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Resonant Witness

Author: Jeremy S. Begbie
Editor: Wm. B. Eerdmans Publishing
ISBN: 0802862772
File Size: 75,44 MB
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Resonant Witness gathers together a wide, harmonious chorus of voices from across the musical and theological spectrum to show that music and theology can each learn much from the other and that the majesty and power of both are profoundly amplified when they do. With essays touching on J. S. Bach, Hildegard of Bingen, Martin Luther, Karl Barth, Olivier Messiaen, jazz improvisation, South African freedom songs, and more, this volume encourages musicians and theologians to pursue a more fruitful and sustained engagement with one another. What can theology do for music? Resonant Witness helps answer this question with an essential resource in the burgeoning interdisciplinary field of music and theology. Covering an impressively wide range of musical topics, from cosmos to culture and theology to worship, Jeremy Begbie and Steven Guthrie explore and map new territory with incisive contributions from the very best musicians, theologians, and philosophers. Bennett Zon Durham University This volume represents a burst of cross-disciplinary energy and insight that can be celebrated by musicians and theologians, music-lovers and God-lovers alike. John D. Witvliet (from afterword)

Theology Music And Modernity

Author: Jeremy Begbie
Editor: Oxford University Press, USA
ISBN: 019884655X
File Size: 13,18 MB
Format: PDF, ePub, Mobi
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Theology, Music, and Modernity addresses the question: how can the study of music contribute to a theological reading of modernity? It has grown out of the conviction that music has often been ignored in narrations of modernity's theological struggles. Featuring contributions from an international team of distinguished theologians, musicologists, and music theorists, the volume shows how music--and discourse about music--has remarkable powers to bring to light the theological currents that have shaped modern culture. It focuses on the concept of freedom, concentrating on the years 1740-1850, a period when freedom--especially religious and political freedom-became a burning matter of concern in virtually every stratum of Western society. The collection is divided into four sections, each section focusing on a key phenomenon of this period--the rise of the concept of 'revolutionary' freedom; the move of music from church to concert hall; the cry for eschatological justice in the work of black hymn-writer and church leader Richard Allen; and the often fierce tensions between music and language. There is a particular concern to draw on a distinctively 'Scriptural imagination' (especially the theme of New Creation) in order to elicit the key issues at stake, and to suggest constructive ways forward for a contemporary Christian theological engagement with the legacies of modernity today.

The Beauty Of Jesus Christ

Author: Gerald O'Collins
Editor: Oxford University Press, USA
ISBN: 0198853637
File Size: 80,18 MB
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This book anchors its account of the beauty of Jesus Christ to a scheme found in St Augustine of Hippo's Expositions of the Psalms. There Augustine recognized the beauty of Christ at every stage-from his pre-existence ('beautiful in heaven'), through his incarnation, the public ministry ('beautiful in his miracles, beautiful in calling to life'), passion, crucifixion, burial, resurrection ('beautiful in taking up his life again'), and glorious life 'in heaven'. Augustine never filled out this laconic summary by writing a work on Christ and his beauty. The Beauty of Jesus Christ seems to be the first attempt in Christian history to write a comprehensive account of the beauty of Christ in the light of Augustine's list. The work begins by offering a working description of what it understands by beauty as being perfect, harmonious, and radiant. Beauty, above all the divine beauty, enjoys inexhaustible meaning and overlaps with 'the holy' or the awesome and fascinating mystery of God. Loving beauty opens the way to truth and helps us grasp and practise virtue. The books needs to add some items to Augustine's list by recognizing Christ's beauty in his baptism, transfiguration, and post-resurrection sending of the Holy Spirit. It also goes beyond Augustine by showing how the imagery and language Jesus prepared in his hidden life and then used in his ministry witness to the beautiful sensibility that developed during his years at home in Nazareth. Throughout, this book draws on the Scriptures to illustrate and justify Augustine's brief claims about the beauty revealed in the whole story of Christ, from his pre-existence to his risen 'post-existence'. Where appropriate, it also cites the witness to Christ's beauty that has come from artists, composers of sacred music, the creators of icons, and writers.

Resonant Recoveries

Author: Jillian C. Rogers
Editor: Oxford University Press, USA
ISBN: 0190658290
File Size: 46,21 MB
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"French Music and Trauma Between the World Wars illustrates that coping with trauma was a central concern for French musicians active after World War I. The losses and violent warfare of World War I shaped how interwar French musicians-from those fighting in the trenches and working in military hospitals to more well-known musicians-engaged with music. Situated at the intersections of musicology, history, sound and performance studies, and psychology and trauma studies, Resonant Recoveries argues that modernists' compositions and musical activities were sonorous locations for managing and performing trauma. Through analysis of archival materials, French medical, philosophical, and literary texts, and the music produced between the wars, this book illuminates how music emerged during World War I as an embodied technology of consolation. Resonant Recoveries demonstrates that music making came to be understood by French interwar musicians as a consolatory practice that enhanced their abilities to remember lost loved ones, gave them opportunities to perform their grief publicly and privately, allowed them to create healing bonds of friendship, and soothed them with sonic vibrations and the rhythmically regular bodily movements required in order to perform many French neoclassical compositions. In revealing the importance music making held for interwar French musicians, this book refigures French modernist music as a therapeutic medium for creators, performers, and audiences, while also underlining the importance of addressing trauma, mourning, and people's emotional lives in music scholarship"--

God S Mind In That Music

Author: Jamie Howison
Editor: Wipf and Stock Publishers
ISBN: 162189469X
File Size: 69,32 MB
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As part of the growing literature on theology and the arts, God's Mind in that Music explores the substantial theological insight expressed in the music of jazz legend John Coltrane. Focusing on eight of Coltrane's pieces, themes under consideration include lament ("Alabama"), improvisation ("My Favorite Things" and "Ascension"), grace ("A Love Supreme"), and the Trinity ("The Father and the Son and the Holy Ghost"). By attending to the traditions of theology and of jazz criticism, and through a series of interviews with musicians, theologians, and jazz writers, Jamie Howison draws the worlds of theology and jazz into an active and vibrant conversation with each other. Built around a focused listening to John Coltrane's music as heard against the background of his life and social context, and interacting with the work of a range of writers including James Baldwin, Dorothee Soelle, Jeremy Begbie, and James Cone, God's Mind in that Music will be of interest not only to those interested in the intersection of music and theology, but also to Coltrane fans, students of jazz studies, and anyone who believes that music matters.