Surrealism And The Art Of Crime
Author: Jonathan Paul Eburne
Editor: Cornell University Press
ISBN: 9780801446740
File Size: 56,63 MB
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Corpses mark surrealism's path through the twentieth century, providing material evidence of the violence in modern life. Though the shifting group of poets, artists, and critics who made up the surrealist movement were witness to total war, revolutionary violence, and mass killing, it was the tawdry reality of everyday crime that fascinated them. Jonathan P. Eburne shows us how this focus reveals the relationship between aesthetics and politics in the thought and artwork of the surrealists and establishes their movement as a useful platform for addressing the contemporary problem of violence, both individual and political.In a book strikingly illustrated with surrealist artworks and their sometimes gruesome source material, Eburne addresses key individual works by both better-known surrealist writers and artists (including André Breton, Louis Aragon, Aimé Césaire, Jacques Lacan, Georges Bataille, Max Ernst, and Salvador Dalí) and lesser-known figures (such as René Crevel, Simone Breton, Leonora Carrington, Benjamin Péret, and Jules Monnerot). For Eburne the art of crime denotes an array of cultural production including sensationalist journalism, detective mysteries, police blotters, crime scene photos, and documents of medical and legal opinion as well as the roman noir, in particular the first crime novel of the American Chester Himes. The surrealists collected and scrutinized such materials, using them as the inspiration for the outpouring of political tracts, pamphlets, and artworks through which they sought to expose the forms of violence perpetrated in the name of the state, its courts, and respectable bourgeois values.Concluding with the surrealists' quarrel with the existentialists and their bitter condemnation of France's anticolonial wars, Surrealism and the Art of Crime establishes surrealism as a vital element in the intellectual, political, and artistic history of the twentieth century.
Editor: Cornell University Press
ISBN: 9780801446740
File Size: 56,63 MB
Format: PDF, ePub
Read: 7997
Language: en
Pages: 389
Pages: 389
Language: en
Pages: 216
Pages: 216
Stephen Eric Bronner revisits the modernist project's groundbreaking innovations, itsexperimental imagination, and its utopian politics. Reading the artistic and intellectual achievements of the movement's leading figures against larger social, political, and cultural trends, he follows the rise of a flawed yet salient effort at liberation and its confrontation with modernity.
Language: en
Pages: 240
Pages: 240
"Peter De Vries and Surrealism rereads De Vries in the light of surrealism and argues that the novelist and poet devised a new comic form, surrealist farce." "De Vries's style and narrative technique are often surrealistic, and he mentions surrealism and surrealists in all but two of his twenty-six books.
Language: en
Pages: 361
Pages: 361
What is Literature? challenges anyone who writes as if literature could be extricated from history or society. But Sartre does more than indict. He offers a definitive statement about the phenomenology of reading, and he goes on to provide a dashing example of how to write a history of literature
Language: en
Pages: 496
Pages: 496
This excellent overview of new research on Dada and Surrealism blends expert synthesis of the latest scholarship with completely new research, offering historical coverage as well as in-depth discussion of thematic areas ranging from criminality to gender. This book provides an excellent overview of new research on Dada and Surrealism