The Culture Industry

Author: Theodor W. Adorno
Editor:
ISBN: 9780415038966
File Size: 14,35 MB
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A selection of the author's essays on culture, which discusses such topics as television and the patterns of mass culture, the culture industry, the schema of mass culture, cultural administration, and culture and the theory of Fascist propaganda.
The Culture Industry
Language: en
Pages: 178
Authors: Theodor W. Adorno, J. M. Bernstein
Categories: Culture
Type: BOOK - Published: 1991-01 - Publisher:

A selection of the author's essays on culture, which discusses such topics as television and the patterns of mass culture, the culture industry, the schema of mass culture, cultural administration, and culture and the theory of Fascist propaganda.
Critique of Exotica
Language: en
Pages: 261
Authors: John Hutnyk
Categories: Music
Type: BOOK - Published: 2000 - Publisher: Pluto Press

Challenges academic complicity in the reification of exotica
The Culture Industry, Information and Capitalism
Language: en
Pages: 273
Authors: C. Bolaño
Categories: Business & Economics
Type: BOOK - Published: 2015-04-28 - Publisher: Springer

Drawing on Marxist theory and concepts, as well as on various theoretical contributions developed by prominent political economists, Bolaño develops a unique approach to understanding the culture industry, offering an interesting intervention in debates surrounding media and communication.
The Culture Industry Revisited
Language: en
Pages: 190
Authors: Deborah Cook
Categories: Philosophy
Type: BOOK - Published: 1996 - Publisher: Rowman & Littlefield

Adorno viewed mass culture as commodified - produced to be sold on the market and without aesthetic value. Here, Deborah Cook critically examines this view and argues that even in Adorno's "pessimistic" theory, mass culture can be understood as potentially liberating.
Culture Industry
Language: en
Pages: 224
Authors: Heinz Steinert
Categories: Social Science
Type: BOOK - Published: 2003-02-28 - Publisher: Polity

The term 'culture industry' has been a key reference point in the critical literature on culture and the media ever since the classic chapter in Horkheimer and Adorno's Dialectic of Enlightenment, yet until now there has been little attempt to update the analysis for the present day. In this innovative