The Art Of Horror Movies

Author: Stephen Jones
Editor: Applause Theatre & Cinema Books
ISBN: 9781495064845
Size: 20,70 MB
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(Applause Books). This magnificent companion to The Art of Horror , from the same creative team behind that award-winning illustrated volume, looks at the entire history of the horror film, from the silent era right up to the latest releases and trends. Through a series of informative chapters and fascinating sidebars chronologically charting the evolution of horror movies for more than a century, profusely illustrated throughout with over 600 rare and unique images including posters, lobby cards, advertising, promotional items, tie-in books and magazines, and original artwork inspired by classic movies, this handsomely designed hardcover traces the development of the horror film from its inception, and celebrates the actors, filmmakers, and artists who were responsible for scaring the pants off successive generations of moviegoers! Edited by multiple award-winning writer and editor Stephen Jones, and boasting a foreword by director and screenwriter John Landis ( An American Werewolf in London ), this volume brings together fascinating and incisive commentary from some of the genre's most highly respected experts. With eye-popping images from all over the world, The Art of Horror Movies is the definitive guide for anyone who loves horror films and movie fans of all ages.

Wes Craven

Author: John Kenneth Muir
Editor: McFarland
ISBN: 9780786419234
Size: 10,25 MB
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Filmmaker Wes Craven has consistently and imaginatively scared movie audiences since the early 1970s. His films encompass a variety of styles, elements and themes, from the nihilistic existentialism of The Last House on the Left to the successful A Nightmare on Elm Street (which sent horror in a bold new direction), to the hallucinatory dreamscapes of The Serpent and the Rainbow. And in the nineties, Craven returned with the Scream films, which were simultaneously funny, clever and scary films that overturned the horror cliches of the eighties. The present work provides a history of Craven's film career since 1972, examining all the themes and techniques the filmmaker explored. For each film, a synopsis, cast and credits, historical context, and critical commentary are provided. Also covered in detail are Craven's forays into television, including movies such as Stranger in the House and work on such series as The New Twilight Zone.

Horror Films Of The 1970s

Author: John Kenneth Muir
Editor: McFarland
ISBN: 9780786491568
Size: 20,40 MB
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The seventies were a decade of groundbreaking horror films: The Exorcist, Carrie, and Halloween were three. This detailed filmography covers these and 225 more. Section One provides an introduction and a brief history of the decade. Beginning with 1970 and proceeding chronologically by year of its release in the United States, Section Two offers an entry for each film. Each entry includes several categories of information: Critical Reception (sampling both ’70s and later reviews), Cast and Credits, P.O.V., (quoting a person pertinent to that film’s production), Synopsis (summarizing the film’s story), Commentary (analyzing the film from Muir’s perspective), Legacy (noting the rank of especially worthy ’70s films in the horror pantheon of decades following). Section Three contains a conclusion and these five appendices: horror film clichés of the 1970s, frequently appearing performers, memorable movie ads, recommended films that illustrate how 1970s horror films continue to impact the industry, and the 15 best genre films of the decade as chosen by Muir.

The Art Of Movies

Author: Nicolae Sfetcu
Editor: Nicolae Sfetcu
ISBN:
Size: 20,33 MB
Format: PDF
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Movie is considered to be an important art form; films entertain, educate, enlighten and inspire audiences. Film is a term that encompasses motion pictures as individual projects, as well as — in metonymy — the field in general. The origin of the name comes from the fact that photographic film (also called filmstock) has historically been the primary medium for recording and displaying motion pictures. Many other terms exist — motion pictures (or just pictures or "picture"), the silver screen, photoplays, the cinema, picture shows, flicks — and commonly movies.

Horror And The Horror Film

Author: Bruce F. Kawin
Editor: Anthem Press
ISBN: 0857282417
Size: 14,71 MB
Format: PDF
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Horror films can be profound fables of human nature and important works of art, yet many people dismiss them out of hand. ‘Horror and the Horror Film’ conveys a mature appreciation for horror films along with a comprehensive view of their narrative strategies, their relations to reality and fantasy and their cinematic power. The volume covers the horror film and its subgenres – such as the vampire movie – from 1896 to the present. It covers the entire genre by considering every kind of monster in it, including the human.

Where Nightmares Come From

Author: Clive Barker
Editor:
ISBN: 9781640074682
Size: 10,28 MB
Format: PDF, Kindle
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"The art of storytelling in the horror genre, taking an idea from conception to reality--whether you prefer short stories, novels, films, or comics."--Page [4] of cover.

A Companion To The Horror Film

Author: Harry M. Benshoff
Editor: John Wiley & Sons
ISBN: 1119335019
Size: 10,49 MB
Format: PDF
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"Offers a critical survey of the art and practice of horror movies covering everything from craft and technique, historical developments, and modern-day trends, to broader topics opening onto the socio-political dimensions of the genre. The volume begins with essays devoted to the theoretical methodologies used to study the genre, from cognitive and philosophical approaches, through audience reception and psychoanalysis, to those approaches that examine gender, sexuality, race, class, and (dis) ability in relation to the horror film. Subsequent sections cover horror film aesthetics, the history of the genre, and specific subjects including distribution and the relationship between horror, art house movies, and the documentary impulse."--Provided by publisher.

Hammer Complete

Author: Howard Maxford
Editor: McFarland
ISBN: 1476670072
Size: 13,86 MB
Format: PDF, Kindle
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Think you know everything there is to know about Hammer Films, the fabled "Studio that Dripped Blood?" The lowdown on all the imperishable Technicolor classics of horror? What about the company's less blood-curdling back catalog? What about the musicals, comedies and travelogues, the fantasies and historical epics--not to mention the pirate adventures--and the television series? This lavishly illustrated two-volume encyclopedia covers every Hammer film and television production in thorough detail, with entries covering all of the actors, supporting players, writers, directors, producers, composers and technicians, as well as budgets, shooting schedules, publicity and more. Packed with quotes, behind-the-scenes anecdotes, credit lists and production specifics, this all-inclusive reference is the last word on the cherished cinematic institution.

Deleuze And Horror Film

Author: Anna Powell
Editor: Edinburgh University Press
ISBN: 9780748617487
Size: 13,67 MB
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This book argues that dominant psychoanalytic approaches to horror films neglect the aesthetics of horror. Using Deleuze's work on art and film, Anna Powell argues that film viewing is a form of "altered consciousness" and the experience of viewing horror film an "embodied event." Themes such as insanity, sensory response to film, the subject/object, fractured time, the body, and cinematography are explored in a variety of classic and contemporary horror films.

The Horror Film

Author: Stephen Prince
Editor: Rutgers University Press
ISBN: 9780813533636
Size: 11,89 MB
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In this volume, Stephen Prince has collected essays reviewing the history of the horror film and the psychological reasons for its persistent appeal, as well as discussions of the developmental responses of young adult viewers and children to the genre. The book focuses on recent postmodern examples such as The Blair Witch Project. In a daring move, the volume also examines Holocaust films in relation to horror. Part One features essays on the silent and classical Hollywood eras. Part Two covers the postWorld War II era and discusses the historical, aesthetic, and psychological characteristics of contemporary horror films. In contrast to horror during the classical Hollywood period, contemporary horror features more graphic and prolonged visualizations of disturbing and horrific imagery, as well as other distinguishing characteristics. Princes introduction provides an overview of the genre, contextualizing the readings that follow. Stephen Prince is professor of communications at Virginia Tech. He has written many film books, including Classical Film Violence: Designing and Regulating Brutality in Hollywood Cinema, 19301968, and has edited Screening Violence, also in the Depth of Field Series.