor: Villard
ISBN: 9780307494429
Size: 19,98 MB
Format: PDF, Mobi
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A Tribe Called Quest • Beastie Boys • De La Soul • Eric B. & Rakim • The Fugees • KRS-One • Pete Rock & CL Smooth • Public Enemy • The Roots • Run-DMC • Wu-Tang Clan • and twenty-five more hip-hop immortals It’s a sad fact: hip-hop album liners have always been reduced to a list of producer and sample credits, a publicity photo or two, and some hastily composed shout-outs. That’s a damn shame, because few outside the game know about the true creative forces behind influential masterpieces like PE’s It Takes a Nation of Millions. . ., De La’s 3 Feet High and Rising, and Wu-Tang’s Enter the Wu-Tang (36 Chambers). A longtime scribe for the hip-hop nation, Brian Coleman fills this void, and delivers a thrilling, knockout oral history of the albums that define this dynamic and iconoclastic art form. The format: One chapter, one artist, one album, blow-by-blow and track-by-track, delivered straight from the original sources. Performers, producers, DJs, and b-boys–including Big Daddy Kane, Muggs and B-Real, Biz Markie, RZA, Ice-T, and Wyclef–step to the mic to talk about the influences, environment, equipment, samples, beats, beefs, and surprises that went into making each classic record. Studio craft and street smarts, sonic inspiration and skate ramps, triumph, tragedy, and take-out food–all played their part in creating these essential albums of the hip-hop canon. Insightful, raucous, and addictive, Check the Technique transports you back to hip-hop’s golden age with the greatest artists of the ’80s and ’90s. This is the book that belongs on the stacks next to your wax. “Brian Coleman’s writing is a lot like the albums he covers: direct, uproarious, and more than six-fifths genius.” –Jeff Chang, author of Can’t Stop Won’t Stop “All producers and hip-hop fans must read this book. It really shows how these albums were made and touches the music fiend in everyone.” –DJ Evil Dee of Black Moon and Da Beatminerz “A rarity in mainstream publishing: a truly essential rap history.” –Ronin Ro, author of Have Gun Will Travel

Liner Notes

Author: Andy Mister
Editor: Station Hill Press
ISBN: 9781581771312
Size: 13,56 MB
Format: PDF, ePub
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Poetry. Andy Mister's LINER NOTES is a semi-narrative prose poem, a meditation on alienation and pop culture. Beginning with the Beach Boy's unfinished masterpiece "Smile," Mister describes a world populated by ghosts. Adrift on a sea of drug use, boredom and popular entertainment, Mister traces his relationship to the obsessive collection of ephemera and the coterminous feelings of isolation and loss. Like an iPod on shuffle, lyrical descriptions of urban landscapes and memories of failed relationships mix with song lyrics and deadpan anecdotes of death, failure. In the end a life, like the book itself, is assembled from the detritus of pop culture. As he writes, "Each billboard is a monument to our ability to believe in anything, at least for a moment. Then it's gone." But belief's shadow remains, amid the news of a world shot full of holes, which LINER NOTES' hauntings seem to delineate like the chalk figure at the center of every homicide scene we've ever imagined ourselves appearing within.... "There'll probably be some music there, lining your eyelids.""I love the blunt care for real time, with all its gaps & noises & bends, Andy Mister takes in the searching, powerful scroll of paragraphs that make up LINER NOTES. Working through the implied vision of an undecided note taker prone to stark assertions and excavating insights to perception, Mister puts songs at the heart of his relationship to language & digs away at the disappearances they reflect in their, and his, histories. 'The world becomes boring when you brush away the detritus' says the same mind that listens to own its aloneness, & desires, evenly, 'to dissolve each distance in distance.'"--Anselm Berrigan"Andy Mister's loving and disturbing 'notes' create a complex harmony (sympathy) between public noise and private revelation. In the midst of LINER NOTES we read: 'Childhood is a song I can barely remember the words to. They only come back to me when I am thinking of something else.' That something else is at the heart of this compelling and magical book. Listen!"--Peter Gizzi"Jim Carroll's 'People Who Died' comes immediately to mind, but LINER NOTES has more in common with David Markson's late books or with Frank O'Hara's 'Hatred' than with any pop song. What's most evident, though, is that Andy Mister cares for his readers by caring about his subject. He's your friend, and he's alive."--Graham Foust"I had forgotten with what feverishness I used to study the back jackets of my LPs. Was I seeking to understand my desire? The sadness of desolate beauty? The sensitive youth's love affair with death? It's all here--as breathless and disarmingly self-conscious as the sweetest parking-lot kiss. I love this book."--Jennifer Moxley

And Now We Are Going To Have A Party

Author: Nicola Griffith
Editor:
ISBN:
Size: 20,26 MB
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Academic Liner Notes A Re Inquiry Of Chris Hackley S 2012 Cct Blues

Author:
Editor:
ISBN:
Size: 18,37 MB
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ABSTRACT: While in certain sub-areas of marketing and consumer research, alternative modes of investigation and representation have been mushrooming for a while - i.e. publications of poetry, poetry sessions at conferences, videography, and fiction - we suggest music and complementary academic liner notes as another form of alternative investigation and expression. This paper offers accompanying notes to our original contribution in musical format as an alternative mode of representation and critical dramatization in marketing and consumer research. The song is called CCT Blues and is perfomed by Postmödern talking sans frontiers avéc fromage [the song can be found on Applemusic, iTunes, and Spotify searching for CCT Blues and the artist name.] These liner notes guide the academic listener through our reflexive critical dramatization of the current intellectual condition of the CCT research area in form of a cover song of Chris Hackley's CCT Blues [2012a. CCT Blues Electric Version.wmv, June 2. Accessed November 25, 2016.https://www.youtube.com/watch?v=n1pgyaiw610 ]. Consequently, this paper offers a backstage pass into the world of producing and packaging our critique in audio format.

Reggae Routes

Author: Kevin O'Brien Chang
Editor: Temple University Press
ISBN: 9781566396295
Size: 16,14 MB
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Looks at the history of Reggae music and traces its development in Jamaica

Liner Notes For A Pithecanthropus Erectus Sketchbook

Author: Federico Federici
Editor: Lulu.com
ISBN: 9780244999049
Size: 13,90 MB
Format: PDF
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The work is remarkable precisely because it works in a graceful, familiar space to do often stark and unfamiliar things. Like jazz that absorbs sound. This feels to me a faithful act towards listening and the intention towards possibility and inspiration. The roll, the smudge, the dead signature. The cut in the scrawl. The squig. The line, cards and bled ink. Sounds on paper. - SJ Fowler

Just Remember This

Author: Colin Bratkovich
Editor: Xlibris Corporation
ISBN: 1483645193
Size: 18,40 MB
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I have completed this manuscript Just Remember This, or as American Pop Singers 1900-1950+, about music before the 1950s in America. It perhaps offers knowledge and insights not previously found in other musical reference books. I have moreover been working on this book very meticulously over the past twelve-plus years. It started as a bit of fun and gradually became serious as I began to listen along with the vocalists of popular music, of the era before 1950, essentially just before the dawn of rock and roll. If you can call it that! Indeed genre and labeling of American music started here, and then from everywhere. While the old adage of always starting from somewhere could be noted in every century, the 1900s had produced the technology. Understanding the necessity, more so, finds a curiosity on the part of a general public hungry for entertainment, despite 6 day work weeks, World War I, the Great Depression, and World War II.