Modernism S Print Cultures

Author: Faye Hammill
Editor: Bloomsbury Publishing
ISBN: 1472573277
File Size: 80,22 MB
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The print culture of the early twentieth century has become a major area of interest in contemporary Modernist Studies. Modernism's Print Cultures surveys the explosion of scholarship in this field and provides an incisive, well-informed guide for students and scholars alike. Surveying the key critical work of recent decades, the book explores such topics as: - Periodical publishing – from 'little magazines' such as Rhythm to glossy publications such as Vanity Fair - The material aspects of early twentieth-century publishing – small presses, typography, illustration and book design - The circulation of modernist print artefacts through the book trade, libraries, book clubs and cafes - Educational and political print initiatives Including accounts of archival material available online, targeted lists of key further reading and a survey of new trends in the field, this is an essential guide to an important area in the study of modernist literature.

Poetic Modernism In The Culture Of Mass Print

Author: Bartholomew Brinkman
Editor: JHU Press
ISBN: 1421421348
File Size: 46,39 MB
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Coda: Remaking Poetic Modernism after a Culture of Mass Print -- Notes -- Bibliography -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- Q -- R -- S -- T -- U -- V -- W -- Y

James Joyce Science And Modernist Print Culture

Author: Jeffrey S. Drouin
Editor: Routledge
ISBN: 1317541502
File Size: 45,58 MB
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This book makes an important intervention in the ongoing debates about modernism, science, and the divisions of early Twentieth-Century print culture. In order to establish Joyce's place in the nexus of modernism and scientific thought, Drouin uses the methods of periodical studies and textual criticism to examine the impact of Einstein's relativity theories on the development of Ulysses (1922) and Finnegans Wake (1939). Looking at experiments with space, time, motion, and perspective, it rigorously surveys discourse of science and the novel in the print culture networks connected to Joyce, with concrete analysis of avant-garde magazines, newspapers, popular science books, BBC pamphlets, and radio broadcasts between 1914 and 1939. These sources elucidate changes that Joyce made to the manuscripts, typescripts, and page proofs of certain episodes of his final two novels. The new evidence establishes for the first time the nature of the material link between Joyce and non-technical science, and the manner in which Ulysses and Finnegans Wake owe their structure and meaning to the humanistic issues associated with science during the wartime and inter-war years. In examining the relationships between Joyce's later work and the popular science industry, the book elucidates the often conflicting attitudes toward science in inter-war British print culture, filling in a piece of the puzzle that is modernism's relationship to the new physics and, simultaneously, the history of the novel.

Transatlantic Print Culture 1880 1940

Author: A. Ardis
Editor: Springer
ISBN: 0230228453
File Size: 50,54 MB
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Building on recent work on Victorian print culture and the turn toward material historical research in modernist studies, this collection extends the frontiers of scholarship on the 'Atlantic scene' of publishing, exploring new ways of grappling with the rapidly changing universe of print at the turn of the twentieth century.

Making Noise Making News

Author: Mary Chapman
Editor: Oxford University Press, USA
ISBN: 0199988293
File Size: 71,18 MB
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For most people, the US suffrage campaign is encapsulated in images of orators such as the tightly coifed Susan B. Anthony, the wimpled Elizabeth Cady Stanton, and others who hectored for women's rights throughout the nineteenth century. The campaign to secure the vote for US women, however, was also a modern and print-cultural phenomenon, waged with humor, style, and creativity. In this fascinating cultural history, Mary Chapman demonstrates the importance of the aesthetically innovative print culture produced by US suffragists in the two decades leading up to the passage of the 19th Amendment, seven decades after women's rights activists first met at Seneca Falls. A century before the advent of social media", suffragists mobilized the masses [fashioned a "suffragist spring" through creative forms of propaganda including advocacy journals, guest-edited mainstream magazines, banners, voiceless speech placards, publicity stunts, poetry, and fiction. These propaganda forms made the public sphere much more inclusive even as they also perpetuated an image of the suffragist New Woman as native-born, white, and middle-class. Making Noise, Making News also understands modern suffragist print culture as a demonstrable link between the Progressive Era's political campaign for a voice in the public sphere and Modernism's aesthetic efforts to re-imagine literary voice. Chapman charts a relationship between modern suffragist print cultural "noise" and what literary modernists understood by "making it new!", asserting that the experimental tactics of US suffrage print culture contributed to, and even anticipated, the formal innovations of US literary modernism. Drawing on little-known archives and featuring over twenty visually stunning illustrations, Making Noise, Making News provides startling documentation of Marianne Moore's closeted career as a suffrage propagandist, the persuasive effects of Algonquin Table's Alice Duer Miller's popular poetry column,Asian-American author Sui Sin Far's challenge to the racism and classism of modern suffragism, and Gertrude Stein's midcentury recognition of intersections between suffrage discourse and literary modernism."

Women Periodicals And Print Culture In Britain 1890s 1920s

Author: Faith Binckes
Editor: Edinburgh History of Women's Periodical Culture in Britain
ISBN: 9781474450645
File Size: 18,49 MB
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This collection highlights the contributions of women writers, editors and critics to periodical culture in the late nineteenth and early twentieth centuries. It explores women's role in shaping conversations about modernism and modernity across varied aesthetic and ideological registers, and foregrounds how such participation was shaped by a wide range of periodical genres. The essays focus on well-known publications and introduce those as yet obscure and understudied - including middlebrow and popular magazines, movement-based, radical papers, avant-garde titles and classic Little Magazines. Examining neglected figures and shining new light on familiar ones, the collection enriches our understanding of the role women played in the print culture of this transformative period.

Modernist Experiments In Genre Media And Transatlantic Print Culture

Author: Jennifer Julia Sorensen
Editor: Taylor & Francis
ISBN: 1317094549
File Size: 39,60 MB
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The years from 1890 through 1935 witnessed an explosion of print, both in terms of the variety of venues for publication and in the vast circulation figures and the quantity of print forums. Arguing that the formal strategies of modernist texts can only be fully understood in the context of the material forms and circuits of print culture through which they were produced and distributed, Jennifer Sorensen shows how authors and publishers conceptualized the material text as an object, as a body, and as an ontological problem. She examines works by Henry James, Jean Toomer, Djuna Barnes, Katherine Mansfield, and Virginia Woolf, showing that they understood acts of reading as materially mediated encounters. Sorensen draws on recent textual theory, media theory, archival materials, and paratexts such as advertisements, illustrations, book designs, drafts, diaries, dust jackets, notes, and frontispieces, to demonstrate how these writers radically redefined literary genres and refashioned the material forms through which their literary experiments reached the public. Placing the literary text at the center of inquiry while simultaneously expanding the boundaries of what counts as that, Sorensen shows that modernist generic and formal experimentation was deeply engaged with specific print histories that generated competitive media ecologies of competition and hybridization.

Art Periodical Culture In Late Imperial Russia 1898 1917

Author: Hanna Chuchvaha
Editor: Brill
ISBN: 9004301402
File Size: 72,59 MB
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Art Periodical Culture in Late Imperial Russia (1898-1917). Print Modernism in Transition offers a detailed exploration of the major Modernist art periodicals in late imperial Russia, the World of Art (Mir Iskusstva, 1899-1904), The Golden Fleece (Zolotoe runo, 1906-1909) and Apollo (Apollon, 1909-1917).

Modernism And The Culture Of Celebrity

Author: Aaron Jaffe
Editor: Cambridge University Press
ISBN: 9780521843010
File Size: 15,49 MB
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In this 2005 book, Jaffe examines the interactions of modernist literary fame and celebrity culture in the early twentieth century.

Cultures Of Modernism

Author: Cristanne Miller
Editor: University of Michigan Press
ISBN: 9780472032372
File Size: 21,59 MB
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Examining the influences of location on the literary achievements of three modernist women writers, this text shows how the structure and location of literary communities influence who writes, what they write about, and their openness to formal experimentation - and in particular, women writers.

Modernism

Author: Tim Armstrong
Editor: Polity
ISBN: 0745629822
File Size: 75,10 MB
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"In this study aimed at a general and student audience, Tim Armstrong seeks to define modernism not only by its aesthetics and literary genres but also by its links with broader cultural areas in which the 'modern' is implicated and debated, and which inform its representational modes." - Besedilo s hrbta knj.

Decadence And Modernism In European And Russian Literature And Culture

Author: Jonathan Stone
Editor: Springer Nature
ISBN: 3030344525
File Size: 41,22 MB
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Decadence and Modernism in European and Russian Literature and Culture: Aesthetics and Anxiety in the 1890s rewrites the story of early modernist literature and culture by drawing out the tensions underlying its simultaneous engagement with Decadence and Symbolism, the unsustainable combination of this world and the other. With a broadly framed literary and cultural approach, Jonathan Stone examines a shift in perspective that explodes the notion of reality and showcases the uneasy relationship between the tangible and intangible aspects of the surrounding world. Modernism quenches a growing fascination with the ephemeral and that which cannot be seen while also doubling down on the significance of the material world and finding profound meaning in the physical and the corporeal. Decadence and Symbolism complement the broader historical trajectory of the fin de siècle by affirming the novelty of a modernist mindset and offering an alternative to the empirical and positivistic atmosphere of the nineteenth century. Stone seeks to recreate a significant historical and cultural moment in the development of modernity, a moment that embraces the concept of Decadence while repurposing its aesthetic and social import to help navigate the fundamental changes that accompanied the dawn of the twentieth century.

A Companion To Modernist Literature And Culture

Author: David Bradshaw
Editor: John Wiley & Sons
ISBN: 1405154675
File Size: 52,81 MB
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The Companion combines a broad grounding in the essentialtexts and contexts of the modernist movement with the uniqueinsights of scholars whose careers have been devoted to the studyof modernism. An essential resource for students and teachers of modernistliterature and culture Broad in scope and comprehensive in coverage Includes more than 60 contributions from some of the mostdistinguished modernist scholars on both sides of the Atlantic Brings together entries on elements of modernist culture,contemporary intellectual and aesthetic movements, and all thegenres of modernist writing and art Features 25 essays on the signal texts of modernist literature,from James Joyce’s Ulysses to Zora NealHurston’s Their Eyes Were Watching God Pays close attention to both British and Americanmodernism

Lesbian Scandal And The Culture Of Modernism

Author: Jodie Medd
Editor: Cambridge University Press
ISBN: 1139560921
File Size: 10,70 MB
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Before lesbianism became a specific identity category in the West, its mere suggestion functioned as a powerful source of scandal in early twentieth-century British and Anglo-American culture. Reconsidering notions of the 'invisible' or 'apparitional' lesbian, Jodie Medd argues that lesbianism's representational instability, and the scandals it generated, rendered it an influential force within modern politics, law, art and the literature of modernist writers like James Joyce, Ezra Pound and Virginia Woolf. Medd's analysis draws on legal proceedings and parliamentary debates as well as crises within modern literary production – patronage relations, literary obscenity and cultural authority – to reveal how lesbian suggestion forced modern political, cultural and literary institutions to negotiate their own identities, ideals and limits. Medd's text will be of great interest to scholars and graduate students in gender and women's studies, modernist literary studies and English literature.

Modern Print Artefacts

Author: Patrick Collier
Editor: Edinburgh University Press
ISBN: 1474413498
File Size: 70,69 MB
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This study focuses on the close connections between literary value and the materiality of popular print artefacts in Britain from 1890-1930. The book demonstrates that the materiality of print objects-paper quality, typography, spatial layout, use of illustrations, etc.-became uniquely visible and significant in these years, as a result of a widely perceived crisis in literary valuation. In a set of case studies, it analyses the relations between literary value, meaning, and textual materiality in print artefacts such as newspapers, magazines, and book genres-artefacts that gave form to both literary works and the journalistic content (critical essays, book reviews, celebrity profiles, and advertising) through which conflicting conceptions of literature took shape. In the process, it corrects two available misperceptions about reading in the period: that books were the default mode of reading, and that experimental modernism was the sole literary aesthetic that could usefully represent modern life.

On Company Time

Author: Donal Harris
Editor: Columbia University Press
ISBN: 0231541341
File Size: 18,94 MB
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American novelists and poets who came of age in the early twentieth century were taught to avoid journalism "like wet sox and gin before breakfast." It dulled creativity, rewarded sensationalist content, and stole time from "serious" writing. Yet Willa Cather, W. E. B. Du Bois, Jessie Fauset, James Agee, T. S. Eliot, and Ernest Hemingway all worked in the editorial offices of groundbreaking popular magazines and helped to invent the house styles that defined McClure's, The Crisis, Time, Life, Esquire, and others. On Company Time tells the story of American modernism from inside the offices and on the pages of the most successful and stylish magazines of the twentieth century. Working across the borders of media history, the sociology of literature, print culture, and literary studies, Donal Harris draws out the profound institutional, economic, and aesthetic affiliations between modernism and American magazine culture. Starting in the 1890s, a growing number of writers found steady paychecks and regular publishing opportunities as editors and reporters at big magazines. Often privileging innovative style over late-breaking content, these magazines prized novelists and poets for their innovation and attention to literary craft. In recounting this history, On Company Time challenges the narrative of decline that often accompanies modernism's incorporation into midcentury middlebrow culture. Its integrated account of literary and journalistic form shows American modernism evolving within as opposed to against mass print culture. Harris's work also provides an understanding of modernism that extends beyond narratives centered on little magazines and other "institutions of modernism" that served narrow audiences. And for the writers, the "double life" of working for these magazines shaped modernism's literary form and created new models of authorship.

Geographies Of Modernism

Author: Peter Brooker
Editor: Routledge
ISBN: 1134329113
File Size: 72,58 MB
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One of the most pivotal developments in contemporary literary and cultural studies is the investigation of space and geography, a trend which is proving particularly important for modernist studies. This volume explores the interface between modernism and geography in a range of writers, texts and artists across the twentieth century. Cross-disciplinary essays test and extend a variety of methodological approaches and reveal the reach of this topic into every corner of modernist scholarship. From Imagist poetry and the Orient to teashops and modernism in London, or from mapping and belonging in James Joyce or Joseph Conrad to the space of new media artists, this remarkable volume offers fresh, invigorating research that ranges across the field of modernism. It also serves to identify the many exciting new directions that future studies may take. With groundbreaking essays from an international team of highly-regarded scholars, Geographies of Modernism is an important step forward in literary and cultural studies.

Mass Culture And Modernism In Egypt

Author: Walter Armbrust
Editor: Cambridge University Press
ISBN: 9780521484923
File Size: 70,45 MB
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This path-breaking study of Egyptian popular culture provides fresh and vital insights into the long struggle of modern Egypt to define its identity. Walter Armbrust examines Egyptian television, recorded music, the press, and the cinema, revealing the delicate balance between conservative nationalist imagery and a modernist ethic. However, this balance has been put in question both by producers and consumers of the media, reflecting a sense that the way modern Egypt is represented does not reflect the real experience of Egyptians.

Modernist Star Maps

Author: Aaron Jaffe
Editor: Routledge
ISBN: 1351916874
File Size: 21,77 MB
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Bringing together Canadian, American, and British scholars, this volume explores the relationship between modernism and modern celebrity culture. In support of the collection's overriding thesis that modern celebrity and modernism are mutually determining phenomena, the contributors take on a range of transatlantic canonical and noncanonical figures, from the expected (Virginia Woolf and F. Scott Fitzgerald) to the surprising (Elvis and Hitler). Illuminating case studies are balanced by the volume's attentiveness to broader issues related to modernist aesthetics, as the contributors consider celebrity in relationship to identity, commodification, print culture, personality, visual cultures, and theatricality. As the first book to read modernism and celebrity in the context of the crises of individual agency occasioned by the emergence of mass-mediated culture, Modernist Star Maps argues that the relationship between modernism and the popular is unthinkable without celebrity. Moreover, celebrity's strange evolution during the twentieth century is unimaginable without the intercession of modernism's system of cultural value. This innovative collection opens new avenues for understanding celebrity not only for modernist scholars but for critical theorists and cultural studies scholars.

Italian Modernism

Author: Mario Moroni
Editor: University of Toronto Press
ISBN: 9780802086020
File Size: 78,51 MB
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Italian Modernism was written in response to the need for an historiographic and theoretical reconsideration of the concepts of Decadentismo and the avant-garde within the Italian critical tradition. Focussing on the confrontation between these concepts and the broader notion of international modernism, the essays in this important collection seek to understand this complex phase of literary and artistic practices as a response to the epistemes of philosophical and scientific modernity at the end of the nineteenth century and in the first three decades of the twentieth. Intellectually provocative, this collection is the first attempt in the field of Italian Studies at a comprehensive account of Italian literary modernism. Each contributor documents how previous critical categories, employed to account for the literary, artistic, and cultural experiences of the period, have provided only partial and inadequate descriptions, preventing a fuller understanding of the complexities and the interrelations among the cultural phenomena of the time.