Musicality In Theatre
Author: Dr David Roesner
Editor: Ashgate Publishing, Ltd.
ISBN: 1409461017
File Size: 16,49 MB
Format: PDF, Mobi
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Music continues to be immensely influential in key developments of theatrical practices. In this study of musicality in the theatre, David Roesner offers a revised view of the nature of the relationship between music and theatre. The theoretical scope of the book is developed from a wide range of case studies, some of which are re-readings of the classics of theatre history (Appia, Meyerhold, Artaud, Beckett), while others introduce or rediscover less-discussed practitioners such as Joe Chaikin, Thomas Bernhard, Elfriede Jelinek, Michael Thalheimer and Karin Beier.
Editor: Ashgate Publishing, Ltd.
ISBN: 1409461017
File Size: 16,49 MB
Format: PDF, Mobi
Read: 6963
Language: en
Pages: 310
Pages: 310
Music continues to be immensely influential in key developments of theatrical practices. In this study of musicality in the theatre, David Roesner offers a revised view of the nature of the relationship between music and theatre. The theoretical scope of the book is developed from a wide range of case
Language: en
Pages: 320
Pages: 320
As the complicated relationship between music and theatre has evolved and changed in the modern and postmodern periods, music has continued to be immensely influential in key developments of theatrical practices. In this study of musicality in the theatre, David Roesner offers a revised view of the nature of the
Language: en
Pages: 160
Pages: 160
Art forms tend to mirror themselves in each other. In order to understand literature and fine arts better, we often turn to music, speaking of the ‘tone’ in a book and of the ‘rhythm’ in a painting. In attempts to understand music better, we turn instead to the narrative arts,
Language: en
Pages: 469
Pages: 469
An encyclopedic dictionary of technical and theoretical terms, the book covers all aspects of a semiotic approach to the theatre, with cross-referenced alphabetical entries ranging from absurd to word scenery.
Language: en
Pages: 754
Pages: 754
The first comprehensive academic survey of British musical theatre from its origins, The Oxford Handbook of the British Musical offers both a historical account of musical theatre from 1728 and a range of in-depth critical analyses of key works and productions that illustrate its aesthetic values and sociocultural meanings.