Poems Of Mystery And Of Myth And Romance

Author: Madison Julius Cawein
Size: 20,68 MB
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The Poems Of Madison Cawein Poems Of Mystery And Of Myth And Romance

Author: Madison Julius Cawein
Size: 17,56 MB
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Character Sketches Of Romance Fiction And The Drama

Author: Ebenezer Cobham Brewer
Editor: The Minerva Group, Inc.
ISBN: 9781410213365
Size: 19,69 MB
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Originally published in 1892, "the object of this Handbook is to supply readers and speakers with a lucid, but very brief account of such names as are used in allusions and references, whether by poets or prose writers; - to furnish those who consult it with the plot of popular dramas, the story of epic poems, and the outline of well-known tales. The number of dramatic plots sketched out is many hundreds. Another striking and interesting feature of the book is the revelation of the source from which dramatists and romancers have derived their stories, and the strange repetitions of historic incidents. It has been borne in mind throughout that it is not enough to state a fact. It must be stated attractively, and the character described must be drawn characteristically if the reader is to appreciate it, and feel an interest in what he reads." This work, an American reprint of The Reader's Handbook by E. Cobham Brewer, ..".while retaining all of the original material that can interest and aid the English-speaking student, gives also 'characters and sketches found in American novels, poetry and drama.'"

Celtic Myth And Arthurian Romance

Author: Roger Sherman Loomis
Editor: Chicago Review Press
ISBN: 1613732104
Size: 12,65 MB
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King Arthur was not an Englishman, but a Celtic warrior, according to Loomis, whose research into the background of the Arthurian legend reveals findings which are both illuminating and highly controversial. The author sees the vegetarian goddess as the prototype of many damsels in Arthurian romance, and Arthur's knights as the gods of sun and storm. If Loomis's arguments are accepted, where does this leave the historic Arthur?

A Companion To Romantic Poetry

Author: Charles Mahoney
Editor: John Wiley & Sons
ISBN: 9781444390643
Size: 11,84 MB
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Through a series of 34 essays by leading and emerging scholars, A Companion to Romantic Poetry reveals the rich diversity of Romantic poetry and shows why it continues to hold such a vital and indispensable place in the history of English literature. Breaking free from the boundaries of the traditionally-studied authors, the collection takes a revitalized approach to the field and brings together some of the most exciting work being done at the present time Emphasizes poetic form and technique rather than a biographical approach Features essays on production and distribution and the different schools and movements of Romantic Poetry Introduces contemporary contexts and perspectives, as well as the issues and debates that continue to drive scholarship in the field Presents the most comprehensive and compelling collection of essays on British Romantic poetry currently available

John Keats

Author: John Blades
Editor: Macmillan International Higher Education
ISBN: 1137244011
Size: 11,89 MB
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The poems of John Keats have never ceased to fascinate and he is now justly celebrated as one of the greatest English poets, his verse rewarding the reader with a wealth of musical riches and highly evocative settings. Keats is also revered as a great thinker in verse and, accordingly, this comprehensive guide to his poetry and letters offers a highly readable and detailed textual analysis of the themes and techniques of his work. John Blades's stimulating in-depth study assesses the whole span of Keats's short career; from the early lyrical experiments, through the great epics, to the brilliant odes of 1819, and the haunting medieval narratives. Drawing on the comments of Keats's associates, Blades puts forward some challenging insights into the poet's methods and theory of poetry. The author goes on to examine the context of the verse through a clearly documented survey of Keats's letters - which highlight the trials and obstacles he faced, his attitude to the turmoil of his period, and above all his great passion for life - and an exploration of the key features of nineteenth century Romanticism. Concluding with a discussion of the work of four literary critics and their influential responses to Keats's work, this lively and sensitive guide is essential reading for anyone with an interest in a young poet who was very much in accord with the revolutionary currents of his time.

John Keats And The Loss Of Romantic Innocence

Author: Keith D. White
Editor: Rodopi
ISBN: 9789042000582
Size: 16,92 MB
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John Keats and the Loss of Romantic Innocence traces Keats's use of an Appolonian metaphor. Of the nearly 150 works listed in Jack Stillinger's standard edition, approximately half contain references to the god of nature and of art. What emerges are three distinct phases in Keats's aesthetic development. From his initial fondness for bower imagery and the pastoral voices of Spenser and Hunt, to the Neo-Platonism of his poems about art and imagination, to his ultimate rejection of romantic idealism, Keats and his Apollonian metaphor are rarely separated. The poet's dismissal of romantic idealism is ultimately a rejection of Blake's God, Coleridge's of Germanism, Wordsworth's Nature, Byron's Hellenism, and Shelley's Supernaturalism. The young poet dies aware of the excesses of his empirically oriented pleasant smotherings and idealistic realms of gold. He accepts a world without Apollo and his entourage, a world unembellished by art and other gilded cheats.

The Romance Of Religion

Author: Dwight Longenecker
Editor: Thomas Nelson
ISBN: 0849922941
Size: 19,96 MB
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C. S. Lewis said that Christianity works on us like every other myth, except it is a myth that really happened. Dwight Longenecker grabs this idea and runs with it, showing that the Christian story is the greatest story ever told because it gathers up what is true in all the fantasy stories of the world and makes them as solid, true, and real as a tribe of dusty nomads in the desert or the death of a carpenter-king. In The Romance of Religion Longenecker calls for the return of the romantic hero—the hero who knows his frailty and can fight the good fight with panache, humor, and courage. Conflict and romance are everywhere in the story of Christ, and our response is to dust off our armor, don our broad-brimmed hats, pick up our swords, and do battle for Christ with confidence, wonder, and joy. Is religion no more than a fairy tale? No, it is more than a fairy tale—much more: it is all the fairy tales and fantastic stories come true here and now. “This book is witty, whimsical, and deadly serious. With panache and aplomb, Dwight Longenecker sets out to prove that Christianity is, in every sense of the word, fabulous. And does he succeed in his quest? I encourage you to read it to find out.” —Michael Ward, senior research fellow, Blackfriars Hall, University of Oxford, and professor of apologetics, Houston Baptist University “If you've never thought about the Christian faith as romance and story, then this book will introduce you to a whole new way of thinking.”—Frank Viola, author of God's Favorite Place on Earth

Pope S Dunciad And The Queen Of Night

Author: Douglas Brooks-Davies
Editor: Manchester University Press
ISBN: 9780719017353
Size: 13,19 MB
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Poetry Into Song

Author: Deborah Stein
Editor: Oxford University Press
ISBN: 0199890161
Size: 11,80 MB
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Focusing on the music of the great song composers--Schubert, Schumann, Brahms, Wolf, and Strauss--Poetry Into Song offers a systematic introduction to the performance and analysis of Lieder . Part I, "The Language of Poetry," provides chapters on the themes and imagery of German Romanticism and the methods of analysis for German Romantic poetry. Part II, "The Language of the Performer," deals with issues of concern to performers: texture, temporality, articulation, and interpretation of notation and unusual rhythm accents and stresses. Part III provides clearly defined analytical procedures for each of four main chapters on harmony and tonality, melody and motive, rhythm and meter, and form. The concluding chapter compares different settings of the same text, and the volume ends with several appendices that offer text translations, over 40 pages of less accessible song scores, a glossary of technical terms, and a substantial bibliography. Directed toward students in both voice and theory, and toward all singers, the authors establish a framework for the analysis of song based on a process of performing, listening, and analyzing, designed to give the reader a new understanding of the reciprocal interaction between performance and analysis. Emphasizing the masterworks, the book features numerous poetic texts, as well as a core repertory of songs. Examples throughout the text demonstrate points, while end of chapter questions reinforce concepts and provide opportunities for directed analysis. While there are a variety of books on Lieder and on German Romantic poetry, none combines performance, musical analysis, textual analysis, and the interrelation between poetry and music in the systematic, thorough way of Poetry Into Song.