The Music Of James Bond

Author: Jon Burlingame
Editor: Oxford University Press
ISBN: 0199986762
Size: 12,22 MB
Format: PDF
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The story of the music that accompanies the cinematic adventures of Ian Fleming's intrepid Agent 007 is one of surprising real-life drama. In The Music of James Bond, author Jon Burlingame throws open studio and courtroom doors alike to reveal the full and extraordinary history of the sounds of James Bond, spicing the story with a wealth of fascinating and previously undisclosed tales. Burlingame devotes a chapter to each Bond film, providing the backstory for the music (including a reader-friendly analysis of each score) from the last-minute creation of the now-famous "James Bond Theme" in Dr. No to John Barry's trend-setting early scores for such films as Goldfinger and Thunderball. We learn how synthesizers, disco and modern electronica techniques played a role in subsequent scores, and how composer David Arnold reinvented the Bond sound for the 1990s and beyond. The book brims with behind-the-scenes anecdotes. Burlingame examines the decades-long controversy over authorship of the Bond theme; how Frank Sinatra almost sang the title song for Moonraker; and how top artists like Shirley Bassey, Tom Jones, Paul McCartney, Carly Simon, Duran Duran, Gladys Knight, Tina Turner, and Madonna turned Bond songs into chart-topping hits. The author shares the untold stories of how Eric Clapton played guitar for Licence to Kill but saw his work shelved, and how Amy Winehouse very nearly co-wrote and sang the theme for Quantum of Solace. New interviews with many Bond songwriters and composers, coupled with extensive research as well as fascinating and previously undiscovered details--temperamental artists, unexpected hits, and the convergence of great music and unforgettable imagery--make The Music of James Bond a must read for 007 buffs and all popular music fans. This paperback edition is brought up-to-date with a new chapter on Skyfall.

The James Bond Songs

Author: Adrian Daub
Editor: Oxford University Press
ISBN: 0190234547
Size: 14,96 MB
Format: PDF, ePub
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Starting with 1964's Goldfinger, every James Bond film has followed the same ritual, and so has its audience: after an exciting action sequence the screen goes black and the viewer spends three long minutes absorbing abstract opening credits and a song that sounds like it wants to return to 1964. In The James Bond Songs authors Adrian Daub and Charles Kronengold use the genre to trace not only a changing cultural landscape, but also evolving conceptions of what a pop song is. They argue that the story of the Bond song is the story of the pop song more generally, and perhaps even the story of its end. Each chapter discusses a particular segment of the Bond canon and contextualizes it in its era's music and culture. But the book also asks how Bond and his music reflected and influenced our feelings about such topics as masculinity, race, money, and aging. Through these individual pieces the book presents the Bond song as the perfect anthem of late capitalism. The Bond songs want to talk about the fulfillment that comes from fast cars, shaken Martinis and mindless sex, but their unstable speakers, subjects, and addressees actually undercut the logic of the lifestyle James Bond is sworn to defend. The book is an invitation to think critically about pop music, about genre, and about the political aspects of popular culture in the twentieth century and beyond.

The Rough Guide To James Bond

Author: Paul Simpson
Editor: Rough Guides
ISBN: 9781843531425
Size: 17,38 MB
Format: PDF, ePub, Docs
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This new Rough Guide is devoted to James Bond, the most famous fictional character of the 20th century. There's no one quite like 007, the secret agent whose identity is the world's worst kept secret and who is still the movie hero most men really aspire to be.

The Music Of Chance

Author: Paul Auster
Editor: Faber & Faber
ISBN: 0571266797
Size: 13,57 MB
Format: PDF, ePub
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'By the time Nashe understood what was happening to him, he was past the point of wanting it to end . . .' Paul Auster fuses Samuel Beckett, Franz Kafka and The Brothers Grimm in this brilliant and unsettling parable. Following the death of his father, Jim Nashe takes to the open road in pursuit of a 'life of freedom'. But as the money runs out he finds that his sense of disillusionment has only been compounded by his year on the road. However, after picking up Pozzi, a hitchhiking gambler, Nashe finds himself drawn into a dangerous game of high-stakes poker with two eccentric and reclusive millionaires. 'A rare experience of contemporary fiction at its most thrilling.' New Statesman

The Music Of Counterculture Cinema

Author: Mathew J. Bartkowiak
Editor: McFarland
ISBN: 1476620512
Size: 16,42 MB
Format: PDF, ePub, Mobi
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Films produced in late 1960s and early 1970s America—along with later films focusing on that period—continue to frame our understanding of the counterculture era. The popular and experimental music of the day is central to the counterculture narrative on film, from the utopian Monterey Pop (1968) to the disenchantment of Gimme Shelter (1970). But the musical side of the movement was not monolithic, and a study of contemporary film soundtracks reveals a great deal of complexity. The coinciding struggles to define collective and individual identities based on race, class, gender and generation are well documented in the music of counterculture cinema.

The Psychology Of Music In Multimedia

Author: Siu-Lan Tan
Editor: OUP Oxford
ISBN: 0191503266
Size: 13,69 MB
Format: PDF, Docs
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For most of the history of film-making, music has played an integral role serving many functions - such as conveying emotion, heightening tension, and influencing interpretation and inferences about events and characters. More recently, with the enormous growth of the gaming industry and the Internet, a new role for music has emerged. However, all of these applications of music depend on complex mental processes which are being identified through research on human participants in multimedia contexts. The Psychology of Music in Multimedia is the first book dedicated to this fascinating topic. The Psychology of Music in Multimedia presents a wide range of scientific research on the psychological processes involved in the integration of sound and image when engaging with film, television, video, interactive games, and computer interfaces. Collectively, the rich chapters in this edited volume represent a comprehensive treatment of the existing research on the multimedia experience, with the aim of disseminating the current knowledge base and inspiring future scholarship. The focus on empirical research and the strong psychological framework make this book an exceptional and distinctive contribution to the field. The international collection of contributors represents eight countries and a broad range of disciplines including psychology, musicology, neuroscience, media studies, film, and communications. Each chapter includes a comprehensive review of the topic and, where appropriate, identifies models that can be empirically tested. Part One presents contrasting theoretical approaches from cognitive psychology, philosophy, semiotics, communication, musicology, and neuroscience. Part Two reviews research on the structural aspects of music and multimedia, while Part Three focuses on research examining the influence of music on perceived meaning in the multimedia experience. Part Four explores empirical findings in a variety of real-world applications of music in multimedia including entertainment and educational media for children, video and computer games, television and online advertising, and auditory displays of information. Finally, the closing chapter in Part Five identifies emerging themes and points to the value of broadening the scope of research to encompass multisensory, multidisciplinary, and cross-cultural perspectives to advance our understanding of the role of music in multimedia. This is a valuable book for those in the fields of music psychology and musicology, as well as film and media studies.

The Music Business

Author: Dick Weissman
Editor: Three Rivers Press
ISBN: 0307788962
Size: 13,37 MB
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The Must-Have Guide for Breaking into the Music Business Completely revised and updated for the twenty-first century, The Music Business provides essential career advice and information on how to get started and advance in all areas of the music industry—from an author who’s had careers in music as an artist and professor for more than two decades. This comprehensive volume gives you guidance and information on: • Starting your music career • The ins and outs of recording contracts • Record producing and music engineering • The distribution and sale of records • The Internet and MP3s, and their effects on the music industry • The latest computer programs • Copyright law • Composing music and songwriting • Music education • The international music industry • And much more . . . The Music Business is an indispensable reference for anyone who wants to begin a career in any of the industry’s facets, as well as an invaluable aid to professional and would-be professional musicians alike.

Media Studies

Author: Philip Rayner
Editor: Psychology Press
ISBN: 9780415291736
Size: 12,21 MB
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This text is a comprehensive collection of primary source material for those studying the media at university and pre-university level. Extracts include a range of texts from academic and non-academic works including journalism and writings on film, television and popular culture.

Goldeneye

Author: Matthew Parker
Editor: Random House
ISBN: 1448185262
Size: 14,91 MB
Format: PDF
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THE TOP 10 SUNDAY TIMES BESTSELLER 'Completely fascinating, authoritative and intriguing' William Boyd 'The big bang of Bond books... Beautiful, brilliant' Tony Parsons Goldeneye: the story of Ian Fleming in Jamaica and the creation of British national icon, James Bond. From 1946 until the end of his life, Ian Fleming lived for two months of every year at Goldeneye – the house he built on a point of high land overlooking a small white sand beach on Jamaica’s north coast. All the James Bond novels and stories were written here. Fleming adored the Jamaica he had discovered, at the time an imperial backwater that seemed unchanged from the glory days of the empire. Amid its stunning natural beauty, the austerity and decline of post-war Britain could be forgotten. For Fleming, Jamaica offered the perfect mixture of British old-fashioned conservatism and imperial values, alongside the dangerous and sensual: the same curious combination that made his novels so appealing, and successful. The spirit of the island – its exotic beauty, its unpredictability, its melancholy, its love of exaggeration and gothic melodrama – infuses his writing. Fleming threw himself into the island’s hedonistic Jet Set party scene: Hollywood giants, and the cream of British aristocracy, the theatre, literary society and the secret services spent their time here drinking and bed-hopping. But while the whites partied, Jamaican blacks were rising up to demand respect and self-government. And as the imperial hero James Bond – projecting British power across the world – became ever more anachronistic and fantastical, so his popularity soared. Drawing on extensive interviews with Ian’s family, his Jamaican lover Blanche Blackwell and many other islanders, Goldeneye is a beautifully written, revealing and original exploration of a crucially important part of Ian Fleming’s life and work.

The James Bond Phenomenon

Author: Christoph Lindner
Editor: Manchester University Press
ISBN: 9780719065415
Size: 19,62 MB
Format: PDF, Mobi
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Sean Connery's tuxedo, Ursula Andress' bikini, Oddjob's bowler hat, and Q's gadgets are just a few defining features of the 007 world examined in this text. Drawn from the fields of literary, film, music and cultural studies, the essays in this collection range from revitalized readings of Ian Fleming's spy novels to the analysis of Pussy Galore's lesbianism, Miss Monneypenny's filmic feminism and Pierce Brosnan's techno-fetishism. Together the essays not only consider the James Bond novels and films in relation to their historical, political and social contexts, from the Cold-War period onwards, but also examine the classic bond canon from an array of theoretical perspectives. What the text aims to show is that there is much more to the 007 series than cheap thrills, fast cars and beautiful women. Leach, among others, Lindner illustrates not only how the Bond character has conquered the globe, but has sustained its pre-eminence across six decades. Starting with the original books and moving through the films, the music and the marketing, this study should be of use to students of film, media, popular literature, marketing and cultural studies.