Popular Italian Cinema

Author: Louis Bayman
Editor: Palgrave Macmillan
ISBN: 0230300162
File Size: 40,44 MB
Format: PDF, Docs
Read: 2323

Exciting new critical perspectives on popular Italian cinema including melodrama, poliziesco, the mondo film, the sex comedy, missionary cinema and the musical. The book interrogates the very meaning of popular cinema in Italy to give a sense of its complexity and specificity in Italian cinema, from early to contemporary cinema.

Italian Cinema Audiences

Author: Daniela Treveri Gennari
Editor: Bloomsbury Publishing USA
ISBN: 1501347691
File Size: 37,35 MB
Format: PDF, Mobi
Read: 5362

We know a lot about the directors and stars of Italian cinema's heyday, from Roberto Rossellini to Sophia Loren. But what do we know about the Italian audiences that went to see their films? Based on the AHRC-funded project 'Italian Cinema Audiences 1945-60', Italian Cinema Audiences: Histories and Memories of Cinema-going in Post-war Italy draws upon the rich data collected by the project team (160 video interviews and 1000+ written questionnaires gathered from Italians aged 65 and over; archival material related to cinema distribution, exhibition and programming, box-office figures, and critical discussions of cinema from film journals and popular magazines of the period). For the first time, cinema's role in everyday Italian life, and its affective meaning when remembered by older people, are enriched with industrial analyses of the booming Italian film sector of the period, as well as contextual data from popular and specialized magazines.

Italian Cinema From The Silent Screen To The Digital Image

Author: Joseph Luzzi
Editor: Bloomsbury Publishing USA
ISBN: 1441186425
File Size: 12,99 MB
Format: PDF, Mobi
Read: 861

In this comprehensive guide, some of the world's leading scholars consider the issues, films, and filmmakers that have given Italian cinema its enduring appeal. Readers will explore the work of such directors as Federico Fellini, Michelangelo Antonioni, and Roberto Rossellini as well as a host of subjects including the Italian silent screen, the political influence of Fascism on the movies, lesser known genres such as the giallo (horror film) and Spaghetti Western, and the role of women in the Italian film industry. Italian Cinema from the Silent Screen to the Digital Image explores recent developments in cinema studies such as digital performance, the role of media and the Internet, neuroscience in film criticism, and the increased role that immigrants are playing in the nation's cinema.

A Companion To Italian Cinema

Author: Frank Burke
Editor: John Wiley & Sons
ISBN: 1444332287
File Size: 20,83 MB
Format: PDF, ePub, Mobi
Read: 8840

Written by leading figures in the field, A Companion to Italian Cinema re-maps Italian cinema studies, employing new perspectives on traditional issues, and fresh theoretical approaches to the exciting history and field of Italian cinema. Offers new approaches to Italian cinema, whose importance in the post-war period was unrivalled Presents a theory based approach to historical and archival material Includes work by both established and more recent scholars, with new takes on traditional critical issues, and new theoretical approaches to the exciting history and field of Italian cinema Covers recent issues such as feminism, stardom, queer cinema, immigration and postcolonialism, self-reflexivity and postmodernism, popular genre cinema, and digitalization A comprehensive collection of essays addressing the prominent films, directors and cinematic forms of Italian cinema, which will become a standard resource for academic and non-academic purposes alike

A New Guide To Italian Cinema

Author: C. Celli
Editor: Springer
ISBN: 0230601820
File Size: 41,60 MB
Format: PDF, ePub, Mobi
Read: 3720

This book is a complete reworking and update of Marga Cottino-Jones' popular A Student's Guide to Italian Film (1983, 1993) . This guide retains earlier editions' interest in renowned films and directors but is also attentive to the popular films which achieved box office success among the public.

Traumatic Encounters In Italian Film

Author: Fabio Vighi
Editor: Intellect Books
ISBN: 1841501409
File Size: 42,69 MB
Format: PDF, Mobi
Read: 9086

Bringing together film & psychoanalysis, this book excavates the repressed knowledge that lurks in the subconscious structure of the film narrative. It explores the relationship between filmmaking & its subliminal underside by locating & reading elusive traces of the subconscious.

The Cinema Of Italy

Author: Ruth Ben-Ghiat
Editor: Wallflower Press
ISBN: 9781903364987
File Size: 54,47 MB
Format: PDF, ePub, Mobi
Read: 5878

Giorgio Bertellini examines the historical and aesthetic connections of some of Italy's most important films with both Italian and Western film culture.

Post War Italian Cinema

Author: Daniela Treveri Gennari
Editor: Routledge
ISBN: 1135894973
File Size: 51,13 MB
Format: PDF
Read: 2618

This book focuses on the involvement of the United States and the Vatican in the Italian film industry between 1945 and 1960.€Gennari analyzes the€tensions between economic (film industry), political (government) and ideological pressures.

Popular Italian Cinema

Author: Flavia Brizio-Skov
Editor: Bloomsbury Publishing
ISBN: 085772097X
File Size: 12,29 MB
Format: PDF, ePub
Read: 6471

With its monsters, vampires and cowboys, Italian popular culture in the postwar period has generally been dismissed as a form of evasion or escapism. Here, four international scholars re-examine and reinterpret the era to show that popular Italian cinema was not only in tune with contemporary political and social trends, it also presaged the turmoil and rebellion of the 1960s and 1970s. Through a perceptive analysis of the cultural and political atmosphere of the times, we come to see how the changes wrought by modernization, urbanization, the rise of consumerism and the sexual revolution were reflected in popular cinema. The 'sword and sandal' film, based on Greco-Roman mythology and starring body-builders, was linked to the increasing conservatism and growing politicization of Italian film and society. Anxieties unleashed by the sexual revolution found expression in horror films and in the spaghetti western, particularly in violence against women, as a result of growing male anxiety towards female emancipation and a crisis in the prevailing patriarchal order. Comedy Italian-style re-worked the impact of the economic boom and a consumerist lifestyle, as a new middle-class recognized itself at the cinema. Together, this array of cinematic visions conveyed a plurality of messages that ranged from the more conservative and pro-establishment to the more rebellious and pro-revolutionary, at the same time that they responded to the emotional needs of an emerging mass audience and offered ways of binding together an increasingly distressed social order. With striking insights into the links between popular culture and politics, Popular Italian Cinema will be indispensable for specialists in film and media studies, Italian and cultural studies, as well as social history.

Italian Cinema

Author: William Hope
Editor: Peter Lang
ISBN: 9783039102822
File Size: 45,89 MB
Format: PDF, ePub, Docs
Read: 8400

"This book explores the evolution of Italian cinema over the last twenty years, with particular reference to modern masterpieces such as Tornatore's Oscar-winning Nuovo cinema paradiso. The volume focuses on the work of some of the most prominent directors of recent times, combining an auteurist perspective with an incisive overview of the most important thematic and stylistic developments in modern Italian film-making." --book cover.

Italian Film

Author: Marcia Landy
Editor: Cambridge University Press
ISBN: 9780521649773
File Size: 12,24 MB
Format: PDF
Read: 8523

Examines the extraordinary cinematic tradition of Italy, from the silent era to the present.

Italian Horror Film Directors

Author: Louis Paul
Editor: McFarland
ISBN: 0786487496
File Size: 24,36 MB
Format: PDF, Kindle
Read: 3545

There is no cinema with such effect as that of the hallucinatory Italian horror film. From Riccardo Freda’s I Vampiri in 1956 to Il Cartaio in 2004, this work recounts the origins of the genre, celebrates at length ten of its auteurs, and discusses the noteworthy films of many others associated with the genre. The directors discussed in detail are Dario Argento, Lamberto Bava, Mario Bava, Ruggero Deodato, Lucio Fulci, Umberto Lenzi, Antonio Margheriti, Aristide Massaccesi, Bruno Mattei, and Michele Soavi. Each chapter includes a biography, a detailed career account, discussion of influences both literary and cinematic, commentary on the films, with plots and production details, and an exhaustive filmography. A second section contains short discussions and selected filmographies of other important horror directors. The work concludes with a chapter on the future of Italian horror and an appendix of important horror films by directors other than the 50 profiled. Stills, posters, and behind-the-scenes shots illustrate the book.

Women Desire And Power In Italian Cinema

Author: M. Cottino-Jones
Editor: Springer
ISBN: 0230105483
File Size: 50,95 MB
Format: PDF, Docs
Read: 4302

Women, Desire, and Power in Italian Cinema offers, for the first time in Italian Cinema criticism, a contextual study of the representation of women in twentieth-century Italian films. Marga Cottino-Jones argues that the ways women are depicted on screen reflects a subconscious "sexual conservatism" typical of an Italian society rooted within a patriarchal ideology. The book then follows the slow but constant process of social awareness in the Italian society through women in film, especially after the 1950s. Comprehensive in scope, this book analyzes the films of internationally known male and female directors, such as Antonioni, Fellini, Rossellini, Visconti, Bertolucci, Benigni, Cavani, Wertmuller, Comencini, and Archibugi. Special consideration is given to the actresses and actors that have become the icons of Italian femininity and masculinity, such as Sofia Loren, Gina Lollobrigida, Silvana Mangano, Gian Carlo Giannini, Marcello Mastroianni, and Alberto Sordi.

Popular Film Culture In Fascist Italy

Author: James Hay
File Size: 18,65 MB
Format: PDF, ePub, Docs
Read: 8160

Operatic And The Everyday In Postwar Italian Film Melodrama

Author: Louis Bayman
Editor: Edinburgh University Press
ISBN: 074865643X
File Size: 70,62 MB
Format: PDF, ePub
Read: 3504

Italian cinemas after the war were filled by audiences who had come to watch domestically-produced films of passion and pathos. These highly emotional and consciously theatrical melodramas posed moral questions with stylish flair, redefining popular ways of feeling about romance, family, gender, class, Catholicism, Italy, and feeling itself. The Operatic and the Everyday in Postwar Italian Film Melodrama argues for the centrality of melodrama to Italian culture. It uncovers a wealth of films rarely discussed before including family melodramas, the crime stories of neorealismo popolare and opera films, and provides interpretive frameworks that position them in wider debates on aesthetics and society. The book also considers the well-established topics of realism and arthouse auteurism, and re-thinks film history by investigating the presence of melodrama in neorealism and post-war modernism. It places film within its broader cultural context to trace the connections of canonical melodramatists like Visconti and Matarazzo to traditions of opera, the musical theatre of the sceneggiata, visual arts, and magazines. In so doing it seeks to capture the artistry and emotional experiences found within a truly popular form.

A History Of Italian Cinema

Author: Peter Bondanella
Editor: A&C Black
ISBN: 1441160698
File Size: 48,13 MB
Format: PDF, Docs
Read: 5724

A History of Italian Cinema is the only comprehensive and up-to-date book on the subject available anywhere, in any language >

Italian Cinema

Author: Mary Wood
Editor: Berg Publishers
ISBN: 9781845201623
File Size: 56,32 MB
Format: PDF
Read: 4047

Outlining the artistic, cultural, technical and commercial context of film, this volume charts the history of Italian cinema from the silent age to the present. It highlights the work of classic directors such as Fellini and Rossellini, and explores the interaction between art and popular cinema.

A Companion To Film Comedy

Author: Andrew Horton
Editor: John Wiley & Sons
ISBN: 1118327845
File Size: 25,42 MB
Format: PDF, ePub
Read: 6308

A wide-ranging survey of the subject that celebrates the variety and complexity of film comedy from the ‘silent’ days to the present, this authoritative guide offers an international perspective on the popular genre that explores all facets of its formative social, cultural and political context A wide-ranging collection of 24 essays exploring film comedy from the silent era to the present International in scope, the collection embraces not just American cinema, including Native American and African American, but also comic films from Europe, the Middle East, and Korea Essays explore sub-genres, performers, and cultural perspectives such as gender, politics, and history in addition to individual works Engages with different strands of comedy including slapstick, romantic, satirical and ironic Features original entries from a diverse group of multidisciplinary international contributors

La Dolce Morte

Author: Mikel J. Koven
Editor: Scarecrow Press
ISBN: 1461664160
File Size: 51,87 MB
Format: PDF, ePub, Mobi
Read: 7362

With the exception of die-hard aficionados of European or Italian horror cinema, most people may not have heard of giallo cinema or have seen many films in this subgenre of horror. Most academic film studies tend to ignore horror cinema in general and the giallo specifically. Critics often deride these films, which reveal more about the reviewers' own prejudices than any problem with the works themselves. As a counter to such biases, Mikel J. Koven argues for an alternative approach to studying these films, by approaching them as vernacular cinema—distinct from "popular cinema." According to Koven, to look at a film from a vernacular perspective removes the assumptions about what constitutes a "good" film and how a particular film is in some way "artistic." In La Dolce Morte: Vernacular Cinema and the Italian Giallo Film, Koven explores the history and evolution of this aspect of cinema, and places these films within the context of Italian popular filmmaking. He addresses various themes, motifs, and tropes in these films: their use of space, the murders, the role of the detective, the identity of the killer, issues of belief, excess, and the set-piece.

Italian Film In The Light Of Neorealism

Author: Millicent Marcus
Editor: Princeton University Press
ISBN: 9780691102085
File Size: 25,58 MB
Format: PDF, Mobi
Read: 3220

The movement known as neorealism lasted seven years, generated only twenty-one films, failed at the box office, and fell short of its didactic and aesthetic aspirations. Yet it exerted such a profound influence on Italian cinema that all the best postwar directors had to come to terms with it, whether in seeming imitation (the early Olmi), in commercial exploitation (the middle Comencini) or in ostensible rejection (the recent Tavianis). Despite the reactionary pressures of the marketplace and the highly personalized visions of Fellini, Antonioni. And Visconti, Italian cinema has maintained its moral commitment to use the medium in socially responsible ways--if not to change the world, as the first neorealists hoped, then at least to move filmgoers to face the pressing economic, political, and human problems in their midst. From Rossellini's Open City (1945) to the Taviani brothers' Night of the Shooting Stars (1982). The author does close readings of seventeen films that tell the story of neorealism's evolving influence on Italian postwar cinematic expression. Other films discussed are De Sica's Bicycle Thief and Umberto D. De Santis's Bitter Rice, Comencini's Bread, Love, and Fantasy, Fellini's La strada, Visconti's Senso, Antonioni's Red Desert, Olmi's Il Posto, Germi's Seduced and Abandoned, Pasolini's Teorema, Petri's Investigation of a Citizen above Suspicion, Bertolucci's The Conformist, Rosi's Christ Stopped at Eboli, and Wertmuller's Love and Anarchy, Scola's We All Loved Each Other So Much provides the occasion for the author's own retrospective consideration of how Italian cinema has fulfilled, or disappointed, the promise of neorealism.