The Female Autograph

Author: Domna C. Stanton
Editor: University of Chicago Press
ISBN: 9780226771212
Size: 13,81 MB
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These original essays comprise a fascinating investigation into women's strategies for writing the self—constructing the female subject through autobiography, memoirs, letters, and diaries. The collection contains theoretical essays by Donna Stanton, Sandra Gilbert, and Susan Gilbert, and Susan Gubar; chapters on specific issues raised by women's autographs, such as Richard Bowring's study of tenth-century Japanese diaries or Janel Mueller's on The Book of Margery Kempe; and annotated autobiographical fragments, including texts by Julia Kristeva, by a woman who became a czarist cavalry officer, and by a contemporary Palestinian poet. There are also chapters on the seventeenth-century painter Artemisia Gentileschi; Mme de. Sévigné; Mendelssohn's sister, Fanny Hensel; the black minister Jarena Lee; Virginia Woolf; and Eva Peron. The result is a "conversation" between writers and critics across cultural and temporal boundaries. Stanton's essay plays off Virginia Woolf's A Room of One's Own. Kristeva begins with a reading of de Beauvoir, while a self-published French woman writes to defend the joys of family life against the author of Memoirs of a Dutiful Daughter.

The Female Voice In The Assembly Of Ladies

Author: Simone Celine Marshall
Editor: Cambridge Scholars Publishing
ISBN: 1443811602
Size: 20,41 MB
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The Assembly of Ladies is a fifteenth-century secular love poem in Middle English that adheres closely to conventional poetic structures, but throws these conventions into relief as it presents the narrative from a woman’s point of view, a rare occurrence for poetry of this period. Who wrote it, for whom and why, are questions about which we can speculate, but never ultimately answer–the poem itself gives us few clues. Yet the poem has had a remarkable shelf-life; in subsequent centuries the poem has continued to be noticed, read, and debated, as a small but significant artefact from fifteenth-century England. This book examines how fifteenth-century English social conventions impact upon gender relations in The Assembly of Ladies. By drawing on contemporary (and clearly influential) texts from the fifteenth century as a comparison, Marshall shows how The Assembly of Ladies has integrated social conventions into its themes and structure, elevating for the reader the ways that social and literary conventions impact on women in the production and consumption of literature.

Women Culture And Politics In Latin America

Author: Emilie L. Bergmann
Editor: Univ of California Press
ISBN: 0520065530
Size: 17,10 MB
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“This collection, because of its exceptional theoretical coherence and sophistication, is qualitatively superior to the most frequently consulted anthologies on Latin American women’s history and literature . . . [and] represents a new, more theoretically rigorous stage in the feminist debate on Latin American women.”—Elizabeth Garrels, Massachusetts Institute of Technology

Encyclopedia Of Women S Autobiography K Z

Author: Victoria Boynton
Editor: Greenwood Publishing Group
ISBN: 9780313327391
Size: 20,95 MB
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Women have been writing autobiographical works for centuries, and these texts are a valuable source of information about their lives and times. They reflect the personal experiences of their authors as well as the larger cultural, political, and intellectual contexts in which they lived and wrote. Multicultural in scope and the first work of its kind, this encyclopedia overviews more than 400 years of autobiographical writing by women.

Reading Arab Women S Autobiographies

Author: Nawar Al-Hassan Golley
Editor: University of Texas Press
ISBN: 0292784414
Size: 17,14 MB
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Read: 387

Authors of autobiographies are always engaged in creating a "self" to present to their readers. This process of self-creation raises a number of intriguing questions: why and how does anyone choose to present herself or himself in an autobiography? Do women and men represent themselves in different ways and, if so, why? How do differences in culture affect the writing of autobiography in various parts of the world? This book tackles these questions through a close examination of Arab women's autobiographical writings. Nawar Al-Hassan Golley applies a variety of western critical theories, including Marxism, colonial discourse, feminism, and narrative theory, to the autobiographies of Huda Shaarawi, Fadwa Tuqan, Nawal el-Saadawi, and others to demonstrate what these critical methodologies can reveal about Arab women's writing. At the same time, she also interrogates these theories against the chosen texts to see how adequate or appropriate these models are for analyzing texts from other cultures. This two-fold investigation sheds important new light on how the writers or editors of Arab women's autobiographies have written, documented, presented, and organized their texts.

Women Writing And Fetishism 1890 1950

Author: Clare L. Taylor
Editor: Oxford University Press
ISBN: 9780199244102
Size: 10,77 MB
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Clare L. Taylor investigates the problematic question of female fetishism within modernist women's writing, 1890-1950. Drawing on gender and psychoanalytic theory, she re-examines the works of Sarah Grand, Radclyffe Hall, H.D., Djuna Barnes, and Anais Nin in the context of clinical discoursesof sexology and psychoanalysis to present an alternative theory of female fetishism, challenging the clinical perspective that denies the existence of the perversion in women. The author identifies a distinctive writing practice: fetishism, as envisioned by modernist women writers, is both sexualand textual. She shows how these writers produce a discourse that speaks of the very literariness of fetishism, bringing to the fore questions of gendered embodiment, women's writing, and sexual difference, and demonstrating how the cross-gendered woman as both the subject and the object ofdesire lies at the centre of this discourse.

Out In Public

Author: Alison Piepmeier
Editor: UNC Press Books
ISBN: 9780807855690
Size: 16,49 MB
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Images of the corseted, domestic, white middle-class female and the black woman as slave mammy or jezebel loom large in studies of nineteenth-century womanhood, despite recent critical work exploring alternatives to those images. In Out in Public,

Parisian Fields

Author: Michael Sheringham
Editor: Reaktion Books
ISBN: 9780948462856
Size: 16,31 MB
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Perhaps no world city has so many resonances, on so many levels, as Paris. Cafe society, demi-monde, the intellectual life, film-makers and writers... Paris has fragmented socially, sexually, intellectually and linguistically into many fields. Parisian Fields sets out to investigate some of these. The writers investigate how Paris has been both seen and shaped by tourist guides; how its topography has been represented and allegorized by film-makers like Godard, Clair, Vigo and Renoir; how the city has responded to "new" Parisians – for example Afro-American musicians and dancers such as Josephine Baker – and to previously marginalized Parisians – gays and women. Literary analysis, film, social and gender theory, perspectives on urbanism; here are many provocative and innovative views of the open field of Paris, which will appeal to anyone interested in French cultural and literary studies – or just in the City of Light herself. With essays by Roger Clark, Nicholas Hewitt, Jon Kear, Tom Conley, Michael Sheringham, Alex Hughes, Adrian Rifkin, Belinda Jack, Verena Andermatt Conley and Marc Aug�.

Creating Socialist Women In Japan

Author: Vera Mackie
Editor: Cambridge University Press
ISBN: 9780521523257
Size: 15,63 MB
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Mackie analyses the writings of Japanese socialist women in order to explore the place and perspectives of women there early in the twentieth century.

Labor And Desire

Author: Paula Rabinowitz
Editor: Univ of North Carolina Press
ISBN: 0807863955
Size: 18,29 MB
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This critical, historical, and theoretical study looks at a little-known group of novels written during the 1930s by women who were literary radicals. Arguing that class consciousness was figured through metaphors of gender, Paula Rabinowitz challenges the conventional wisdom that feminism as a discourse disappeared during the decade. She focuses on the ways in which sexuality and maternity reconstruct the "classic" proletarian novel to speak about both the working-class woman and the radical female intellectual. Two well-known novels bracket this study: Agnes Smedley's Daughters of Earth (1929) and Mary McCarthy's The Company She Keeps (1942). In all, Rabinowitz surveys more than forty novels of the period, many largely forgotten. Discussing these novels in the contexts of literary radicalism and of women's literary tradition, she reads them as both cultural history and cultural theory. Through a consideration of the novels as a genre, Rabinowitz is able to theorize about the interrelationship of class and gender in American culture. Rabinowitz shows that these novels, generally dismissed as marginal by scholars of the literary and political cultures of the 1930s, are in fact integral to the study of American fiction produced during the decade. Relying on recent feminist scholarship, she reformulates the history of literary radicalism to demonstrate the significance of these women writers and to provide a deeper understanding of their work for twentieth-century American cultural studies in general.