Storytelling In World Cinemas

Author: Lina Khatib
Editor: Columbia University Press
ISBN: 0231850255
Size: 11,94 MB
Format: PDF
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Storytelling in World Cinemas, Vol. 2: Contexts addresses the questions of what and why particular stories are told in films around the world, both in terms of the forms of storytelling used, and of the political, religious, historical, and social contexts informing cinematic storytelling. Drawing on films from all five continents, the book approaches storytelling from a cultural/historical multidisciplinary perspective, focusing on the influence of cultural politics, postcolonialism, women's social and cultural positions, and religious contexts on film stories. Like its sister volume, Storytelling in World Cinemas, Vol. 1: Forms, this book is an innovative addition to the academic study of world cinemas.

Storytelling In World Cinemas

Author: Lina Khatib
Editor: Columbia University Press
ISBN: 0231850077
Size: 20,92 MB
Format: PDF
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Storytelling in World Cinemas, Vol. 1: Forms is an innovative collection of essays that discuss how different cinemas of the world tell stories. The book locates European, Asian, African, and Latin American films within their wider cultural and artistic frameworks, showing how storytelling forms in cinema are infused with influences from other artistic, literary, and oral traditions. This volume also reconsiders cinematic storytelling in general, highlighting the hybridity of 'national' forms of storytelling, calling for a rethinking of African cinematic storytelling that goes beyond oral traditions, and addressing films characterised by 'non-narration'. This study is the first in a two-volume project, with the second focusing on the contexts of cinematic storytelling.

Traditions In World Cinema

Author: Linda Badley
Editor: Rutgers University Press
ISBN: 9780813538747
Size: 18,24 MB
Format: PDF
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Traditions in World Cinema brings together a colorful and wide ranging collection of world cinematic traditions--national, regional, and global--all of which are in need of introduction, investigation and, in some cases, critical reassessment. The movements described range from well-known traditions such as German expressionism, Italian neorealism, French, British, and Czech new wave, and new Hollywood cinema to those of emerging significance, such as Danish Dogma, postcommunist cinema, Brazilian post-Cinema Novo, new Argentine cinema, pre-independence African film traditions, Israeli persecution films, new Iranian cinema, Hindi film songs, Chinese wenyi pian melodrama, Japanese horror, and global found-footage cinema. The essays, all written by recognized experts in the field, are jargon free and accessible to both general readers and students. In addition, each chapter is followed by a list of suggested films and readings, offering readers pathways to further viewing and study. Bringing fresh insights to those movements that have provided significant and noteworthy alternatives to Hollywood, this book is an essential introduction to the rich diversity of world cinema.

Narrative Mortality

Author: Catherine Russell
Editor: U of Minnesota Press
ISBN: 9780816624867
Size: 18,69 MB
Format: PDF, ePub
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Puzzle Films

Author: Warren Buckland
Editor: John Wiley & Sons
ISBN: 1444305719
Size: 19,94 MB
Format: PDF, ePub, Docs
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Drawing upon the expertise of film scholars from around the world,Puzzle Films investigates a number of films that sportcomplex storytelling--from Memento, Old Boy, andRun Lola Run, to the Infernal Affairs trilogy andIn the Mood for Love. Unites American ‘independent’ cinema, the Europeanand International Art film, and certain modes of avant-gardefilmmaking on the basis of their shared storytellingcomplexity Draws upon the expertise of film scholars from North America,Britain, China, Poland, Holland, Italy, Greece, New Zealand, andAustralia

Explorations In New Cinema History

Author: Richard Maltby
Editor: John Wiley & Sons
ISBN: 1444396404
Size: 13,35 MB
Format: PDF, Mobi
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Explorations in New Cinema History brings together cutting-edge research by the leading scholars in the field to identify new approaches to writing and understanding the social and cultural history of cinema, focusing on cinema’s audiences, the experience of cinema, and the cinema as a site of social and cultural exchange. Includes contributions from Robert Allen, Annette Kuhn, John Sedwick, Mark Jancovich, Peter Sanfield, and Kathryn Fuller-Seeley among others Develops the original argument that the social history of cinema-going and of the experience of cinema should take precedence over production- and text-based analyses Explores the cinema as a site of social and cultural exchange, including patterns of popularity and taste, the role of individual movie theatres in creating and sustaining their audiences, and the commercial, political and legal aspects of film exhibition and distribution Prompts readers to reassess their understanding of key periods of cinema history, opening up cinema studies to long-overdue conversations with other disciplines in the humanities and social sciences Presents rigorous empirical research, drawing on digital technology and geospatial information systems to provide illuminating insights in to the uses of cinema

Locating The Voice In Film

Author: Tom Whittaker
Editor: Oxford University Press
ISBN: 0190261145
Size: 15,64 MB
Format: PDF, ePub
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Where is the place of the voice in film? Where others have focused on Hollywood film, this volume aims to extend the field to other cinemas from around the world, encompassing Latin America, Asia and Africa amongst others. Traditional theoretical accounts, based on classical narrative cinema, examine the importance of the voice in terms of a desired perfect match between visuals and sonic effects. But, as the chapters of this volume illustrate, what is normative in one film industry may not apply in another. The widespread practices of dubbing, postsynch sound and "playback singing" in some countries, for instance, provide an alternative means of understanding the location of the voice in the soundtrack. Through seventeen original chapters, this volume situates the voice in film across a range of diverse national, transnational and cultural contexts, presenting readings which challenge traditional readings of the voice in film in exciting new ways. By taking a comparative view, this volume posits that the voice may be best understood as a mobile object, one whose trajectory follows a broader network of global flows. The various chapters explore the cultural transformations the voice undergoes as it moves from one industry to another. In doing so, the volume addresses sound practices which have been long been neglected, such as dubbing and non-synch sound, as well the ways in which sound technologies have shaped nationally specific styles of vocal performance. In addressing the place of the voice in film, the book intends to nuance existing theoretical writing on the voice while applying these critical insights in a global context.

Cinemas Of The World

Author: James Chapman
Editor: Reaktion Books
ISBN: 1861895747
Size: 11,65 MB
Format: PDF
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The cinema has been the pre-eminent popular art form of the 20th century. In Cinemas of the World, James Chapman examines the relationship between film and society in the modern world: film as entertainment medium, film as a reflection of national cultures and preoccupations, film as an instrument of propaganda. He also explores two interrelated issues that have recurred throughout the history of cinema: the economic and cultural hegemony of Hollywood on the one hand, and, on the other, the attempts of film-makers elsewhere to establish indigenous national cinemas drawing on their own cultures and societies. Chapman examines the rise to dominance of Hollywood cinema in the silent and early sound periods. He discusses the characteristic themes of American movies from the Depression to the end of the Cold War especially those found in the western and film noir – genres that are often used as vehicles for exploring issues central to us society and politics. He looks at national cinemas in various European countries in the period between the end of the First World War and the end of the Second, which all exhibit the formal and aesthetic properties of modernism. The emergence of the so-called "new cinemas" of Europe and the wider world since 1960 are also explored. "Chapman is a tough-thinking, original writer . . . an engaging, excellent piece of work."—David Lancaster, Film and History

National Cinemas And World Cinema

Author: Kevin Rockett
Editor: Four Courts Pr Ltd
ISBN:
Size: 11,21 MB
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This is the third volume of papers from the Irish Postgraduate Film Research Seminar designed to encourage Irish film scholarship and the study of Irish film. This collection includes new research on a wide range of topics, including Irish, European and Asian film. There is a particular emphasis upon the international context of film production and reception and the volume includes the keynote lecture on 'new waves' in world cinema by the distinguished film critic and scholar, Dudley Andrew. Intended to provide a platform for a growing body of work by young Irish scholars on Irish and other cinemas, this volume provides new discussions of Irish and international film.

Cinema

Author: Gordon Gray
Editor: Berg
ISBN: 1847887600
Size: 11,35 MB
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Cinema: A Visual Anthropology provides a clear and concise summary of the key ideas, debates, and texts of the most important approaches to the study of fiction film from around the world. The book examines ways to address film and film experience beyond the study of the audience. Cross-disciplinary in scope, Cinema uses ideas and approaches both from within and outside of anthropology to further students' knowledge of and interest in fiction film. Including selected, globally based case studies to highlight and exemplify important issues, the book also contains suggested Further Reading for each chapter, for students to expand their learning independently. Exploring fundamental methods and approaches to engage this most interesting and vibrant of media, Cinema will be essential reading for students of anthropology and film.